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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 27 / 43 / 0 / 23 it is the complementary color CMYK 22 / 0 / 59 / 44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 27 / 43 / 0 / 23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 27 / 43 / 0 / 23: CMYK 23 / 41 / 0 / 25, CMYK 21 / 38 / 0 / 18, CMYK 21 / 35 / 0 / 10, CMYK 20 / 33 / 0 / 3 and CMYK 15 / 28 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 27 / 43 / 0 / 23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 27 / 43 / 0 / 23: CMYK 27 / 43 / 0 / 23, CMYK 29 / 47 / 0 / 31, CMYK 31 / 52 / 0 / 38, CMYK 34 / 58 / 0 / 45 and CMYK 38 / 67 / 0 / 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 43 / 0 / 23

HEX #8F70C4

RGB 143 112 196

HSL 262.14, 0.42%, 0.6%

LAB 53.4, 29.9, -39.56

 

Complementary color

CMYK 22 / 0 / 59 / 44

HEX #708F3B

RGB 112 143 59

HSL 82.14, 0.42%, 0.4%

LAB 55.49, -24.81, 40.39

 

CMYK 23 / 41 / 0 / 25

HEX #9470BF

RGB 148 112 191

HSL 267.34, 0.38%, 0.59%

LAB 53.65, 30.13, -36.27

 

CMYK 21 / 38 / 0 / 18

HEX #A582D2

RGB 165 130 210

HSL 266.25, 0.47%, 0.67%

LAB 60.44, 29.34, -36.3

 

CMYK 21 / 35 / 0 / 10

HEX #B694E5

RGB 182 148 229

HSL 265.19, 0.61%, 0.74%

LAB 67.11, 28.61, -36.35

 

CMYK 20 / 33 / 0 / 3

HEX #C7A6F8

RGB 199 166 248

HSL 264.15, 0.85%, 0.81%

LAB 73.67, 27.95, -36.42

 

CMYK 15 / 28 / 0 / 0

HEX #D8B8FF

RGB 216 184 255

HSL 267.04, 1%, 0.86%

LAB 79.67, 24.75, -30.8

 

CMYK 27 / 43 / 0 / 23

HEX #8F70C4

RGB 143 112 196

HSL 262.14, 0.42%, 0.6%

LAB 53.4, 29.9, -39.56

 

CMYK 29 / 47 / 0 / 31

HEX #7E5EB1

RGB 126 94 177

HSL 263.13, 0.35%, 0.53%

LAB 46.47, 30.81, -39.63

 

CMYK 31 / 52 / 0 / 38

HEX #6D4C9E

RGB 109 76 158

HSL 264.15, 0.35%, 0.46%

LAB 39.39, 31.82, -39.72

 

CMYK 34 / 58 / 0 / 45

HEX #5C3A8B

RGB 92 58 139

HSL 265.19, 0.41%, 0.39%

LAB 32.18, 32.9, -39.81

 

CMYK 38 / 67 / 0 / 53

HEX #4B2878

RGB 75 40 120

HSL 266.25, 0.5%, 0.31%

LAB 24.86, 33.98, -39.81

 

CMYK 27 / 43 / 0 / 23

HEX #8F70C4

RGB 143 112 196

HSL 262.14, 0.42%, 0.6%

LAB 53.4, 29.9, -39.56

 

CMYK 21 / 44 / 0 / 24

HEX #9B6EC3

RGB 155 110 195

HSL 271.76, 0.41%, 0.6%

LAB 54.09, 34.27, -37.82

 

CMYK 13 / 44 / 0 / 24

HEX #AA6EC3

RGB 170 110 195

HSL 282.35, 0.41%, 0.6%

LAB 55.72, 38.7, -35.14

 

CMYK 6 / 44 / 0 / 24

HEX #B86EC3

RGB 184 110 195

HSL 292.24, 0.41%, 0.6%

LAB 57.35, 42.88, -32.48

 

CMYK 0 / 44 / 2 / 24

HEX #C36EC0

RGB 195 110 192

HSL 302.12, 0.41%, 0.6%

LAB 58.56, 45.63, -28.78

 

CMYK 27 / 43 / 0 / 23

HEX #8F70C4

RGB 143 112 196

HSL 262.14, 0.42%, 0.6%

LAB 53.4, 29.9, -39.56

 

CMYK 27 / 43 / 0 / 3

HEX #B48DF7

RGB 180 141 247

HSL 262.08, 0.87%, 0.76%

LAB 66.11, 36.16, -47.82

 

CMYK 28 / 42 / 0 / 83

HEX #1F192B

RGB 31 25 43

HSL 260, 0.26%, 0.13%

LAB 10.27, 7.83, -11.09

 

CMYK 27 / 43 / 0 / 63

HEX #45365E

RGB 69 54 94

HSL 262.5, 0.27%, 0.29%

LAB 25.9, 16.19, -21.46

 

CMYK 27 / 43 / 0 / 43

HEX #6A5391

RGB 106 83 145

HSL 262.26, 0.27%, 0.45%

LAB 40.07, 23.29, -30.84

 

CMYK 27 / 43 / 0 / 23

HEX #8F70C4

RGB 143 112 196

HSL 262.14, 0.42%, 0.6%

LAB 53.4, 29.9, -39.56

 

CMYK 0 / 44 / 25 / 24

HEX #C36E93

RGB 195 110 147

HSL 333.88, 0.41%, 0.6%

LAB 56.94, 38.26, -5.31

 

CMYK 42 / 0 / 44 / 24

HEX #71C36E

RGB 113 195 110

HSL 117.88, 0.41%, 0.6%

LAB 72.01, -42.19, 35.01

 

CMYK 27 / 43 / 0 / 23

HEX #8F70C4

RGB 143 112 196

HSL 262.14, 0.42%, 0.6%

LAB 53.4, 29.9, -39.56

 

CMYK 0 / 28 / 44 / 24

HEX #C38D6E

RGB 195 141 110

HSL 21.88, 0.41%, 0.6%

LAB 63.16, 16.65, 24.62

 

CMYK 44 / 0 / 28 / 24

HEX #6EC38D

RGB 110 195 141

HSL 141.88, 0.41%, 0.6%

LAB 72.41, -37.81, 19.28

 

CMYK 27 / 43 / 0 / 23

HEX #8F70C4

RGB 143 112 196

HSL 262.14, 0.42%, 0.6%

LAB 53.4, 29.9, -39.56

 

CMYK 0 / 44 / 25 / 24

HEX #C36E93

RGB 195 110 147

HSL 333.88, 0.41%, 0.6%

LAB 56.94, 38.26, -5.31

 

CMYK 16 / 0 / 44 / 24

HEX #A4C36E

RGB 164 195 110

HSL 81.88, 0.41%, 0.6%

LAB 74.86, -24.44, 39.21

 

CMYK 44 / 0 / 19 / 24

HEX #6EC39E

RGB 110 195 158

HSL 153.88, 0.41%, 0.6%

LAB 72.77, -34.37, 10.65

 

CMYK 27 / 43 / 0 / 23

HEX #8F70C4

RGB 143 112 196

HSL 262.14, 0.42%, 0.6%

LAB 53.4, 29.9, -39.56

 

CMYK 0 / 44 / 38 / 24

HEX #C36E79

RGB 195 110 121

HSL 352.24, 0.41%, 0.6%

LAB 56.22, 34.83, 8.81

 

CMYK 16 / 0 / 44 / 24

HEX #A4C36E

RGB 164 195 110

HSL 81.88, 0.41%, 0.6%

LAB 74.86, -24.44, 39.21

 

CMYK 44 / 0 / 6 / 24

HEX #6EC3B8

RGB 110 195 184

HSL 172.24, 0.41%, 0.6%

LAB 73.42, -28.43, -2.52

 

Description

Color code: CMYK 27 / 43 / 0 / 23 | qconv.com Color code: CMYK 27 / 43 / 0 / 23 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 112 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 112 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 43 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 43% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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