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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 2 / 0 / 95 / 39 it is the complementary color CMYK 58 / 60 / 0 / 3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 2 / 0 / 95 / 39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 2 / 0 / 95 / 39: CMYK 0 / 1 / 98 / 38, CMYK 0 / 0 / 87 / 32, CMYK 1 / 0 / 79 / 25, CMYK 1 / 0 / 71 / 18 and CMYK 1 / 0 / 65 / 11

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 2 / 0 / 95 / 39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 2 / 0 / 95 / 39: CMYK 3 / 0 / 95 / 39, CMYK 2 / 0 / 100 / 46, CMYK 2 / 0 / 100 / 53, CMYK 1 / 0 / 100 / 60 and CMYK 0 / 0 / 100 / 67

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 95 / 39

HEX #989C08

RGB 152 156 8

HSL 61.62, 0.9%, 0.32%

LAB 62.06, -16.6, 63.93

 

Complementary color

CMYK 58 / 60 / 0 / 3

HEX #6763F7

RGB 103 99 247

HSL 241.62, 0.9%, 0.68%

LAB 50.12, 43.03, -73.8

 

CMYK 0 / 1 / 98 / 38

HEX #9D9C03

RGB 157 156 3

HSL 59.61, 0.96%, 0.31%

LAB 62.47, -14.44, 65.13

 

CMYK 0 / 0 / 87 / 32

HEX #AEAE16

RGB 174 174 22

HSL 60, 0.78%, 0.38%

LAB 68.99, -15.85, 67.87

 

CMYK 1 / 0 / 79 / 25

HEX #BFC029

RGB 191 192 41

HSL 60.4, 0.65%, 0.46%

LAB 75.41, -17.04, 69.22

 

CMYK 1 / 0 / 71 / 18

HEX #D0D23C

RGB 208 210 60

HSL 60.8, 0.63%, 0.53%

LAB 81.75, -18.03, 69.56

 

CMYK 1 / 0 / 65 / 11

HEX #E1E44F

RGB 225 228 79

HSL 61.21, 0.73%, 0.6%

LAB 88, -18.85, 69.27

 

CMYK 3 / 0 / 95 / 39

HEX #989C08

RGB 152 156 8

HSL 61.62, 0.9%, 0.32%

LAB 62.06, -16.6, 63.93

 

CMYK 2 / 0 / 100 / 46

HEX #878A00

RGB 135 138 0

HSL 61.3, 1%, 0.27%

LAB 55.41, -15.03, 59.54

 

CMYK 2 / 0 / 100 / 53

HEX #767800

RGB 118 120 0

HSL 61, 1%, 0.24%

LAB 48.62, -13.29, 53.9

 

CMYK 1 / 0 / 100 / 60

HEX #656600

RGB 101 102 0

HSL 60.59, 1%, 0.2%

LAB 41.64, -11.48, 48.1

 

CMYK 0 / 0 / 100 / 67

HEX #545400

RGB 84 84 0

HSL 60, 1%, 0.16%

LAB 34.45, -9.61, 42.13

 

CMYK 3 / 0 / 95 / 39

HEX #989C08

RGB 152 156 8

HSL 61.62, 0.9%, 0.32%

LAB 62.06, -16.6, 63.93

 

CMYK 17 / 0 / 95 / 39

HEX #809B08

RGB 128 155 8

HSL 71.02, 0.9%, 0.32%

LAB 59.93, -26.63, 61.49

 

CMYK 34 / 0 / 95 / 39

HEX #679B08

RGB 103 155 8

HSL 81.22, 0.9%, 0.32%

LAB 58.36, -36.85, 59.58

 

CMYK 49 / 0 / 95 / 39

HEX #4F9B08

RGB 79 155 8

HSL 91.02, 0.9%, 0.32%

LAB 57.19, -45.35, 58.15

 

CMYK 65 / 0 / 95 / 39

HEX #369B08

RGB 54 155 8

HSL 101.22, 0.9%, 0.32%

LAB 56.33, -52.28, 57.08

 

CMYK 3 / 0 / 95 / 39

HEX #989C08

RGB 152 156 8

HSL 61.62, 0.9%, 0.32%

LAB 62.06, -16.6, 63.93

 

CMYK 2 / 0 / 95 / 19

HEX #CACF0B

RGB 202 207 11

HSL 61.53, 0.9%, 0.43%

LAB 80.3, -20.44, 79.24

 

CMYK 0 / 0 / 100 / 99

HEX #030300

RGB 3 3 0

HSL 60, 1%, 0.01%

LAB 0.76, -0.42, 1.14

 

CMYK 2 / 0 / 94 / 79

HEX #353603

RGB 53 54 3

HSL 61.18, 0.89%, 0.11%

LAB 21.59, -7.52, 28.71

 

CMYK 3 / 0 / 95 / 59

HEX #666905

RGB 102 105 5

HSL 61.8, 0.91%, 0.22%

LAB 42.67, -12.54, 47.65

 

CMYK 3 / 0 / 95 / 39

HEX #989C08

RGB 152 156 8

HSL 61.62, 0.9%, 0.32%

LAB 62.06, -16.6, 63.93

 

CMYK 95 / 0 / 75 / 39

HEX #089B27

RGB 8 155 39

HSL 132.65, 0.9%, 0.32%

LAB 55.73, -57.03, 48.24

 

CMYK 37 / 95 / 0 / 39

HEX #62089B

RGB 98 8 155

HSL 276.73, 0.9%, 0.32%

LAB 27.12, 58.09, -57.82

 

CMYK 3 / 0 / 95 / 39

HEX #989C08

RGB 152 156 8

HSL 61.62, 0.9%, 0.32%

LAB 62.06, -16.6, 63.93

 

CMYK 95 / 2 / 0 / 39

HEX #08989B

RGB 8 152 155

HSL 181.22, 0.9%, 0.32%

LAB 56.95, -31.39, -11.1

 

CMYK 0 / 95 / 2 / 39

HEX #9B0898

RGB 155 8 152

HSL 301.22, 0.9%, 0.32%

LAB 36.76, 66.33, -39.9

 

CMYK 3 / 0 / 95 / 39

HEX #989C08

RGB 152 156 8

HSL 61.62, 0.9%, 0.32%

LAB 62.06, -16.6, 63.93

 

CMYK 95 / 0 / 75 / 39

HEX #089B27

RGB 8 155 39

HSL 132.65, 0.9%, 0.32%

LAB 55.73, -57.03, 48.24

 

CMYK 94 / 95 / 0 / 39

HEX #0A089B

RGB 10 8 155

HSL 240.82, 0.9%, 0.32%

LAB 18.39, 52.28, -72.55

 

CMYK 0 / 95 / 21 / 39

HEX #9B087B

RGB 155 8 123

HSL 313.06, 0.9%, 0.32%

LAB 35.15, 62.24, -24.53

 

CMYK 3 / 0 / 95 / 39

HEX #989C08

RGB 152 156 8

HSL 61.62, 0.9%, 0.32%

LAB 62.06, -16.6, 63.93

 

CMYK 95 / 0 / 46 / 39

HEX #089B54

RGB 8 155 84

HSL 151.02, 0.9%, 0.32%

LAB 56.22, -50.93, 27.74

 

CMYK 94 / 95 / 0 / 39

HEX #0A089B

RGB 10 8 155

HSL 240.82, 0.9%, 0.32%

LAB 18.39, 52.28, -72.55

 

CMYK 0 / 95 / 49 / 39

HEX #9B084F

RGB 155 8 79

HSL 331.02, 0.9%, 0.32%

LAB 33.36, 57.52, 1.02

 

Description

Color code: CMYK 2 / 0 / 95 / 39 | qconv.com Color code: CMYK 2 / 0 / 95 / 39 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 156 green and 8 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 156 8 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 95 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 95% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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