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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 29 / 4 / 0 / 54 it is the complementary color CMYK 0 / 17 / 20 / 33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 29 / 4 / 0 / 54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 29 / 4 / 0 / 54: CMYK 22 / 0 / 1 / 56, CMYK 20 / 0 / 0 / 49, CMYK 19 / 1 / 0 / 41, CMYK 18 / 1 / 0 / 34 and CMYK 17 / 2 / 0 / 26

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 29 / 4 / 0 / 54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 29 / 4 / 0 / 54: CMYK 29 / 3 / 0 / 54, CMYK 33 / 3 / 0 / 62, CMYK 38 / 3 / 0 / 69, CMYK 47 / 2 / 0 / 76 and CMYK 63 / 0 / 0 / 84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 4 / 0 / 54

HEX #537175

RGB 83 113 117

HSL 187.06, 0.17%, 0.39%

LAB 45.54, -9.77, -5.74

 

Complementary color

CMYK 0 / 17 / 20 / 33

HEX #AC8E8A

RGB 172 142 138

HSL 7.06, 0.17%, 0.61%

LAB 61.61, 10.65, 6.36

 

CMYK 22 / 0 / 1 / 56

HEX #587170

RGB 88 113 112

HSL 177.6, 0.12%, 0.39%

LAB 45.71, -9.34, -2.46

 

CMYK 20 / 0 / 0 / 49

HEX #698383

RGB 105 131 131

HSL 180, 0.11%, 0.46%

LAB 52.81, -9.27, -3.09

 

CMYK 19 / 1 / 0 / 41

HEX #7A9596

RGB 122 149 150

HSL 182.14, 0.12%, 0.53%

LAB 59.74, -9.21, -3.69

 

CMYK 18 / 1 / 0 / 34

HEX #8BA7A9

RGB 139 167 169

HSL 184, 0.15%, 0.6%

LAB 66.51, -9.18, -4.26

 

CMYK 17 / 2 / 0 / 26

HEX #9CB9BC

RGB 156 185 188

HSL 185.63, 0.19%, 0.67%

LAB 73.15, -9.16, -4.82

 

CMYK 29 / 3 / 0 / 54

HEX #537175

RGB 83 113 117

HSL 187.06, 0.17%, 0.39%

LAB 45.54, -9.77, -5.74

 

CMYK 33 / 3 / 0 / 62

HEX #425F62

RGB 66 95 98

HSL 185.63, 0.2%, 0.32%

LAB 38.24, -9.83, -5.16

 

CMYK 38 / 3 / 0 / 69

HEX #314D4F

RGB 49 77 79

HSL 184, 0.23%, 0.25%

LAB 30.7, -9.89, -4.54

 

CMYK 47 / 2 / 0 / 76

HEX #203B3C

RGB 32 59 60

HSL 182.14, 0.3%, 0.18%

LAB 22.87, -9.95, -3.86

 

CMYK 63 / 0 / 0 / 84

HEX #0F2929

RGB 15 41 41

HSL 180, 0.46%, 0.11%

LAB 14.67, -9.9, -3.06

 

CMYK 29 / 3 / 0 / 54

HEX #537175

RGB 83 113 117

HSL 187.06, 0.17%, 0.39%

LAB 45.54, -9.77, -5.74

 

CMYK 29 / 9 / 0 / 55

HEX #526A74

RGB 82 106 116

HSL 197.65, 0.17%, 0.39%

LAB 43.3, -6.29, -8.49

 

CMYK 29 / 13 / 0 / 55

HEX #526574

RGB 82 101 116

HSL 206.47, 0.17%, 0.39%

LAB 41.79, -3.32, -10.77

 

CMYK 29 / 18 / 0 / 55

HEX #525F74

RGB 82 95 116

HSL 217.06, 0.17%, 0.39%

LAB 39.98, 0.31, -13.51

 

CMYK 29 / 23 / 0 / 55

HEX #525974

RGB 82 89 116

HSL 227.65, 0.17%, 0.39%

LAB 38.2, 4.03, -16.23

 

CMYK 29 / 3 / 0 / 54

HEX #537175

RGB 83 113 117

HSL 187.06, 0.17%, 0.39%

LAB 45.54, -9.77, -5.74

 

CMYK 29 / 4 / 0 / 34

HEX #77A2A8

RGB 119 162 168

HSL 187.35, 0.22%, 0.56%

LAB 63.83, -13, -7.82

 

CMYK 29 / 3 / 0 / 14

HEX #9BD4DB

RGB 155 212 219

HSL 186.56, 0.47%, 0.73%

LAB 81.38, -16.55, -9.36

 

CMYK 27 / 7 / 0 / 94

HEX #0B0E0F

RGB 11 14 15

HSL 195, 0.15%, 0.05%

LAB 3.79, -0.72, -0.8

 

CMYK 29 / 3 / 0 / 74

HEX #2F4042

RGB 47 64 66

HSL 186.32, 0.17%, 0.22%

LAB 25.76, -6.23, -3.45

 

CMYK 29 / 3 / 0 / 54

HEX #537175

RGB 83 113 117

HSL 187.06, 0.17%, 0.39%

LAB 45.54, -9.77, -5.74

 

CMYK 20 / 29 / 0 / 55

HEX #5D5274

RGB 93 82 116

HSL 259.41, 0.17%, 0.39%

LAB 37.16, 12.18, -17.74

 

CMYK 0 / 9 / 29 / 55

HEX #746A52

RGB 116 106 82

HSL 42.35, 0.17%, 0.39%

LAB 45.12, -0.17, 14.92

 

CMYK 29 / 3 / 0 / 54

HEX #537175

RGB 83 113 117

HSL 187.06, 0.17%, 0.39%

LAB 45.54, -9.77, -5.74

 

CMYK 0 / 29 / 3 / 55

HEX #745270

RGB 116 82 112

HSL 307.06, 0.17%, 0.39%

LAB 39.44, 19.6, -11.56

 

CMYK 3 / 0 / 29 / 55

HEX #707452

RGB 112 116 82

HSL 67.06, 0.17%, 0.39%

LAB 47.68, -7.63, 18.33

 

CMYK 29 / 3 / 0 / 54

HEX #537175

RGB 83 113 117

HSL 187.06, 0.17%, 0.39%

LAB 45.54, -9.77, -5.74

 

CMYK 20 / 29 / 0 / 55

HEX #5D5274

RGB 93 82 116

HSL 259.41, 0.17%, 0.39%

LAB 37.16, 12.18, -17.74

 

CMYK 0 / 26 / 29 / 55

HEX #745652

RGB 116 86 82

HSL 7.06, 0.17%, 0.39%

LAB 39.54, 11.79, 7.16

 

CMYK 9 / 0 / 29 / 55

HEX #697452

RGB 105 116 82

HSL 79.41, 0.17%, 0.39%

LAB 47.11, -10.54, 17.46

 

CMYK 29 / 3 / 0 / 54

HEX #537175

RGB 83 113 117

HSL 187.06, 0.17%, 0.39%

LAB 45.54, -9.77, -5.74

 

CMYK 11 / 29 / 0 / 55

HEX #675274

RGB 103 82 116

HSL 277.06, 0.17%, 0.39%

LAB 38.16, 15.72, -16.11

 

CMYK 0 / 26 / 29 / 55

HEX #745652

RGB 116 86 82

HSL 7.06, 0.17%, 0.39%

LAB 39.54, 11.79, 7.16

 

CMYK 18 / 0 / 29 / 55

HEX #5F7452

RGB 95 116 82

HSL 97.06, 0.17%, 0.39%

LAB 46.36, -14.59, 16.31

 

Description

Color code: CMYK 29 / 4 / 0 / 54 | qconv.com Color code: CMYK 29 / 4 / 0 / 54 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 113 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 113 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 4 magenta, none yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 4% 0% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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