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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 30 / 60 / 90 / 20 it is the complementary color CMYK 52 / 26 / 0 / 8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 30 / 60 / 90 / 20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 30 / 60 / 90 / 20: CMYK 0 / 45 / 90 / 42, CMYK 0 / 39 / 79 / 35, CMYK 0 / 35 / 71 / 29, CMYK 0 / 32 / 64 / 22 and CMYK 0 / 29 / 58 / 15

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 30 / 60 / 90 / 20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 30 / 60 / 90 / 20: CMYK 0 / 43 / 86 / 44, CMYK 0 / 49 / 99 / 51, CMYK 0 / 58 / 100 / 57, CMYK 0 / 70 / 100 / 64 and CMYK 0 / 87 / 100 / 71

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 60 / 90 / 20

HEX #8F5214

RGB 143 82 20

HSL 30.24, 0.75%, 0.32%

LAB 41.1, 20.88, 43.96

 

Complementary color

CMYK 52 / 26 / 0 / 8

HEX #70ADEB

RGB 112 173 235

HSL 210.24, 0.75%, 0.68%

LAB 68.99, -2.5, -37.08

 

CMYK 0 / 45 / 90 / 42

HEX #94520F

RGB 148 82 15

HSL 30.23, 0.82%, 0.32%

LAB 41.79, 22.99, 46.59

 

CMYK 0 / 39 / 79 / 35

HEX #A56422

RGB 165 100 34

HSL 30.23, 0.66%, 0.39%

LAB 48.55, 20.96, 46.13

 

CMYK 0 / 35 / 71 / 29

HEX #B67635

RGB 182 118 53

HSL 30.23, 0.55%, 0.46%

LAB 55.24, 19.23, 44.87

 

CMYK 0 / 32 / 64 / 22

HEX #C78848

RGB 199 136 72

HSL 30.24, 0.53%, 0.53%

LAB 61.84, 17.76, 43.39

 

CMYK 0 / 29 / 58 / 15

HEX #D89A5B

RGB 216 154 91

HSL 30.24, 0.62%, 0.6%

LAB 68.36, 16.49, 41.88

 

CMYK 0 / 43 / 86 / 44

HEX #8F5214

RGB 143 82 20

HSL 30.24, 0.75%, 0.32%

LAB 41.1, 20.88, 43.96

 

CMYK 0 / 49 / 99 / 51

HEX #7E4001

RGB 126 64 1

HSL 30.24, 0.98%, 0.25%

LAB 34.2, 23.1, 44.08

 

CMYK 0 / 58 / 100 / 57

HEX #6D2E00

RGB 109 46 0

HSL 25.32, 1%, 0.21%

LAB 27.31, 25.69, 38.21

 

CMYK 0 / 70 / 100 / 64

HEX #5C1C00

RGB 92 28 0

HSL 18.26, 1%, 0.18%

LAB 20.46, 28.02, 30.35

 

CMYK 0 / 87 / 100 / 71

HEX #4B0A00

RGB 75 10 0

HSL 8, 1%, 0.15%

LAB 13.9, 29.3, 21.51

 

CMYK 0 / 43 / 86 / 44

HEX #8F5214

RGB 143 82 20

HSL 30.24, 0.75%, 0.32%

LAB 41.1, 20.88, 43.96

 

CMYK 0 / 29 / 86 / 44

HEX #8E6514

RGB 142 101 20

HSL 39.84, 0.75%, 0.32%

LAB 45.78, 9.4, 47.93

 

CMYK 0 / 14 / 86 / 44

HEX #8E7A14

RGB 142 122 20

HSL 50.16, 0.75%, 0.32%

LAB 51.52, -2.62, 52.78

 

CMYK 0 / 0 / 86 / 44

HEX #8E8E14

RGB 142 142 20

HSL 60, 0.75%, 0.32%

LAB 57.22, -13.54, 57.55

 

CMYK 14 / 0 / 86 / 44

HEX #7A8E14

RGB 122 142 20

HSL 69.84, 0.75%, 0.32%

LAB 55.62, -22.5, 55.56

 

CMYK 0 / 43 / 86 / 44

HEX #8F5214

RGB 143 82 20

HSL 30.24, 0.75%, 0.32%

LAB 41.1, 20.88, 43.96

 

CMYK 0 / 43 / 86 / 24

HEX #C26F1B

RGB 194 111 27

HSL 30.18, 0.76%, 0.43%

LAB 54.99, 27.23, 56.03

 

CMYK 0 / 43 / 86 / 4

HEX #F58C22

RGB 245 140 34

HSL 30.14, 0.91%, 0.55%

LAB 68.23, 33.23, 67.43

 

CMYK 0 / 41 / 85 / 84

HEX #291806

RGB 41 24 6

HSL 30.86, 0.74%, 0.09%

LAB 10.09, 6.31, 12.75

 

CMYK 0 / 42 / 86 / 64

HEX #5C350D

RGB 92 53 13

HSL 30.38, 0.75%, 0.21%

LAB 26.3, 14.04, 30.87

 

CMYK 0 / 43 / 86 / 44

HEX #8F5214

RGB 143 82 20

HSL 30.24, 0.75%, 0.32%

LAB 41.1, 20.88, 43.96

 

CMYK 60 / 0 / 86 / 44

HEX #398E14

RGB 57 142 20

HSL 101.8, 0.75%, 0.32%

LAB 52.14, -46.49, 51.17

 

CMYK 77 / 86 / 0 / 44

HEX #20148E

RGB 32 20 142

HSL 245.9, 0.75%, 0.32%

LAB 19.06, 44.92, -63.35

 

CMYK 0 / 43 / 86 / 44

HEX #8F5214

RGB 143 82 20

HSL 30.24, 0.75%, 0.32%

LAB 41.1, 20.88, 43.96

 

CMYK 86 / 0 / 43 / 44

HEX #148E51

RGB 20 142 81

HSL 150, 0.75%, 0.32%

LAB 51.94, -45.92, 23.82

 

CMYK 43 / 86 / 0 / 44

HEX #51148E

RGB 81 20 142

HSL 270, 0.75%, 0.32%

LAB 24.33, 49.99, -54.47

 

CMYK 0 / 43 / 86 / 44

HEX #8F5214

RGB 143 82 20

HSL 30.24, 0.75%, 0.32%

LAB 41.1, 20.88, 43.96

 

CMYK 60 / 0 / 86 / 44

HEX #398E14

RGB 57 142 20

HSL 101.8, 0.75%, 0.32%

LAB 52.14, -46.49, 51.17

 

CMYK 86 / 43 / 0 / 44

HEX #14518E

RGB 20 81 142

HSL 210, 0.75%, 0.32%

LAB 33.95, 4.83, -39.06

 

CMYK 25 / 86 / 0 / 44

HEX #6A148E

RGB 106 20 142

HSL 282.3, 0.75%, 0.32%

LAB 28.16, 53.88, -48.06

 

CMYK 0 / 43 / 86 / 44

HEX #8F5214

RGB 143 82 20

HSL 30.24, 0.75%, 0.32%

LAB 41.1, 20.88, 43.96

 

CMYK 86 / 0 / 86 / 44

HEX #148E14

RGB 20 142 20

HSL 120, 0.75%, 0.32%

LAB 51.32, -53.44, 50.12

 

CMYK 86 / 43 / 0 / 44

HEX #14518E

RGB 20 81 142

HSL 210, 0.75%, 0.32%

LAB 33.95, 4.83, -39.06

 

CMYK 0 / 86 / 0 / 44

HEX #8E148E

RGB 142 20 142

HSL 300, 0.75%, 0.32%

LAB 34.4, 60.46, -37.68

 

Description

Color code: CMYK 30 / 60 / 90 / 20 | qconv.com Color code: CMYK 30 / 60 / 90 / 20 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 82 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 82 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 60 magenta, 90 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 60% 90% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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