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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 30 / 64 / 0 / 42 it is the complementary color CMYK 25 / 0 / 47 / 21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 30 / 64 / 0 / 42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 30 / 64 / 0 / 42: CMYK 24 / 63 / 0 / 44, CMYK 22 / 56 / 0 / 36, CMYK 21 / 51 / 0 / 29, CMYK 20 / 47 / 0 / 22 and CMYK 19 / 43 / 0 / 14

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 30 / 64 / 0 / 42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 30 / 64 / 0 / 42: CMYK 30 / 64 / 0 / 42, CMYK 33 / 73 / 0 / 49, CMYK 36 / 85 / 0 / 57, CMYK 42 / 100 / 0 / 64 and CMYK 50 / 100 / 0 / 72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 64 / 0 / 42

HEX #683594

RGB 104 53 148

HSL 272.21, 0.47%, 0.39%

LAB 33.19, 41.05, -43.62

 

Complementary color

CMYK 25 / 0 / 47 / 21

HEX #97CA6B

RGB 151 202 107

HSL 92.21, 0.47%, 0.61%

LAB 76, -32.98, 41.95

 

CMYK 24 / 63 / 0 / 44

HEX #6D358F

RGB 109 53 143

HSL 277.33, 0.46%, 0.38%

LAB 33.52, 41.07, -40

 

CMYK 22 / 56 / 0 / 36

HEX #7E47A2

RGB 126 71 162

HSL 276.26, 0.39%, 0.46%

LAB 40.49, 40.29, -40.25

 

CMYK 21 / 51 / 0 / 29

HEX #8F59B5

RGB 143 89 181

HSL 275.22, 0.38%, 0.53%

LAB 47.39, 39.42, -40.38

 

CMYK 20 / 47 / 0 / 22

HEX #A06BC8

RGB 160 107 200

HSL 274.19, 0.46%, 0.6%

LAB 54.2, 38.55, -40.47

 

CMYK 19 / 43 / 0 / 14

HEX #B17DDB

RGB 177 125 219

HSL 273.19, 0.57%, 0.67%

LAB 60.9, 37.71, -40.55

 

CMYK 30 / 64 / 0 / 42

HEX #683594

RGB 104 53 148

HSL 272.21, 0.47%, 0.39%

LAB 33.19, 41.05, -43.62

 

CMYK 33 / 73 / 0 / 49

HEX #572381

RGB 87 35 129

HSL 273.19, 0.57%, 0.32%

LAB 26.2, 41.66, -43.26

 

CMYK 36 / 85 / 0 / 57

HEX #46116E

RGB 70 17 110

HSL 274.19, 0.73%, 0.25%

LAB 19.34, 41.52, -42.37

 

CMYK 42 / 100 / 0 / 64

HEX #35005B

RGB 53 0 91

HSL 274.95, 1%, 0.18%

LAB 12.69, 40.4, -40.82

 

CMYK 50 / 100 / 0 / 72

HEX #240048

RGB 36 0 72

HSL 270, 1%, 0.14%

LAB 7.61, 33.85, -36.2

 

CMYK 30 / 64 / 0 / 42

HEX #683594

RGB 104 53 148

HSL 272.21, 0.47%, 0.39%

LAB 33.19, 41.05, -43.62

 

CMYK 19 / 64 / 0 / 43

HEX #763492

RGB 118 52 146

HSL 282.13, 0.47%, 0.39%

LAB 34.77, 44.52, -39.77

 

CMYK 9 / 64 / 0 / 43

HEX #853492

RGB 133 52 146

HSL 291.7, 0.47%, 0.39%

LAB 36.96, 48.3, -36.14

 

CMYK 0 / 64 / 2 / 43

HEX #92348F

RGB 146 52 143

HSL 301.91, 0.47%, 0.39%

LAB 38.81, 51.08, -31.26

 

CMYK 0 / 64 / 13 / 43

HEX #92347F

RGB 146 52 127

HSL 312.13, 0.47%, 0.39%

LAB 38.02, 48.39, -22.67

 

CMYK 30 / 64 / 0 / 42

HEX #683594

RGB 104 53 148

HSL 272.21, 0.47%, 0.39%

LAB 33.19, 41.05, -43.62

 

CMYK 30 / 64 / 0 / 22

HEX #8C47C7

RGB 140 71 199

HSL 272.34, 0.53%, 0.53%

LAB 44.53, 52.38, -55.45

 

CMYK 30 / 64 / 0 / 2

HEX #B05AFA

RGB 176 90 250

HSL 272.25, 0.94%, 0.67%

LAB 55.53, 62.65, -66.38

 

CMYK 30 / 65 / 0 / 82

HEX #20102E

RGB 32 16 46

HSL 272, 0.48%, 0.12%

LAB 7.9, 15.74, -17.01

 

CMYK 30 / 64 / 0 / 62

HEX #442361

RGB 68 35 97

HSL 271.94, 0.47%, 0.26%

LAB 21.19, 28.83, -30.9

 

CMYK 30 / 64 / 0 / 42

HEX #683594

RGB 104 53 148

HSL 272.21, 0.47%, 0.39%

LAB 33.19, 41.05, -43.62

 

CMYK 0 / 64 / 47 / 43

HEX #92344D

RGB 146 52 77

HSL 344.04, 0.47%, 0.39%

LAB 36.18, 41.76, 6.14

 

CMYK 64 / 0 / 55 / 43

HEX #349241

RGB 52 146 65

HSL 128.3, 0.47%, 0.39%

LAB 53.67, -45.04, 34.59

 

CMYK 30 / 64 / 0 / 42

HEX #683594

RGB 104 53 148

HSL 272.21, 0.47%, 0.39%

LAB 33.19, 41.05, -43.62

 

CMYK 0 / 30 / 64 / 43

HEX #926634

RGB 146 102 52

HSL 31.91, 0.47%, 0.39%

LAB 46.79, 12.29, 34.77

 

CMYK 64 / 0 / 30 / 43

HEX #349266

RGB 52 146 102

HSL 151.91, 0.47%, 0.39%

LAB 54.29, -38.32, 15.38

 

CMYK 30 / 64 / 0 / 42

HEX #683594

RGB 104 53 148

HSL 272.21, 0.47%, 0.39%

LAB 33.19, 41.05, -43.62

 

CMYK 0 / 64 / 47 / 43

HEX #92344D

RGB 146 52 77

HSL 344.04, 0.47%, 0.39%

LAB 36.18, 41.76, 6.14

 

CMYK 34 / 0 / 64 / 43

HEX #609234

RGB 96 146 52

HSL 91.91, 0.47%, 0.39%

LAB 55.37, -33.17, 43.26

 

CMYK 64 / 0 / 17 / 43

HEX #349279

RGB 52 146 121

HSL 164.04, 0.47%, 0.39%

LAB 54.73, -33.79, 5.18

 

CMYK 30 / 64 / 0 / 42

HEX #683594

RGB 104 53 148

HSL 272.21, 0.47%, 0.39%

LAB 33.19, 41.05, -43.62

 

CMYK 0 / 62 / 64 / 43

HEX #923734

RGB 146 55 52

HSL 1.91, 0.47%, 0.39%

LAB 36.16, 38.22, 21.96

 

CMYK 34 / 0 / 64 / 43

HEX #609234

RGB 96 146 52

HSL 91.91, 0.47%, 0.39%

LAB 55.37, -33.17, 43.26

 

CMYK 64 / 2 / 0 / 43

HEX #348F92

RGB 52 143 146

HSL 181.91, 0.47%, 0.39%

LAB 54.5, -25.37, -9.54

 

Description

Color code: CMYK 30 / 64 / 0 / 42 | qconv.com Color code: CMYK 30 / 64 / 0 / 42 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 53 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 53 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 64 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 64% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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