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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 2 / 0 / 46 / 82 it is the complementary color CMYK 9 / 9 / 0 / 10. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 2 / 0 / 46 / 82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 2 / 0 / 46 / 82: CMYK 0 / 8 / 60 / 80, CMYK 0 / 4 / 42 / 74, CMYK 0 / 2 / 31 / 67, CMYK 0 / 1 / 24 / 60 and CMYK 0 / 0 / 19 / 54

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 2 / 0 / 46 / 82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 2 / 0 / 46 / 82: CMYK 2 / 0 / 46 / 82, CMYK 0 / 0 / 79 / 89, CMYK 0 / 9 / 100 / 96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 46 / 82

HEX #2D2E19

RGB 45 46 25

HSL 62.86, 0.3%, 0.14%

LAB 18.29, -4.54, 13.4

 

Complementary color

CMYK 9 / 9 / 0 / 10

HEX #D2D1E6

RGB 210 209 230

HSL 242.86, 0.3%, 0.86%

LAB 84.49, 4.32, -10.21

 

CMYK 0 / 8 / 60 / 80

HEX #322E14

RGB 50 46 20

HSL 52, 0.43%, 0.14%

LAB 18.73, -2.61, 17.27

 

CMYK 0 / 4 / 42 / 74

HEX #434027

RGB 67 64 39

HSL 53.57, 0.26%, 0.21%

LAB 26.75, -3.21, 15.77

 

CMYK 0 / 2 / 31 / 67

HEX #54523A

RGB 84 82 58

HSL 55.38, 0.18%, 0.28%

LAB 34.45, -3.59, 14.42

 

CMYK 0 / 1 / 24 / 60

HEX #65644D

RGB 101 100 77

HSL 57.5, 0.13%, 0.35%

LAB 41.87, -3.85, 13.23

 

CMYK 0 / 0 / 19 / 54

HEX #767660

RGB 118 118 96

HSL 60, 0.1%, 0.42%

LAB 49.07, -4.06, 12.15

 

CMYK 2 / 0 / 46 / 82

HEX #2D2E19

RGB 45 46 25

HSL 62.86, 0.3%, 0.14%

LAB 18.29, -4.54, 13.4

 

CMYK 0 / 0 / 79 / 89

HEX #1C1C06

RGB 28 28 6

HSL 60, 0.65%, 0.07%

LAB 9.72, -4.05, 11.99

 

CMYK 0 / 9 / 100 / 96

HEX #0B0A00

RGB 11 10 0

HSL 54.55, 1%, 0.02%

LAB 2.6, -1.12, 3.88

 

CMYK 2 / 0 / 46 / 82

HEX #2D2E19

RGB 45 46 25

HSL 62.86, 0.3%, 0.14%

LAB 18.29, -4.54, 13.4

 

CMYK 9 / 0 / 48 / 82

HEX #2A2E18

RGB 42 46 24

HSL 70.91, 0.31%, 0.14%

LAB 17.97, -6.21, 13.6

 

CMYK 17 / 0 / 48 / 82

HEX #262E18

RGB 38 46 24

HSL 81.82, 0.31%, 0.14%

LAB 17.61, -8.19, 13.05

 

CMYK 26 / 0 / 48 / 82

HEX #222E18

RGB 34 46 24

HSL 92.73, 0.31%, 0.14%

LAB 17.27, -10.11, 12.56

 

CMYK 33 / 0 / 48 / 82

HEX #1F2E18

RGB 31 46 24

HSL 100.91, 0.31%, 0.14%

LAB 17.04, -11.49, 12.21

 

CMYK 2 / 0 / 46 / 82

HEX #2D2E19

RGB 45 46 25

HSL 62.86, 0.3%, 0.14%

LAB 18.29, -4.54, 13.4

 

CMYK 2 / 0 / 45 / 62

HEX #5F6135

RGB 95 97 53

HSL 62.73, 0.29%, 0.29%

LAB 39.98, -8.15, 24.76

 

CMYK 2 / 0 / 46 / 42

HEX #919450

RGB 145 148 80

HSL 62.65, 0.3%, 0.45%

LAB 59.69, -11.47, 35.41

 

CMYK 2 / 0 / 46 / 22

HEX #C3C76C

RGB 195 199 108

HSL 62.64, 0.45%, 0.6%

LAB 78.19, -14.46, 44.83

 

CMYK 2 / 0 / 46 / 2

HEX #F5FA88

RGB 245 250 136

HSL 62.63, 0.92%, 0.76%

LAB 95.81, -17.3, 53.78

 

CMYK 2 / 0 / 46 / 82

HEX #2D2E19

RGB 45 46 25

HSL 62.86, 0.3%, 0.14%

LAB 18.29, -4.54, 13.4

 

CMYK 48 / 0 / 37 / 82

HEX #182E1D

RGB 24 46 29

HSL 133.64, 0.31%, 0.14%

LAB 16.68, -13.4, 8.29

 

CMYK 17 / 48 / 0 / 82

HEX #26182E

RGB 38 24 46

HSL 278.18, 0.31%, 0.14%

LAB 11.01, 12.22, -12.06

 

CMYK 2 / 0 / 46 / 82

HEX #2D2E19

RGB 45 46 25

HSL 62.86, 0.3%, 0.14%

LAB 18.29, -4.54, 13.4

 

CMYK 48 / 2 / 0 / 82

HEX #182D2E

RGB 24 45 46

HSL 182.73, 0.31%, 0.14%

LAB 16.84, -8.06, -3.3

 

CMYK 0 / 48 / 2 / 82

HEX #2E182D

RGB 46 24 45

HSL 302.73, 0.31%, 0.14%

LAB 12.11, 15.16, -9.53

 

CMYK 2 / 0 / 46 / 82

HEX #2D2E19

RGB 45 46 25

HSL 62.86, 0.3%, 0.14%

LAB 18.29, -4.54, 13.4

 

CMYK 48 / 0 / 37 / 82

HEX #182E1D

RGB 24 46 29

HSL 133.64, 0.31%, 0.14%

LAB 16.68, -13.4, 8.29

 

CMYK 46 / 48 / 0 / 82

HEX #19182E

RGB 25 24 46

HSL 242.73, 0.31%, 0.14%

LAB 9.46, 7.35, -14.6

 

CMYK 0 / 48 / 11 / 82

HEX #2E1829

RGB 46 24 41

HSL 313.64, 0.31%, 0.14%

LAB 11.92, 14.24, -6.9

 

CMYK 2 / 0 / 46 / 82

HEX #2D2E19

RGB 45 46 25

HSL 62.86, 0.3%, 0.14%

LAB 18.29, -4.54, 13.4

 

CMYK 48 / 0 / 22 / 82

HEX #182E24

RGB 24 46 36

HSL 152.73, 0.31%, 0.14%

LAB 16.87, -11.65, 3.73

 

CMYK 46 / 48 / 0 / 82

HEX #19182E

RGB 25 24 46

HSL 242.73, 0.31%, 0.14%

LAB 9.46, 7.35, -14.6

 

CMYK 0 / 48 / 26 / 82

HEX #2E1822

RGB 46 24 34

HSL 332.73, 0.31%, 0.14%

LAB 11.62, 12.79, -2.19

 

Description

Color code: CMYK 2 / 0 / 46 / 82 | qconv.com Color code: CMYK 2 / 0 / 46 / 82 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 46 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 46 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 46 yellow and 82 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 46% 82% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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