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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 30 / 0 / 15 / 27 it is the complementary color CMYK 0 / 45 / 22 / 51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 30 / 0 / 15 / 27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 30 / 0 / 15 / 27: CMYK 27 / 0 / 18 / 27, CMYK 25 / 0 / 16 / 20, CMYK 24 / 0 / 14 / 13, CMYK 23 / 0 / 13 / 6 and CMYK 20 / 0 / 10 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 30 / 0 / 15 / 27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 30 / 0 / 15 / 27: CMYK 30 / 0 / 15 / 27, CMYK 33 / 0 / 17 / 34, CMYK 36 / 0 / 20 / 41, CMYK 40 / 0 / 23 / 48 and CMYK 46 / 0 / 28 / 55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 15 / 27

HEX #82BA9E

RGB 130 186 158

HSL 150, 0.29%, 0.62%

LAB 71.1, -24.23, 8.4

 

Complementary color

CMYK 0 / 45 / 22 / 51

HEX #7D4561

RGB 125 69 97

HSL 330, 0.29%, 0.38%

LAB 36.89, 27.93, -5.93

 

CMYK 27 / 0 / 18 / 27

HEX #87BA99

RGB 135 186 153

HSL 141.18, 0.27%, 0.63%

LAB 71.26, -23.64, 11.39

 

CMYK 25 / 0 / 16 / 20

HEX #98CCAC

RGB 152 204 172

HSL 143.08, 0.34%, 0.7%

LAB 77.78, -23.42, 10.52

 

CMYK 24 / 0 / 14 / 13

HEX #A9DEBF

RGB 169 222 191

HSL 144.91, 0.45%, 0.77%

LAB 84.19, -23.23, 9.7

 

CMYK 23 / 0 / 13 / 6

HEX #BAF0D2

RGB 186 240 210

HSL 146.67, 0.64%, 0.84%

LAB 90.51, -23.05, 8.92

 

CMYK 20 / 0 / 10 / 0

HEX #CBFFE5

RGB 203 255 229

HSL 150, 1%, 0.9%

LAB 95.94, -21.44, 7.03

 

CMYK 30 / 0 / 15 / 27

HEX #82BA9E

RGB 130 186 158

HSL 150, 0.29%, 0.62%

LAB 71.1, -24.23, 8.4

 

CMYK 33 / 0 / 17 / 34

HEX #71A88B

RGB 113 168 139

HSL 148.36, 0.24%, 0.55%

LAB 64.47, -24.48, 9.28

 

CMYK 36 / 0 / 20 / 41

HEX #609678

RGB 96 150 120

HSL 146.67, 0.22%, 0.48%

LAB 57.71, -24.74, 10.24

 

CMYK 40 / 0 / 23 / 48

HEX #4F8465

RGB 79 132 101

HSL 144.91, 0.25%, 0.41%

LAB 50.81, -25.02, 11.28

 

CMYK 46 / 0 / 28 / 55

HEX #3E7252

RGB 62 114 82

HSL 143.08, 0.3%, 0.35%

LAB 43.75, -25.3, 12.43

 

CMYK 30 / 0 / 15 / 27

HEX #82BA9E

RGB 130 186 158

HSL 150, 0.29%, 0.62%

LAB 71.1, -24.23, 8.4

 

CMYK 31 / 0 / 10 / 27

HEX #81BAA7

RGB 129 186 167

HSL 160, 0.29%, 0.62%

LAB 71.27, -22.65, 3.72

 

CMYK 31 / 0 / 5 / 27

HEX #81BAB0

RGB 129 186 176

HSL 169.47, 0.29%, 0.62%

LAB 71.5, -20.67, -0.87

 

CMYK 31 / 0 / 0 / 27

HEX #81BABA

RGB 129 186 186

HSL 180, 0.29%, 0.62%

LAB 71.78, -18.36, -5.93

 

CMYK 31 / 5 / 0 / 27

HEX #81B0BA

RGB 129 176 186

HSL 190.53, 0.29%, 0.62%

LAB 68.94, -13.14, -10.15

 

CMYK 30 / 0 / 15 / 27

HEX #82BA9E

RGB 130 186 158

HSL 150, 0.29%, 0.62%

LAB 71.1, -24.23, 8.4

 

CMYK 30 / 0 / 15 / 7

HEX #A6EDC9

RGB 166 237 201

HSL 149.58, 0.66%, 0.79%

LAB 88.4, -29.44, 10.44

 

CMYK 30 / 0 / 15 / 87

HEX #17211C

RGB 23 33 28

HSL 150, 0.18%, 0.11%

LAB 11.65, -5.83, 1.94

 

CMYK 30 / 0 / 15 / 67

HEX #3B5447

RGB 59 84 71

HSL 148.8, 0.17%, 0.28%

LAB 33.4, -12.64, 4.57

 

CMYK 30 / 0 / 15 / 47

HEX #5E8773

RGB 94 135 115

HSL 150.73, 0.18%, 0.45%

LAB 52.89, -18.72, 6.24

 

CMYK 30 / 0 / 15 / 27

HEX #82BA9E

RGB 130 186 158

HSL 150, 0.29%, 0.62%

LAB 71.1, -24.23, 8.4

 

CMYK 31 / 22 / 0 / 27

HEX #8192BA

RGB 129 146 186

HSL 222.11, 0.29%, 0.62%

LAB 60.58, 3.39, -22.8

 

CMYK 0 / 27 / 31 / 27

HEX #BA8781

RGB 186 135 129

HSL 6.32, 0.29%, 0.62%

LAB 61.09, 18.69, 10.94

 

CMYK 30 / 0 / 15 / 27

HEX #82BA9E

RGB 130 186 158

HSL 150, 0.29%, 0.62%

LAB 71.1, -24.23, 8.4

 

CMYK 15 / 31 / 0 / 27

HEX #9E81BA

RGB 158 129 186

HSL 270.53, 0.29%, 0.62%

LAB 58.52, 22.27, -25.76

 

CMYK 0 / 15 / 31 / 27

HEX #BA9E81

RGB 186 158 129

HSL 30.53, 0.29%, 0.62%

LAB 66.88, 5.97, 19

 

CMYK 30 / 0 / 15 / 27

HEX #82BA9E

RGB 130 186 158

HSL 150, 0.29%, 0.62%

LAB 71.1, -24.23, 8.4

 

CMYK 31 / 22 / 0 / 27

HEX #8192BA

RGB 129 146 186

HSL 222.11, 0.29%, 0.62%

LAB 60.58, 3.39, -22.8

 

CMYK 0 / 31 / 15 / 27

HEX #BA819E

RGB 186 129 158

HSL 329.47, 0.29%, 0.62%

LAB 60.43, 26.42, -6.59

 

CMYK 0 / 9 / 31 / 27

HEX #BAA981

RGB 186 169 129

HSL 42.11, 0.29%, 0.62%

LAB 69.75, 0, 22.91

 

CMYK 30 / 0 / 15 / 27

HEX #82BA9E

RGB 130 186 158

HSL 150, 0.29%, 0.62%

LAB 71.1, -24.23, 8.4

 

CMYK 31 / 31 / 0 / 27

HEX #8181BA

RGB 129 129 186

HSL 240, 0.29%, 0.62%

LAB 56, 13.25, -29.86

 

CMYK 0 / 31 / 15 / 27

HEX #BA819E

RGB 186 129 158

HSL 329.47, 0.29%, 0.62%

LAB 60.43, 26.42, -6.59

 

CMYK 0 / 0 / 31 / 27

HEX #BABA81

RGB 186 186 129

HSL 60, 0.29%, 0.62%

LAB 74.28, -9, 28.98

 

Description

Color code: CMYK 30 / 0 / 15 / 27 | qconv.com Color code: CMYK 30 / 0 / 15 / 27 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 186 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 186 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 15 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 15% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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