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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 29 / 10 / 0 / 26 it is the complementary color CMYK 0 / 30 / 45 / 53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 29 / 10 / 0 / 26. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 29 / 10 / 0 / 26: CMYK 24 / 8 / 0 / 28, CMYK 23 / 7 / 0 / 20, CMYK 22 / 7 / 0 / 13, CMYK 21 / 7 / 0 / 5 and CMYK 19 / 5 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 29 / 10 / 0 / 26. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 29 / 10 / 0 / 26: CMYK 29 / 10 / 0 / 26, CMYK 31 / 11 / 0 / 33, CMYK 34 / 11 / 0 / 41, CMYK 37 / 12 / 0 / 48 and CMYK 42 / 13 / 0 / 56

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 10 / 0 / 26

HEX #86AABD

RGB 134 170 189

HSL 200.73, 0.29%, 0.63%

LAB 67.64, -7.73, -13.72

 

Complementary color

CMYK 0 / 30 / 45 / 53

HEX #795542

RGB 121 85 66

HSL 20.73, 0.29%, 0.37%

LAB 39.51, 12.4, 17.01

 

CMYK 24 / 8 / 0 / 28

HEX #8BAAB8

RGB 139 170 184

HSL 198.67, 0.24%, 0.63%

LAB 67.8, -7.4, -10.69

 

CMYK 23 / 7 / 0 / 20

HEX #9CBCCB

RGB 156 188 203

HSL 199.15, 0.31%, 0.7%

LAB 74.41, -7.44, -11.13

 

CMYK 22 / 7 / 0 / 13

HEX #ADCEDE

RGB 173 206 222

HSL 199.59, 0.43%, 0.77%

LAB 80.91, -7.48, -11.56

 

CMYK 21 / 7 / 0 / 5

HEX #BEE0F1

RGB 190 224 241

HSL 200, 0.65%, 0.85%

LAB 87.29, -7.52, -12

 

CMYK 19 / 5 / 0 / 0

HEX #CFF2FF

RGB 207 242 255

HSL 196.25, 1%, 0.91%

LAB 93.45, -8.62, -10.04

 

CMYK 29 / 10 / 0 / 26

HEX #86AABD

RGB 134 170 189

HSL 200.73, 0.29%, 0.63%

LAB 67.64, -7.73, -13.72

 

CMYK 31 / 11 / 0 / 33

HEX #7598AA

RGB 117 152 170

HSL 200.38, 0.24%, 0.56%

LAB 60.91, -7.67, -13.33

 

CMYK 34 / 11 / 0 / 41

HEX #648697

RGB 100 134 151

HSL 200, 0.2%, 0.49%

LAB 54.02, -7.59, -12.94

 

CMYK 37 / 12 / 0 / 48

HEX #537484

RGB 83 116 132

HSL 199.59, 0.23%, 0.42%

LAB 46.97, -7.5, -12.55

 

CMYK 42 / 13 / 0 / 56

HEX #426271

RGB 66 98 113

HSL 199.15, 0.26%, 0.35%

LAB 39.72, -7.38, -12.16

 

CMYK 29 / 10 / 0 / 26

HEX #86AABD

RGB 134 170 189

HSL 200.73, 0.29%, 0.63%

LAB 67.64, -7.73, -13.72

 

CMYK 29 / 15 / 0 / 26

HEX #85A0BC

RGB 133 160 188

HSL 210.55, 0.29%, 0.63%

LAB 64.77, -2.79, -17.51

 

CMYK 29 / 20 / 0 / 26

HEX #8597BC

RGB 133 151 188

HSL 220.36, 0.29%, 0.63%

LAB 62.3, 2.25, -21.28

 

CMYK 29 / 24 / 0 / 26

HEX #858EBC

RGB 133 142 188

HSL 230.18, 0.29%, 0.63%

LAB 59.86, 7.4, -25.02

 

CMYK 29 / 29 / 0 / 26

HEX #8585BC

RGB 133 133 188

HSL 240, 0.29%, 0.63%

LAB 57.46, 12.62, -28.72

 

CMYK 29 / 10 / 0 / 26

HEX #86AABD

RGB 134 170 189

HSL 200.73, 0.29%, 0.63%

LAB 67.64, -7.73, -13.72

 

CMYK 29 / 10 / 0 / 6

HEX #AAD8F0

RGB 170 216 240

HSL 200.57, 0.7%, 0.8%

LAB 83.94, -9.47, -16.62

 

CMYK 28 / 11 / 0 / 86

HEX #1A2024

RGB 26 32 36

HSL 204, 0.16%, 0.12%

LAB 11.82, -1.57, -3.62

 

CMYK 29 / 10 / 0 / 66

HEX #3E4E57

RGB 62 78 87

HSL 201.6, 0.17%, 0.29%

LAB 32.17, -3.89, -7.36

 

CMYK 29 / 10 / 0 / 46

HEX #627C8A

RGB 98 124 138

HSL 201, 0.17%, 0.46%

LAB 50.51, -5.89, -10.66

 

CMYK 29 / 10 / 0 / 26

HEX #86AABD

RGB 134 170 189

HSL 200.73, 0.29%, 0.63%

LAB 67.64, -7.73, -13.72

 

CMYK 14 / 29 / 0 / 26

HEX #A285BC

RGB 162 133 188

HSL 271.64, 0.29%, 0.63%

LAB 59.97, 21.71, -24.64

 

CMYK 0 / 2 / 29 / 26

HEX #BCB885

RGB 188 184 133

HSL 55.64, 0.29%, 0.63%

LAB 73.98, -6.65, 26.48

 

CMYK 29 / 10 / 0 / 26

HEX #86AABD

RGB 134 170 189

HSL 200.73, 0.29%, 0.63%

LAB 67.64, -7.73, -13.72

 

CMYK 0 / 29 / 10 / 26

HEX #BC85A9

RGB 188 133 169

HSL 320.73, 0.29%, 0.63%

LAB 61.94, 26.78, -10.61

 

CMYK 10 / 0 / 29 / 26

HEX #A9BC85

RGB 169 188 133

HSL 80.73, 0.29%, 0.63%

LAB 73.61, -16.03, 25.74

 

CMYK 29 / 10 / 0 / 26

HEX #86AABD

RGB 134 170 189

HSL 200.73, 0.29%, 0.63%

LAB 67.64, -7.73, -13.72

 

CMYK 14 / 29 / 0 / 26

HEX #A285BC

RGB 162 133 188

HSL 271.64, 0.29%, 0.63%

LAB 59.97, 21.71, -24.64

 

CMYK 0 / 20 / 29 / 26

HEX #BC9785

RGB 188 151 133

HSL 19.64, 0.29%, 0.63%

LAB 65.37, 11.15, 14.72

 

CMYK 16 / 0 / 29 / 26

HEX #9EBC85

RGB 158 188 133

HSL 92.73, 0.29%, 0.63%

LAB 72.85, -20.13, 24.58

 

CMYK 29 / 10 / 0 / 26

HEX #86AABD

RGB 134 170 189

HSL 200.73, 0.29%, 0.63%

LAB 67.64, -7.73, -13.72

 

CMYK 5 / 29 / 0 / 26

HEX #B285BC

RGB 178 133 188

HSL 289.09, 0.29%, 0.63%

LAB 61.54, 26.94, -22.09

 

CMYK 0 / 20 / 29 / 26

HEX #BC9785

RGB 188 151 133

HSL 19.64, 0.29%, 0.63%

LAB 65.37, 11.15, 14.72

 

CMYK 24 / 0 / 29 / 26

HEX #8EBC85

RGB 142 188 133

HSL 110.18, 0.29%, 0.63%

LAB 71.83, -25.85, 23.04

 

Description

Color code: CMYK 29 / 10 / 0 / 26 | qconv.com Color code: CMYK 29 / 10 / 0 / 26 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 170 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 170 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 10 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 10% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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