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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 27 / 44 / 0 / 28 it is the complementary color CMYK 20 / 0 / 53 / 40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 27 / 44 / 0 / 28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 27 / 44 / 0 / 28: CMYK 22 / 42 / 0 / 30, CMYK 21 / 39 / 0 / 22, CMYK 20 / 36 / 0 / 15, CMYK 19 / 33 / 0 / 7 and CMYK 19 / 31 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 27 / 44 / 0 / 28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 27 / 44 / 0 / 28: CMYK 27 / 44 / 0 / 28, CMYK 29 / 48 / 0 / 35, CMYK 32 / 54 / 0 / 43, CMYK 35 / 61 / 0 / 50 and CMYK 39 / 71 / 0 / 58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 44 / 0 / 28

HEX #8667B8

RGB 134 103 184

HSL 262.96, 0.36%, 0.56%

LAB 49.77, 29.57, -38.43

 

Complementary color

CMYK 20 / 0 / 53 / 40

HEX #799847

RGB 121 152 71

HSL 82.96, 0.36%, 0.44%

LAB 58.95, -24.44, 38.69

 

CMYK 22 / 42 / 0 / 30

HEX #8B67B3

RGB 139 103 179

HSL 268.42, 0.33%, 0.55%

LAB 50.03, 29.8, -35.09

 

CMYK 21 / 39 / 0 / 22

HEX #9C79C6

RGB 156 121 198

HSL 267.27, 0.4%, 0.63%

LAB 56.9, 28.99, -35.12

 

CMYK 20 / 36 / 0 / 15

HEX #AD8BD9

RGB 173 139 217

HSL 266.15, 0.51%, 0.7%

LAB 63.64, 28.25, -35.17

 

CMYK 19 / 33 / 0 / 7

HEX #BE9DEC

RGB 190 157 236

HSL 265.06, 0.68%, 0.77%

LAB 70.26, 27.56, -35.25

 

CMYK 19 / 31 / 0 / 0

HEX #CFAFFF

RGB 207 175 255

HSL 264, 1%, 0.84%

LAB 76.77, 26.93, -35.34

 

CMYK 27 / 44 / 0 / 28

HEX #8667B8

RGB 134 103 184

HSL 262.96, 0.36%, 0.56%

LAB 49.77, 29.57, -38.43

 

CMYK 29 / 48 / 0 / 35

HEX #7555A5

RGB 117 85 165

HSL 264, 0.32%, 0.49%

LAB 42.76, 30.51, -38.5

 

CMYK 32 / 54 / 0 / 43

HEX #644392

RGB 100 67 146

HSL 265.06, 0.37%, 0.42%

LAB 35.59, 31.55, -38.58

 

CMYK 35 / 61 / 0 / 50

HEX #53317F

RGB 83 49 127

HSL 266.15, 0.44%, 0.35%

LAB 28.3, 32.64, -38.64

 

CMYK 39 / 71 / 0 / 58

HEX #421F6C

RGB 66 31 108

HSL 267.27, 0.55%, 0.27%

LAB 20.91, 33.65, -38.55

 

CMYK 27 / 44 / 0 / 28

HEX #8667B8

RGB 134 103 184

HSL 262.96, 0.36%, 0.56%

LAB 49.77, 29.57, -38.43

 

CMYK 21 / 44 / 0 / 28

HEX #9166B7

RGB 145 102 183

HSL 271.85, 0.36%, 0.56%

LAB 50.62, 33.11, -36.44

 

CMYK 14 / 44 / 0 / 28

HEX #9E66B7

RGB 158 102 183

HSL 281.48, 0.36%, 0.56%

LAB 52.05, 36.97, -34.09

 

CMYK 6 / 44 / 0 / 28

HEX #AC66B7

RGB 172 102 183

HSL 291.85, 0.36%, 0.56%

LAB 53.7, 41.18, -31.4

 

CMYK 0 / 44 / 2 / 28

HEX #B766B4

RGB 183 102 180

HSL 302.22, 0.36%, 0.56%

LAB 54.93, 43.96, -27.64

 

CMYK 27 / 44 / 0 / 28

HEX #8667B8

RGB 134 103 184

HSL 262.96, 0.36%, 0.56%

LAB 49.77, 29.57, -38.43

 

CMYK 27 / 44 / 0 / 8

HEX #AB84EB

RGB 171 132 235

HSL 262.72, 0.72%, 0.72%

LAB 62.64, 35.85, -46.74

 

CMYK 26 / 45 / 0 / 88

HEX #17111F

RGB 23 17 31

HSL 265.71, 0.29%, 0.09%

LAB 6.16, 6.26, -8.49

 

CMYK 27 / 44 / 0 / 68

HEX #3C2E52

RGB 60 46 82

HSL 263.33, 0.28%, 0.25%

LAB 22.03, 15.11, -19.68

 

CMYK 27 / 44 / 0 / 48

HEX #614A85

RGB 97 74 133

HSL 263.39, 0.29%, 0.41%

LAB 36.24, 22.94, -29.63

 

CMYK 27 / 44 / 0 / 28

HEX #8667B8

RGB 134 103 184

HSL 262.96, 0.36%, 0.56%

LAB 49.77, 29.57, -38.43

 

CMYK 0 / 44 / 25 / 28

HEX #B76689

RGB 183 102 137

HSL 334.07, 0.36%, 0.56%

LAB 53.36, 36.85, -4.93

 

CMYK 43 / 0 / 44 / 28

HEX #69B766

RGB 105 183 102

HSL 117.78, 0.36%, 0.56%

LAB 67.89, -40.59, 33.78

 

CMYK 27 / 44 / 0 / 28

HEX #8667B8

RGB 134 103 184

HSL 262.96, 0.36%, 0.56%

LAB 49.77, 29.57, -38.43

 

CMYK 0 / 28 / 44 / 28

HEX #B78466

RGB 183 132 102

HSL 22.22, 0.36%, 0.56%

LAB 59.46, 15.84, 23.92

 

CMYK 44 / 0 / 28 / 28

HEX #66B784

RGB 102 183 132

HSL 142.22, 0.36%, 0.56%

LAB 68.28, -36.33, 18.39

 

CMYK 27 / 44 / 0 / 28

HEX #8667B8

RGB 134 103 184

HSL 262.96, 0.36%, 0.56%

LAB 49.77, 29.57, -38.43

 

CMYK 0 / 44 / 25 / 28

HEX #B76689

RGB 183 102 137

HSL 334.07, 0.36%, 0.56%

LAB 53.36, 36.85, -4.93

 

CMYK 16 / 0 / 44 / 28

HEX #99B766

RGB 153 183 102

HSL 82.22, 0.36%, 0.56%

LAB 70.59, -23.72, 37.76

 

CMYK 44 / 0 / 19 / 28

HEX #66B794

RGB 102 183 148

HSL 154.07, 0.36%, 0.56%

LAB 68.63, -33.04, 10.16

 

CMYK 27 / 44 / 0 / 28

HEX #8667B8

RGB 134 103 184

HSL 262.96, 0.36%, 0.56%

LAB 49.77, 29.57, -38.43

 

CMYK 0 / 44 / 38 / 28

HEX #B76671

RGB 183 102 113

HSL 351.85, 0.36%, 0.56%

LAB 52.69, 33.67, 8.27

 

CMYK 16 / 0 / 44 / 28

HEX #99B766

RGB 153 183 102

HSL 82.22, 0.36%, 0.56%

LAB 70.59, -23.72, 37.76

 

CMYK 44 / 0 / 6 / 28

HEX #66B7AC

RGB 102 183 172

HSL 171.85, 0.36%, 0.56%

LAB 69.23, -27.49, -2.14

 

Description

Color code: CMYK 27 / 44 / 0 / 28 | qconv.com Color code: CMYK 27 / 44 / 0 / 28 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 103 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 103 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 44 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 44% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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