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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 30 / 26 / 0 / 19 it is the complementary color CMYK 0 / 7 / 56 / 57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 30 / 26 / 0 / 19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 30 / 26 / 0 / 19: CMYK 26 / 24 / 0 / 21, CMYK 24 / 23 / 0 / 13, CMYK 23 / 21 / 0 / 6, CMYK 21 / 19 / 0 / 0 and CMYK 15 / 12 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 30 / 26 / 0 / 19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 30 / 26 / 0 / 19: CMYK 30 / 26 / 0 / 19, CMYK 32 / 28 / 0 / 26, CMYK 34 / 31 / 0 / 34, CMYK 37 / 34 / 0 / 41 and CMYK 41 / 38 / 0 / 49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 26 / 0 / 19

HEX #9199CF

RGB 145 153 207

HSL 232.26, 0.39%, 0.69%

LAB 64.41, 9.49, -28.59

 

Complementary color

CMYK 0 / 7 / 56 / 57

HEX #6E6630

RGB 110 102 48

HSL 52.26, 0.39%, 0.31%

LAB 42.81, -4.66, 31.27

 

CMYK 26 / 24 / 0 / 21

HEX #9699CA

RGB 150 153 202

HSL 236.54, 0.33%, 0.69%

LAB 64.59, 9.75, -25.5

 

CMYK 24 / 23 / 0 / 13

HEX #A7ABDD

RGB 167 171 221

HSL 235.56, 0.44%, 0.76%

LAB 71.26, 9.36, -25.66

 

CMYK 23 / 21 / 0 / 6

HEX #B8BDF0

RGB 184 189 240

HSL 234.64, 0.65%, 0.83%

LAB 77.8, 9.01, -25.84

 

CMYK 21 / 19 / 0 / 0

HEX #C9CFFF

RGB 201 207 255

HSL 233.33, 1%, 0.89%

LAB 84.1, 7.79, -24.13

 

CMYK 15 / 12 / 0 / 0

HEX #DAE1FF

RGB 218 225 255

HSL 228.65, 1%, 0.93%

LAB 89.85, 3.5, -15.33

 

CMYK 30 / 26 / 0 / 19

HEX #9199CF

RGB 145 153 207

HSL 232.26, 0.39%, 0.69%

LAB 64.41, 9.49, -28.59

 

CMYK 32 / 28 / 0 / 26

HEX #8087BC

RGB 128 135 188

HSL 233, 0.31%, 0.62%

LAB 57.61, 9.96, -28.52

 

CMYK 34 / 31 / 0 / 34

HEX #6F75A9

RGB 111 117 169

HSL 233.79, 0.25%, 0.55%

LAB 50.65, 10.51, -28.49

 

CMYK 37 / 34 / 0 / 41

HEX #5E6396

RGB 94 99 150

HSL 234.64, 0.23%, 0.48%

LAB 43.52, 11.14, -28.52

 

CMYK 41 / 38 / 0 / 49

HEX #4D5183

RGB 77 81 131

HSL 235.56, 0.26%, 0.41%

LAB 36.18, 11.92, -28.62

 

CMYK 30 / 26 / 0 / 19

HEX #9199CF

RGB 145 153 207

HSL 232.26, 0.39%, 0.69%

LAB 64.41, 9.49, -28.59

 

CMYK 29 / 30 / 0 / 19

HEX #9391CE

RGB 147 145 206

HSL 241.97, 0.38%, 0.69%

LAB 62.43, 14.41, -31.08

 

CMYK 24 / 30 / 0 / 19

HEX #9D91CE

RGB 157 145 206

HSL 251.8, 0.38%, 0.69%

LAB 63.24, 17.41, -29.76

 

CMYK 19 / 30 / 0 / 19

HEX #A791CE

RGB 167 145 206

HSL 261.64, 0.38%, 0.69%

LAB 64.1, 20.5, -28.37

 

CMYK 14 / 30 / 0 / 19

HEX #B291CE

RGB 178 145 206

HSL 272.46, 0.38%, 0.69%

LAB 65.1, 23.96, -26.74

 

CMYK 30 / 26 / 0 / 19

HEX #9199CF

RGB 145 153 207

HSL 232.26, 0.39%, 0.69%

LAB 64.41, 9.49, -28.59

 

CMYK 33 / 33 / 0 / 99

HEX #020203

RGB 2 2 3

HSL 240, 0.2%, 0.01%

LAB 0.57, 0.14, -0.38

 

CMYK 30 / 26 / 0 / 79

HEX #262836

RGB 38 40 54

HSL 232.5, 0.17%, 0.18%

LAB 16.48, 2.99, -9.33

 

CMYK 30 / 26 / 0 / 59

HEX #4A4E69

RGB 74 78 105

HSL 232.26, 0.17%, 0.35%

LAB 33.83, 5.25, -16.15

 

CMYK 30 / 26 / 0 / 39

HEX #6D739C

RGB 109 115 156

HSL 232.34, 0.19%, 0.52%

LAB 49.39, 7.59, -22.86

 

CMYK 30 / 26 / 0 / 19

HEX #9199CF

RGB 145 153 207

HSL 232.26, 0.39%, 0.69%

LAB 64.41, 9.49, -28.59

 

CMYK 0 / 30 / 2 / 19

HEX #CE91CA

RGB 206 145 202

HSL 303.93, 0.38%, 0.69%

LAB 67.75, 32.24, -20.21

 

CMYK 14 / 0 / 30 / 19

HEX #B2CE91

RGB 178 206 145

HSL 87.54, 0.38%, 0.69%

LAB 79.42, -20.02, 27.34

 

CMYK 30 / 26 / 0 / 19

HEX #9199CF

RGB 145 153 207

HSL 232.26, 0.39%, 0.69%

LAB 64.41, 9.49, -28.59

 

CMYK 0 / 30 / 26 / 19

HEX #CE9199

RGB 206 145 153

HSL 352.13, 0.38%, 0.69%

LAB 66.27, 24.19, 5.04

 

CMYK 26 / 0 / 30 / 19

HEX #99CE91

RGB 153 206 145

HSL 112.13, 0.38%, 0.69%

LAB 77.85, -28.84, 24.96

 

CMYK 30 / 26 / 0 / 19

HEX #9199CF

RGB 145 153 207

HSL 232.26, 0.39%, 0.69%

LAB 64.41, 9.49, -28.59

 

CMYK 0 / 30 / 2 / 19

HEX #CE91CA

RGB 206 145 202

HSL 303.93, 0.38%, 0.69%

LAB 67.75, 32.24, -20.21

 

CMYK 0 / 4 / 30 / 19

HEX #CEC691

RGB 206 198 145

HSL 52.13, 0.38%, 0.69%

LAB 79.36, -5.37, 27.62

 

CMYK 30 / 0 / 28 / 19

HEX #91CE95

RGB 145 206 149

HSL 123.93, 0.38%, 0.69%

LAB 77.48, -30.83, 22.27

 

CMYK 30 / 26 / 0 / 19

HEX #9199CF

RGB 145 153 207

HSL 232.26, 0.39%, 0.69%

LAB 64.41, 9.49, -28.59

 

CMYK 0 / 30 / 11 / 19

HEX #CE91B8

RGB 206 145 184

HSL 321.64, 0.38%, 0.69%

LAB 67.15, 29.05, -11.06

 

CMYK 0 / 4 / 30 / 19

HEX #CEC691

RGB 206 198 145

HSL 52.13, 0.38%, 0.69%

LAB 79.36, -5.37, 27.62

 

CMYK 30 / 0 / 19 / 19

HEX #91CEA7

RGB 145 206 167

HSL 141.64, 0.38%, 0.69%

LAB 77.85, -27.57, 13.24

 

Description

Color code: CMYK 30 / 26 / 0 / 19 | qconv.com Color code: CMYK 30 / 26 / 0 / 19 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 153 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 153 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 26 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 26% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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