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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 29 / 14 / 0 / 21 it is the complementary color CMYK 0 / 27 / 52 / 56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 29 / 14 / 0 / 21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 29 / 14 / 0 / 21: CMYK 24 / 12 / 0 / 23, CMYK 23 / 11 / 0 / 16, CMYK 22 / 11 / 0 / 8, CMYK 21 / 10 / 0 / 1 and CMYK 15 / 4 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 29 / 14 / 0 / 21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 29 / 14 / 0 / 21: CMYK 29 / 14 / 0 / 21, CMYK 31 / 15 / 0 / 29, CMYK 33 / 16 / 0 / 36, CMYK 36 / 17 / 0 / 44 and CMYK 40 / 19 / 0 / 51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 14 / 0 / 21

HEX #8FADC9

RGB 143 173 201

HSL 208.97, 0.35%, 0.67%

LAB 69.43, -3.76, -17.61

 

Complementary color

CMYK 0 / 27 / 52 / 56

HEX #705236

RGB 112 82 54

HSL 28.97, 0.35%, 0.33%

LAB 37.38, 8.79, 21.26

 

CMYK 24 / 12 / 0 / 23

HEX #94ADC4

RGB 148 173 196

HSL 208.75, 0.29%, 0.67%

LAB 69.59, -3.44, -14.58

 

CMYK 23 / 11 / 0 / 16

HEX #A5BFD7

RGB 165 191 215

HSL 208.8, 0.38%, 0.75%

LAB 76.17, -3.56, -14.94

 

CMYK 22 / 11 / 0 / 8

HEX #B6D1EA

RGB 182 209 234

HSL 208.85, 0.55%, 0.82%

LAB 82.64, -3.66, -15.31

 

CMYK 21 / 10 / 0 / 1

HEX #C7E3FD

RGB 199 227 253

HSL 208.89, 0.93%, 0.89%

LAB 89, -3.77, -15.68

 

CMYK 15 / 4 / 0 / 0

HEX #D8F5FF

RGB 216 245 255

HSL 195.38, 1%, 0.92%

LAB 94.79, -7.39, -7.98

 

CMYK 29 / 14 / 0 / 21

HEX #8FADC9

RGB 143 173 201

HSL 208.97, 0.35%, 0.67%

LAB 69.43, -3.76, -17.61

 

CMYK 31 / 15 / 0 / 29

HEX #7E9BB6

RGB 126 155 182

HSL 208.93, 0.28%, 0.6%

LAB 62.72, -3.61, -17.3

 

CMYK 33 / 16 / 0 / 36

HEX #6D89A3

RGB 109 137 163

HSL 208.89, 0.23%, 0.53%

LAB 55.87, -3.44, -17

 

CMYK 36 / 17 / 0 / 44

HEX #5C7790

RGB 92 119 144

HSL 208.85, 0.22%, 0.46%

LAB 48.86, -3.25, -16.72

 

CMYK 40 / 19 / 0 / 51

HEX #4B657D

RGB 75 101 125

HSL 208.8, 0.25%, 0.39%

LAB 41.66, -3.01, -16.46

 

CMYK 29 / 14 / 0 / 21

HEX #8FADC9

RGB 143 173 201

HSL 208.97, 0.35%, 0.67%

LAB 69.43, -3.76, -17.61

 

CMYK 30 / 19 / 0 / 22

HEX #8DA2C8

RGB 141 162 200

HSL 218.64, 0.35%, 0.67%

LAB 66.27, 1.47, -21.87

 

CMYK 30 / 24 / 0 / 22

HEX #8D99C8

RGB 141 153 200

HSL 227.8, 0.35%, 0.67%

LAB 63.85, 6.54, -25.58

 

CMYK 30 / 29 / 0 / 22

HEX #8D8FC8

RGB 141 143 200

HSL 237.97, 0.35%, 0.67%

LAB 61.2, 12.27, -29.66

 

CMYK 26 / 30 / 0 / 22

HEX #958DC8

RGB 149 141 200

HSL 248.14, 0.35%, 0.67%

LAB 61.32, 15.82, -29.43

 

CMYK 29 / 14 / 0 / 21

HEX #8FADC9

RGB 143 173 201

HSL 208.97, 0.35%, 0.67%

LAB 69.43, -3.76, -17.61

 

CMYK 29 / 14 / 0 / 1

HEX #B3D9FC

RGB 179 217 252

HSL 208.77, 0.92%, 0.85%

LAB 85.12, -4.62, -21.14

 

CMYK 29 / 15 / 0 / 81

HEX #222930

RGB 34 41 48

HSL 210, 0.17%, 0.16%

LAB 16.2, -1.08, -5.58

 

CMYK 29 / 14 / 0 / 61

HEX #465563

RGB 70 85 99

HSL 208.97, 0.17%, 0.33%

LAB 35.4, -2.19, -10.01

 

CMYK 29 / 14 / 0 / 41

HEX #6B8196

RGB 107 129 150

HSL 209.3, 0.17%, 0.5%

LAB 52.98, -2.84, -13.89

 

CMYK 29 / 14 / 0 / 21

HEX #8FADC9

RGB 143 173 201

HSL 208.97, 0.35%, 0.67%

LAB 69.43, -3.76, -17.61

 

CMYK 10 / 30 / 0 / 22

HEX #B48DC8

RGB 180 141 200

HSL 279.66, 0.35%, 0.67%

LAB 64.1, 25.57, -24.91

 

CMYK 2 / 0 / 30 / 22

HEX #C4C88D

RGB 196 200 141

HSL 64.07, 0.35%, 0.67%

LAB 79.02, -10.78, 29.13

 

CMYK 29 / 14 / 0 / 21

HEX #8FADC9

RGB 143 173 201

HSL 208.97, 0.35%, 0.67%

LAB 69.43, -3.76, -17.61

 

CMYK 0 / 30 / 14 / 22

HEX #C88DAC

RGB 200 141 172

HSL 328.47, 0.35%, 0.67%

LAB 65.21, 27.12, -7.29

 

CMYK 14 / 0 / 30 / 22

HEX #ACC88D

RGB 172 200 141

HSL 88.47, 0.35%, 0.67%

LAB 77.28, -19.81, 26.49

 

CMYK 29 / 14 / 0 / 21

HEX #8FADC9

RGB 143 173 201

HSL 208.97, 0.35%, 0.67%

LAB 69.43, -3.76, -17.61

 

CMYK 10 / 30 / 0 / 22

HEX #B48DC8

RGB 180 141 200

HSL 279.66, 0.35%, 0.67%

LAB 64.1, 25.57, -24.91

 

CMYK 0 / 16 / 30 / 22

HEX #C8A88D

RGB 200 168 141

HSL 27.46, 0.35%, 0.67%

LAB 71.01, 7.67, 18.31

 

CMYK 20 / 0 / 30 / 22

HEX #A1C88D

RGB 161 200 141

HSL 99.66, 0.35%, 0.67%

LAB 76.56, -23.79, 25.4

 

CMYK 29 / 14 / 0 / 21

HEX #8FADC9

RGB 143 173 201

HSL 208.97, 0.35%, 0.67%

LAB 69.43, -3.76, -17.61

 

CMYK 1 / 30 / 0 / 22

HEX #C68DC8

RGB 198 141 200

HSL 297.97, 0.35%, 0.67%

LAB 65.92, 31.43, -21.96

 

CMYK 0 / 16 / 30 / 22

HEX #C8A88D

RGB 200 168 141

HSL 27.46, 0.35%, 0.67%

LAB 71.01, 7.67, 18.31

 

CMYK 29 / 0 / 30 / 22

HEX #8FC88D

RGB 143 200 141

HSL 117.97, 0.35%, 0.67%

LAB 75.5, -29.99, 23.77

 

Description

Color code: CMYK 29 / 14 / 0 / 21 | qconv.com Color code: CMYK 29 / 14 / 0 / 21 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 173 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 173 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 14 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 14% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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