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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 2 / 0 / 17 / 13 it is the complementary color CMYK 46 / 54 / 0 / 72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 2 / 0 / 17 / 13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 2 / 0 / 17 / 13: CMYK 0 / 0 / 19 / 13, CMYK 0 / 0 / 18 / 6, CMYK 0 / 0 / 15 / 0, CMYK 0 / 0 / 7 / 0 and CMYK 0 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 2 / 0 / 17 / 13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 2 / 0 / 17 / 13: CMYK 2 / 0 / 17 / 13, CMYK 2 / 0 / 19 / 20, CMYK 2 / 0 / 22 / 27, CMYK 1 / 0 / 24 / 34 and CMYK 1 / 0 / 28 / 41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 17 / 13

HEX #D9DEB8

RGB 217 222 184

HSL 67.89, 0.37%, 0.8%

LAB 87.22, -8.07, 18.1

 

Complementary color

CMYK 46 / 54 / 0 / 72

HEX #262147

RGB 38 33 71

HSL 247.89, 0.37%, 0.2%

LAB 15.25, 13.62, -23.1

 

CMYK 0 / 0 / 19 / 13

HEX #DEDEB3

RGB 222 222 179

HSL 60, 0.39%, 0.79%

LAB 87.5, -7, 21.15

 

CMYK 0 / 0 / 18 / 6

HEX #EFF0C6

RGB 239 240 198

HSL 61.43, 0.58%, 0.86%

LAB 93.77, -7.16, 20.24

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFD9

RGB 255 255 217

HSL 60, 1%, 0.93%

LAB 99.14, -6.17, 18.19

 

CMYK 0 / 0 / 7 / 0

HEX #FFFFEC

RGB 255 255 236

HSL 60, 1%, 0.96%

LAB 99.55, -3.2, 9.07

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

RAL® 9010

CMYK 2 / 0 / 17 / 13

HEX #D9DEB8

RGB 217 222 184

HSL 67.89, 0.37%, 0.8%

LAB 87.22, -8.07, 18.1

 

CMYK 2 / 0 / 19 / 20

HEX #C8CCA5

RGB 200 204 165

HSL 66.15, 0.28%, 0.72%

LAB 80.84, -7.94, 19.02

 

CMYK 2 / 0 / 22 / 27

HEX #B7BA92

RGB 183 186 146

HSL 64.5, 0.22%, 0.65%

LAB 74.36, -7.8, 19.98

 

CMYK 1 / 0 / 24 / 34

HEX #A6A87F

RGB 166 168 127

HSL 62.93, 0.19%, 0.58%

LAB 67.76, -7.63, 21.01

 

CMYK 1 / 0 / 28 / 41

HEX #95966C

RGB 149 150 108

HSL 61.43, 0.17%, 0.51%

LAB 61.03, -7.43, 22.1

 

CMYK 2 / 0 / 17 / 13

HEX #D9DEB8

RGB 217 222 184

HSL 67.89, 0.37%, 0.8%

LAB 87.22, -8.07, 18.1

 

CMYK 5 / 0 / 17 / 13

HEX #D4DEB9

RGB 212 222 185

HSL 76.22, 0.36%, 0.8%

LAB 86.87, -9.71, 17.04

 

CMYK 8 / 0 / 17 / 13

HEX #CDDEB9

RGB 205 222 185

HSL 87.57, 0.36%, 0.8%

LAB 86.37, -12.19, 16.26

 

CMYK 10 / 0 / 17 / 13

HEX #C7DEB9

RGB 199 222 185

HSL 97.3, 0.36%, 0.8%

LAB 85.95, -14.29, 15.61

 

CMYK 13 / 0 / 17 / 13

HEX #C1DEB9

RGB 193 222 185

HSL 107.03, 0.36%, 0.8%

LAB 85.55, -16.37, 14.98

 

CMYK 2 / 0 / 17 / 13

HEX #D9DEB8

RGB 217 222 184

HSL 67.89, 0.37%, 0.8%

LAB 87.22, -8.07, 18.1

 

CMYK 0 / 0 / 17 / 93

HEX #12120F

RGB 18 18 15

HSL 60, 0.09%, 0.06%

LAB 5.38, -0.58, 1.58

 

CMYK 3 / 0 / 17 / 73

HEX #434539

RGB 67 69 57

HSL 70, 0.1%, 0.25%

LAB 28.76, -3.34, 6.98

 

CMYK 3 / 0 / 18 / 53

HEX #757863

RGB 117 120 99

HSL 68.57, 0.1%, 0.43%

LAB 49.64, -5.1, 11.17

 

CMYK 2 / 0 / 17 / 33

HEX #A7AB8E

RGB 167 171 142

HSL 68.28, 0.15%, 0.61%

LAB 68.96, -6.54, 14.48

 

CMYK 2 / 0 / 17 / 13

HEX #D9DEB8

RGB 217 222 184

HSL 67.89, 0.37%, 0.8%

LAB 87.22, -8.07, 18.1

 

CMYK 17 / 0 / 11 / 13

HEX #B9DEC5

RGB 185 222 197

HSL 139.46, 0.36%, 0.8%

LAB 85.3, -16.94, 8.24

 

CMYK 5 / 17 / 0 / 13

HEX #D4B9DE

RGB 212 185 222

HSL 283.78, 0.36%, 0.8%

LAB 78.44, 16.25, -14.95

 

CMYK 2 / 0 / 17 / 13

HEX #D9DEB8

RGB 217 222 184

HSL 67.89, 0.37%, 0.8%

LAB 87.22, -8.07, 18.1

 

CMYK 17 / 2 / 0 / 13

HEX #B9DADE

RGB 185 218 222

HSL 186.49, 0.36%, 0.8%

LAB 84.86, -10, -5.61

 

CMYK 0 / 17 / 2 / 13

HEX #DEB9DA

RGB 222 185 218

HSL 306.49, 0.36%, 0.8%

LAB 79.21, 18.84, -11.56

 

CMYK 2 / 0 / 17 / 13

HEX #D9DEB8

RGB 217 222 184

HSL 67.89, 0.37%, 0.8%

LAB 87.22, -8.07, 18.1

 

CMYK 17 / 0 / 11 / 13

HEX #B9DEC5

RGB 185 222 197

HSL 139.46, 0.36%, 0.8%

LAB 85.3, -16.94, 8.24

 

CMYK 15 / 17 / 0 / 13

HEX #BDB9DE

RGB 189 185 222

HSL 246.49, 0.36%, 0.8%

LAB 76.55, 8.75, -17.99

 

CMYK 0 / 17 / 5 / 13

HEX #DEB9D2

RGB 222 185 210

HSL 319.46, 0.36%, 0.8%

LAB 78.97, 17.41, -7.59

 

CMYK 2 / 0 / 17 / 13

HEX #D9DEB8

RGB 217 222 184

HSL 67.89, 0.37%, 0.8%

LAB 87.22, -8.07, 18.1

 

CMYK 17 / 0 / 6 / 13

HEX #B9DED0

RGB 185 222 208

HSL 157.3, 0.36%, 0.8%

LAB 85.56, -14.85, 2.82

 

CMYK 15 / 17 / 0 / 13

HEX #BDB9DE

RGB 189 185 222

HSL 246.49, 0.36%, 0.8%

LAB 76.55, 8.75, -17.99

 

CMYK 0 / 17 / 10 / 13

HEX #DEB9C7

RGB 222 185 199

HSL 337.3, 0.36%, 0.8%

LAB 78.67, 15.52, -2.09

 

Description

Color code: CMYK 2 / 0 / 17 / 13 | qconv.com Color code: CMYK 2 / 0 / 17 / 13 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 222 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 222 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 17 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 17% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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