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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 30 / 16 / 0 / 12 it is the complementary color CMYK 0 / 32 / 68 / 62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 30 / 16 / 0 / 12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 30 / 16 / 0 / 12: CMYK 26 / 14 / 0 / 14, CMYK 25 / 13 / 0 / 7, CMYK 23 / 12 / 0 / 0, CMYK 16 / 5 / 0 / 0 and CMYK 10 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 30 / 16 / 0 / 12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 30 / 16 / 0 / 12: CMYK 30 / 16 / 0 / 12, CMYK 32 / 17 / 0 / 20, CMYK 34 / 18 / 0 / 27, CMYK 37 / 20 / 0 / 35 and CMYK 40 / 22 / 0 / 42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 16 / 0 / 12

HEX #9DBCE0

RGB 157 188 224

HSL 212.24, 0.52%, 0.75%

LAB 75.15, -2.2, -21.41

 

Complementary color

CMYK 0 / 32 / 68 / 62

HEX #62431F

RGB 98 67 31

HSL 32.24, 0.52%, 0.25%

LAB 31.14, 9.28, 26.74

 

CMYK 26 / 14 / 0 / 14

HEX #A2BCDB

RGB 162 188 219

HSL 212.63, 0.44%, 0.75%

LAB 75.3, -1.93, -18.44

 

CMYK 25 / 13 / 0 / 7

HEX #B3CEEE

RGB 179 206 238

HSL 212.54, 0.63%, 0.82%

LAB 81.78, -2.08, -18.75

 

CMYK 23 / 12 / 0 / 0

HEX #C4E0FF

RGB 196 224 255

HSL 211.53, 1%, 0.88%

LAB 88.1, -2.67, -18.12

 

CMYK 16 / 5 / 0 / 0

HEX #D5F2FF

RGB 213 242 255

HSL 198.57, 1%, 0.92%

LAB 93.83, -6.8, -9.43

 

CMYK 10 / 0 / 0 / 0

HEX #E6FFFF

RGB 230 255 255

HSL 180, 1%, 0.95%

LAB 98.26, -8.06, -2.77

 

CMYK 30 / 16 / 0 / 12

HEX #9DBCE0

RGB 157 188 224

HSL 212.24, 0.52%, 0.75%

LAB 75.15, -2.2, -21.41

 

CMYK 32 / 17 / 0 / 20

HEX #8CAACD

RGB 140 170 205

HSL 212.31, 0.39%, 0.68%

LAB 68.56, -2.01, -21.16

 

CMYK 34 / 18 / 0 / 27

HEX #7B98BA

RGB 123 152 186

HSL 212.38, 0.31%, 0.61%

LAB 61.84, -1.79, -20.91

 

CMYK 37 / 20 / 0 / 35

HEX #6A86A7

RGB 106 134 167

HSL 212.46, 0.26%, 0.54%

LAB 54.97, -1.53, -20.69

 

CMYK 40 / 22 / 0 / 42

HEX #597494

RGB 89 116 148

HSL 212.54, 0.25%, 0.46%

LAB 47.95, -1.23, -20.5

 

CMYK 30 / 16 / 0 / 12

HEX #9DBCE0

RGB 157 188 224

HSL 212.24, 0.52%, 0.75%

LAB 75.15, -2.2, -21.41

 

CMYK 29 / 21 / 0 / 12

HEX #9EB1E0

RGB 158 177 224

HSL 222.73, 0.52%, 0.75%

LAB 72.29, 4.09, -25.77

 

CMYK 29 / 26 / 0 / 12

HEX #9EA6E0

RGB 158 166 224

HSL 232.73, 0.52%, 0.75%

LAB 69.41, 10.21, -30.19

 

CMYK 29 / 29 / 0 / 12

HEX #A09EE0

RGB 160 158 224

HSL 241.82, 0.52%, 0.75%

LAB 67.51, 15.3, -33.12

 

CMYK 24 / 29 / 0 / 12

HEX #AB9EE0

RGB 171 158 224

HSL 251.82, 0.52%, 0.75%

LAB 68.38, 18.55, -31.7

 

CMYK 30 / 16 / 0 / 12

HEX #9DBCE0

RGB 157 188 224

HSL 212.24, 0.52%, 0.75%

LAB 75.15, -2.2, -21.41

 

CMYK 30 / 15 / 0 / 92

HEX #0E1114

RGB 14 17 20

HSL 210, 0.18%, 0.07%

LAB 4.92, -0.41, -2.1

 

CMYK 30 / 15 / 0 / 72

HEX #323C47

RGB 50 60 71

HSL 211.43, 0.17%, 0.24%

LAB 24.84, -1.14, -8.1

 

CMYK 30 / 16 / 0 / 52

HEX #56667A

RGB 86 102 122

HSL 213.33, 0.17%, 0.41%

LAB 42.59, -1.01, -13.16

 

CMYK 30 / 16 / 0 / 32

HEX #7991AD

RGB 121 145 173

HSL 212.31, 0.24%, 0.58%

LAB 59.28, -1.78, -17.47

 

CMYK 30 / 16 / 0 / 12

HEX #9DBCE0

RGB 157 188 224

HSL 212.24, 0.52%, 0.75%

LAB 75.15, -2.2, -21.41

 

CMYK 8 / 29 / 0 / 12

HEX #CE9EE0

RGB 206 158 224

HSL 283.64, 0.52%, 0.75%

LAB 71.53, 29.39, -26.6

 

CMYK 4 / 0 / 29 / 12

HEX #D7E09E

RGB 215 224 158

HSL 68.18, 0.52%, 0.75%

LAB 87.11, -13.49, 31.38

 

CMYK 30 / 16 / 0 / 12

HEX #9DBCE0

RGB 157 188 224

HSL 212.24, 0.52%, 0.75%

LAB 75.15, -2.2, -21.41

 

CMYK 0 / 29 / 16 / 12

HEX #E09EBD

RGB 224 158 189

HSL 331.82, 0.52%, 0.75%

LAB 72.21, 29.11, -6.11

 

CMYK 16 / 0 / 29 / 12

HEX #BDE09E

RGB 189 224 158

HSL 91.82, 0.52%, 0.75%

LAB 85.3, -23, 28.65

 

CMYK 30 / 16 / 0 / 12

HEX #9DBCE0

RGB 157 188 224

HSL 212.24, 0.52%, 0.75%

LAB 75.15, -2.2, -21.41

 

CMYK 8 / 29 / 0 / 12

HEX #CE9EE0

RGB 206 158 224

HSL 283.64, 0.52%, 0.75%

LAB 71.53, 29.39, -26.6

 

CMYK 0 / 14 / 29 / 12

HEX #E0C19E

RGB 224 193 158

HSL 31.82, 0.52%, 0.75%

LAB 79.87, 5.88, 21.71

 

CMYK 22 / 0 / 29 / 12

HEX #AFE09E

RGB 175 224 158

HSL 104.55, 0.52%, 0.75%

LAB 84.43, -27.9, 27.32

 

CMYK 30 / 16 / 0 / 12

HEX #9DBCE0

RGB 157 188 224

HSL 212.24, 0.52%, 0.75%

LAB 75.15, -2.2, -21.41

 

CMYK 0 / 29 / 1 / 12

HEX #E09EDE

RGB 224 158 222

HSL 301.82, 0.52%, 0.75%

LAB 73.27, 34.77, -22.67

 

CMYK 0 / 14 / 29 / 12

HEX #E0C19E

RGB 224 193 158

HSL 31.82, 0.52%, 0.75%

LAB 79.87, 5.88, 21.71

 

CMYK 29 / 0 / 29 / 12

HEX #9EE0A0

RGB 158 224 160

HSL 121.82, 0.52%, 0.75%

LAB 83.5, -33.23, 24.87

 

Description

Color code: CMYK 30 / 16 / 0 / 12 | qconv.com Color code: CMYK 30 / 16 / 0 / 12 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 188 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 188 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 16 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 16% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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