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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 2 / 32 / 0 / 53 it is the complementary color CMYK 21 / 0 / 22 / 32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 2 / 32 / 0 / 53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 2 / 32 / 0 / 53: CMYK 0 / 34 / 6 / 52, CMYK 0 / 29 / 4 / 45, CMYK 0 / 25 / 2 / 39, CMYK 0 / 22 / 1 / 32 and CMYK 1 / 20 / 0 / 25

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 2 / 32 / 0 / 53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 2 / 32 / 0 / 53: CMYK 3 / 33 / 0 / 53, CMYK 1 / 38 / 0 / 60, CMYK 0 / 46 / 1 / 67, CMYK 0 / 59 / 5 / 74 and CMYK 0 / 82 / 10 / 81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 32 / 0 / 53

HEX #755178

RGB 117 81 120

HSL 295.38, 0.19%, 0.39%

LAB 39.62, 22.22, -16.21

 

Complementary color

CMYK 21 / 0 / 22 / 32

HEX #8AAE87

RGB 138 174 135

HSL 115.38, 0.19%, 0.61%

LAB 67.59, -19.92, 16.1

 

CMYK 0 / 34 / 6 / 52

HEX #7A5173

RGB 122 81 115

HSL 310.24, 0.2%, 0.4%

LAB 40.02, 23.01, -12.48

 

CMYK 0 / 29 / 4 / 45

HEX #8B6386

RGB 139 99 134

HSL 307.5, 0.17%, 0.47%

LAB 47.15, 22.26, -13.01

 

CMYK 0 / 25 / 2 / 39

HEX #9C7599

RGB 156 117 153

HSL 304.62, 0.16%, 0.54%

LAB 54.12, 21.58, -13.5

 

CMYK 0 / 22 / 1 / 32

HEX #AD87AC

RGB 173 135 172

HSL 301.58, 0.19%, 0.6%

LAB 60.95, 20.96, -13.96

 

CMYK 1 / 20 / 0 / 25

HEX #BE99BF

RGB 190 153 191

HSL 298.42, 0.23%, 0.67%

LAB 67.64, 20.4, -14.4

 

CMYK 3 / 33 / 0 / 53

HEX #755178

RGB 117 81 120

HSL 295.38, 0.19%, 0.39%

LAB 39.62, 22.22, -16.21

 

CMYK 1 / 38 / 0 / 60

HEX #643F65

RGB 100 63 101

HSL 298.42, 0.23%, 0.32%

LAB 32.27, 23.03, -15.79

 

CMYK 0 / 46 / 1 / 67

HEX #532D52

RGB 83 45 82

HSL 301.58, 0.3%, 0.25%

LAB 24.72, 23.89, -15.27

 

CMYK 0 / 59 / 5 / 74

HEX #421B3F

RGB 66 27 63

HSL 304.62, 0.42%, 0.18%

LAB 16.99, 24.7, -14.54

 

CMYK 0 / 82 / 10 / 81

HEX #31092C

RGB 49 9 44

HSL 307.5, 0.69%, 0.11%

LAB 9.24, 24.95, -13.22

 

CMYK 3 / 33 / 0 / 53

HEX #755178

RGB 117 81 120

HSL 295.38, 0.19%, 0.39%

LAB 39.62, 22.22, -16.21

 

CMYK 0 / 32 / 3 / 54

HEX #765073

RGB 118 80 115

HSL 304.74, 0.19%, 0.39%

LAB 39.29, 22.15, -13.63

 

CMYK 0 / 32 / 8 / 54

HEX #76506C

RGB 118 80 108

HSL 315.79, 0.19%, 0.39%

LAB 39.02, 20.76, -9.7

 

CMYK 0 / 32 / 14 / 54

HEX #765066

RGB 118 80 102

HSL 325.26, 0.19%, 0.39%

LAB 38.81, 19.63, -6.29

 

CMYK 0 / 32 / 19 / 54

HEX #765060

RGB 118 80 96

HSL 334.74, 0.19%, 0.39%

LAB 38.61, 18.55, -2.85

 

CMYK 3 / 33 / 0 / 53

HEX #755178

RGB 117 81 120

HSL 295.38, 0.19%, 0.39%

LAB 39.62, 22.22, -16.21

 

CMYK 2 / 33 / 0 / 33

HEX #A773AB

RGB 167 115 171

HSL 295.71, 0.25%, 0.56%

LAB 55.5, 30.03, -21.73

 

CMYK 3 / 32 / 0 / 13

HEX #D896DE

RGB 216 150 222

HSL 295, 0.52%, 0.73%

LAB 70.65, 36.5, -26.75

 

CMYK 0 / 33 / 0 / 93

HEX #120C12

RGB 18 12 18

HSL 300, 0.2%, 0.06%

LAB 3.93, 3.13, -2.24

 

CMYK 3 / 32 / 0 / 73

HEX #432F45

RGB 67 47 69

HSL 294.55, 0.19%, 0.23%

LAB 22.5, 13.66, -10.16

 

CMYK 3 / 33 / 0 / 53

HEX #755178

RGB 117 81 120

HSL 295.38, 0.19%, 0.39%

LAB 39.62, 22.22, -16.21

 

CMYK 0 / 29 / 32 / 54

HEX #765450

RGB 118 84 80

HSL 6.32, 0.19%, 0.39%

LAB 39.19, 13.56, 7.94

 

CMYK 32 / 0 / 15 / 54

HEX #507664

RGB 80 118 100

HSL 151.58, 0.19%, 0.39%

LAB 46.42, -17.62, 5.66

 

CMYK 3 / 33 / 0 / 53

HEX #755178

RGB 117 81 120

HSL 295.38, 0.19%, 0.39%

LAB 39.62, 22.22, -16.21

 

CMYK 0 / 3 / 32 / 54

HEX #767350

RGB 118 115 80

HSL 55.26, 0.19%, 0.39%

LAB 47.87, -4.8, 19.83

 

CMYK 32 / 0 / 3 / 54

HEX #507673

RGB 80 118 115

HSL 175.26, 0.19%, 0.39%

LAB 46.84, -14.05, -2.64

 

CMYK 3 / 33 / 0 / 53

HEX #755178

RGB 117 81 120

HSL 295.38, 0.19%, 0.39%

LAB 39.62, 22.22, -16.21

 

CMYK 0 / 29 / 32 / 54

HEX #765450

RGB 118 84 80

HSL 6.32, 0.19%, 0.39%

LAB 39.19, 13.56, 7.94

 

CMYK 30 / 0 / 32 / 54

HEX #537650

RGB 83 118 80

HSL 115.26, 0.19%, 0.39%

LAB 46.14, -20.61, 17.06

 

CMYK 32 / 4 / 0 / 54

HEX #507176

RGB 80 113 118

HSL 187.89, 0.19%, 0.39%

LAB 45.39, -10.46, -6.58

 

CMYK 3 / 33 / 0 / 53

HEX #755178

RGB 117 81 120

HSL 295.38, 0.19%, 0.39%

LAB 39.62, 22.22, -16.21

 

CMYK 0 / 19 / 32 / 54

HEX #766050

RGB 118 96 80

HSL 25.26, 0.19%, 0.39%

LAB 42.45, 6.33, 12.49

 

CMYK 30 / 0 / 32 / 54

HEX #537650

RGB 83 118 80

HSL 115.26, 0.19%, 0.39%

LAB 46.14, -20.61, 17.06

 

CMYK 32 / 14 / 0 / 54

HEX #506676

RGB 80 102 118

HSL 205.26, 0.19%, 0.39%

LAB 42.03, -4.04, -11.64

 

Description

Color code: CMYK 2 / 32 / 0 / 53 | qconv.com Color code: CMYK 2 / 32 / 0 / 53 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 81 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 81 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 32 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 32% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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