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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 30 / 42 / 0 / 64 it is the complementary color CMYK 5 / 0 / 19 / 21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 30 / 42 / 0 / 64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 30 / 42 / 0 / 64: CMYK 21 / 39 / 0 / 66, CMYK 19 / 33 / 0 / 58, CMYK 18 / 29 / 0 / 51, CMYK 17 / 26 / 0 / 44 and CMYK 16 / 23 / 0 / 36

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 30 / 42 / 0 / 64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 30 / 42 / 0 / 64: CMYK 30 / 42 / 0 / 64, CMYK 36 / 52 / 0 / 71, CMYK 44 / 69 / 0 / 79, CMYK 63 / 100 / 0 / 86 and CMYK 100 / 100 / 0 / 94

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 42 / 0 / 64

HEX #40355C

RGB 64 53 92

HSL 256.92, 0.27%, 0.28%

LAB 24.98, 14.62, -21.63

 

Complementary color

CMYK 5 / 0 / 19 / 21

HEX #BFCAA3

RGB 191 202 163

HSL 76.92, 0.27%, 0.72%

LAB 79.59, -10.52, 18.24

 

CMYK 21 / 39 / 0 / 66

HEX #453557

RGB 69 53 87

HSL 268.24, 0.24%, 0.27%

LAB 25.26, 14.94, -17.87

 

CMYK 19 / 33 / 0 / 58

HEX #56476A

RGB 86 71 106

HSL 265.71, 0.2%, 0.35%

LAB 32.97, 14.17, -18

 

CMYK 18 / 29 / 0 / 51

HEX #67597D

RGB 103 89 125

HSL 263.33, 0.17%, 0.42%

LAB 40.42, 13.53, -18.17

 

CMYK 17 / 26 / 0 / 44

HEX #786B90

RGB 120 107 144

HSL 261.08, 0.15%, 0.49%

LAB 47.65, 12.97, -18.38

 

CMYK 16 / 23 / 0 / 36

HEX #897DA3

RGB 137 125 163

HSL 258.95, 0.17%, 0.56%

LAB 54.69, 12.48, -18.61

 

CMYK 30 / 42 / 0 / 64

HEX #40355C

RGB 64 53 92

HSL 256.92, 0.27%, 0.28%

LAB 24.98, 14.62, -21.63

 

CMYK 36 / 52 / 0 / 71

HEX #2F2349

RGB 47 35 73

HSL 258.95, 0.35%, 0.21%

LAB 16.93, 15.66, -21.74

 

CMYK 44 / 69 / 0 / 79

HEX #1E1136

RGB 30 17 54

HSL 261.08, 0.52%, 0.14%

LAB 8.51, 16.97, -21.92

 

CMYK 63 / 100 / 0 / 86

HEX #0D0023

RGB 13 0 35

HSL 262.29, 1%, 0.07%

LAB 1.87, 11.17, -18.23

 

CMYK 100 / 100 / 0 / 94

HEX #000010

RGB 0 0 16

HSL 240, 1%, 0.03%

LAB 0.34, 2.37, -6.46

 

CMYK 30 / 42 / 0 / 64

HEX #40355C

RGB 64 53 92

HSL 256.92, 0.27%, 0.28%

LAB 24.98, 14.62, -21.63

 

CMYK 24 / 42 / 0 / 65

HEX #44345A

RGB 68 52 90

HSL 265.26, 0.27%, 0.28%

LAB 25.02, 16.07, -20.22

 

CMYK 17 / 42 / 0 / 65

HEX #4B345A

RGB 75 52 90

HSL 276.32, 0.27%, 0.28%

LAB 25.83, 18.5, -18.89

 

CMYK 10 / 42 / 0 / 65

HEX #51345A

RGB 81 52 90

HSL 285.79, 0.27%, 0.28%

LAB 26.57, 20.62, -17.69

 

CMYK 2 / 42 / 0 / 65

HEX #58345A

RGB 88 52 90

HSL 296.84, 0.27%, 0.28%

LAB 27.49, 23.11, -16.2

 

CMYK 30 / 42 / 0 / 64

HEX #40355C

RGB 64 53 92

HSL 256.92, 0.27%, 0.28%

LAB 24.98, 14.62, -21.63

 

CMYK 31 / 43 / 0 / 44

HEX #63528F

RGB 99 82 143

HSL 256.72, 0.27%, 0.44%

LAB 39.02, 21.26, -31.34

 

CMYK 30 / 42 / 0 / 24

HEX #8770C2

RGB 135 112 194

HSL 256.83, 0.4%, 0.6%

LAB 52.55, 27.12, -39.81

 

CMYK 31 / 42 / 0 / 4

HEX #AA8DF5

RGB 170 141 245

HSL 256.73, 0.84%, 0.76%

LAB 65.11, 32.97, -48.36

 

CMYK 29 / 41 / 0 / 84

HEX #1D1829

RGB 29 24 41

HSL 257.65, 0.26%, 0.13%

LAB 9.6, 7.17, -10.67

 

CMYK 30 / 42 / 0 / 64

HEX #40355C

RGB 64 53 92

HSL 256.92, 0.27%, 0.28%

LAB 24.98, 14.62, -21.63

 

CMYK 0 / 42 / 20 / 65

HEX #5A3448

RGB 90 52 72

HSL 328.42, 0.27%, 0.28%

LAB 27.01, 20.27, -5.06

 

CMYK 37 / 0 / 42 / 65

HEX #395A34

RGB 57 90 52

HSL 112.11, 0.27%, 0.28%

LAB 34.86, -20.56, 18.23

 

CMYK 30 / 42 / 0 / 64

HEX #40355C

RGB 64 53 92

HSL 256.92, 0.27%, 0.28%

LAB 24.98, 14.62, -21.63

 

CMYK 0 / 31 / 42 / 65

HEX #5A3E34

RGB 90 62 52

HSL 15.79, 0.27%, 0.28%

LAB 29.07, 10.8, 11.03

 

CMYK 42 / 0 / 31 / 65

HEX #345A3E

RGB 52 90 62

HSL 135.79, 0.27%, 0.28%

LAB 34.78, -20.45, 12.03

 

CMYK 30 / 42 / 0 / 64

HEX #40355C

RGB 64 53 92

HSL 256.92, 0.27%, 0.28%

LAB 24.98, 14.62, -21.63

 

CMYK 0 / 42 / 20 / 65

HEX #5A3448

RGB 90 52 72

HSL 328.42, 0.27%, 0.28%

LAB 27.01, 20.27, -5.06

 

CMYK 11 / 0 / 42 / 65

HEX #505A34

RGB 80 90 52

HSL 75.79, 0.27%, 0.28%

LAB 36.49, -11, 20.66

 

CMYK 42 / 0 / 22 / 65

HEX #345A46

RGB 52 90 70

HSL 148.42, 0.27%, 0.28%

LAB 34.97, -18.67, 7.36

 

CMYK 30 / 42 / 0 / 64

HEX #40355C

RGB 64 53 92

HSL 256.92, 0.27%, 0.28%

LAB 24.98, 14.62, -21.63

 

CMYK 0 / 42 / 32 / 65

HEX #5A343D

RGB 90 52 61

HSL 345.79, 0.27%, 0.28%

LAB 26.64, 18.42, 1.7

 

CMYK 11 / 0 / 42 / 65

HEX #505A34

RGB 80 90 52

HSL 75.79, 0.27%, 0.28%

LAB 36.49, -11, 20.66

 

CMYK 42 / 0 / 10 / 65

HEX #345A51

RGB 52 90 81

HSL 165.79, 0.27%, 0.28%

LAB 35.27, -15.94, 0.94

 

Description

Color code: CMYK 30 / 42 / 0 / 64 | qconv.com Color code: CMYK 30 / 42 / 0 / 64 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 53 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 53 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 42 magenta, none yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 42% 0% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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