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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 27 / 11 / 0 / 45 it is the complementary color CMYK 0 / 15 / 25 / 40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 27 / 11 / 0 / 45. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 27 / 11 / 0 / 45: CMYK 21 / 7 / 0 / 47, CMYK 19 / 7 / 0 / 40, CMYK 18 / 7 / 0 / 32, CMYK 18 / 7 / 0 / 25 and CMYK 17 / 7 / 0 / 17

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 27 / 11 / 0 / 45. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 27 / 11 / 0 / 45: CMYK 27 / 11 / 0 / 45, CMYK 30 / 12 / 0 / 53, CMYK 33 / 13 / 0 / 60, CMYK 39 / 14 / 0 / 67 and CMYK 47 / 17 / 0 / 75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 11 / 0 / 45

HEX #667D8C

RGB 102 125 140

HSL 203.68, 0.16%, 0.47%

LAB 51.14, -4.67, -10.87

 

Complementary color

CMYK 0 / 15 / 25 / 40

HEX #998273

RGB 153 130 115

HSL 23.68, 0.16%, 0.53%

LAB 56.06, 6.35, 11.38

 

CMYK 21 / 7 / 0 / 47

HEX #6B7D87

RGB 107 125 135

HSL 201.43, 0.12%, 0.47%

LAB 51.32, -4.25, -7.63

 

CMYK 19 / 7 / 0 / 40

HEX #7C8F9A

RGB 124 143 154

HSL 202, 0.13%, 0.55%

LAB 58.29, -4.31, -8.11

 

CMYK 18 / 7 / 0 / 32

HEX #8DA1AD

RGB 141 161 173

HSL 202.5, 0.16%, 0.62%

LAB 65.1, -4.38, -8.58

 

CMYK 18 / 7 / 0 / 25

HEX #9EB3C0

RGB 158 179 192

HSL 202.94, 0.21%, 0.69%

LAB 71.77, -4.45, -9.05

 

CMYK 17 / 7 / 0 / 17

HEX #AFC5D3

RGB 175 197 211

HSL 203.33, 0.29%, 0.76%

LAB 78.32, -4.52, -9.51

 

CMYK 27 / 11 / 0 / 45

HEX #667D8C

RGB 102 125 140

HSL 203.68, 0.16%, 0.47%

LAB 51.14, -4.67, -10.87

 

CMYK 30 / 12 / 0 / 53

HEX #556B79

RGB 85 107 121

HSL 203.33, 0.17%, 0.4%

LAB 43.98, -4.59, -10.46

 

CMYK 33 / 13 / 0 / 60

HEX #445966

RGB 68 89 102

HSL 202.94, 0.2%, 0.33%

LAB 36.62, -4.49, -10.06

 

CMYK 39 / 14 / 0 / 67

HEX #334753

RGB 51 71 83

HSL 202.5, 0.24%, 0.26%

LAB 28.99, -4.36, -9.67

 

CMYK 47 / 17 / 0 / 75

HEX #223540

RGB 34 53 64

HSL 202, 0.31%, 0.19%

LAB 21.04, -4.18, -9.29

 

CMYK 27 / 11 / 0 / 45

HEX #667D8C

RGB 102 125 140

HSL 203.68, 0.16%, 0.47%

LAB 51.14, -4.67, -10.87

 

CMYK 28 / 16 / 0 / 45

HEX #64758B

RGB 100 117 139

HSL 213.85, 0.16%, 0.47%

LAB 48.63, -0.92, -14.07

 

CMYK 28 / 20 / 0 / 45

HEX #646F8B

RGB 100 111 139

HSL 223.08, 0.16%, 0.47%

LAB 46.9, 2.64, -16.71

 

CMYK 28 / 24 / 0 / 45

HEX #64698B

RGB 100 105 139

HSL 232.31, 0.16%, 0.47%

LAB 45.19, 6.26, -19.33

 

CMYK 27 / 28 / 0 / 45

HEX #66648B

RGB 102 100 139

HSL 243.08, 0.16%, 0.47%

LAB 43.95, 9.97, -21.22

 

CMYK 27 / 11 / 0 / 45

HEX #667D8C

RGB 102 125 140

HSL 203.68, 0.16%, 0.47%

LAB 51.14, -4.67, -10.87

 

CMYK 27 / 10 / 0 / 25

HEX #8BABBF

RGB 139 171 191

HSL 203.08, 0.29%, 0.65%

LAB 68.3, -6.29, -13.82

 

CMYK 27 / 11 / 0 / 5

HEX #B0D8F2

RGB 176 216 242

HSL 203.64, 0.72%, 0.82%

LAB 84.36, -7.29, -17.02

 

CMYK 26 / 11 / 0 / 85

HEX #1C2226

RGB 28 34 38

HSL 204, 0.15%, 0.13%

LAB 12.8, -1.56, -3.59

 

CMYK 27 / 11 / 0 / 65

HEX #414F59

RGB 65 79 89

HSL 205, 0.16%, 0.3%

LAB 32.78, -2.91, -7.69

 

CMYK 27 / 11 / 0 / 45

HEX #667D8C

RGB 102 125 140

HSL 203.68, 0.16%, 0.47%

LAB 51.14, -4.67, -10.87

 

CMYK 12 / 28 / 0 / 45

HEX #7B648B

RGB 123 100 139

HSL 275.38, 0.16%, 0.47%

LAB 45.89, 17.05, -18.07

 

CMYK 0 / 1 / 28 / 45

HEX #8B8A64

RGB 139 138 100

HSL 58.46, 0.16%, 0.47%

LAB 56.67, -6.07, 20.55

 

CMYK 27 / 11 / 0 / 45

HEX #667D8C

RGB 102 125 140

HSL 203.68, 0.16%, 0.47%

LAB 51.14, -4.67, -10.87

 

CMYK 0 / 28 / 11 / 45

HEX #8B647C

RGB 139 100 124

HSL 323.08, 0.16%, 0.47%

LAB 47.05, 19.77, -7.17

 

CMYK 11 / 0 / 28 / 45

HEX #7C8B64

RGB 124 139 100

HSL 83.08, 0.16%, 0.47%

LAB 55.76, -12.67, 19.11

 

CMYK 27 / 11 / 0 / 45

HEX #667D8C

RGB 102 125 140

HSL 203.68, 0.16%, 0.47%

LAB 51.14, -4.67, -10.87

 

CMYK 12 / 28 / 0 / 45

HEX #7B648B

RGB 123 100 139

HSL 275.38, 0.16%, 0.47%

LAB 45.89, 17.05, -18.07

 

CMYK 0 / 17 / 28 / 45

HEX #8B7364

RGB 139 115 100

HSL 23.08, 0.16%, 0.47%

LAB 50.3, 6.98, 11.81

 

CMYK 17 / 0 / 28 / 45

HEX #748B64

RGB 116 139 100

HSL 95.38, 0.16%, 0.47%

LAB 55.17, -15.79, 18.22

 

CMYK 27 / 11 / 0 / 45

HEX #667D8C

RGB 102 125 140

HSL 203.68, 0.16%, 0.47%

LAB 51.14, -4.67, -10.87

 

CMYK 4 / 28 / 0 / 45

HEX #86648B

RGB 134 100 139

HSL 292.31, 0.16%, 0.47%

LAB 47.04, 20.9, -16.22

 

CMYK 0 / 17 / 28 / 45

HEX #8B7364

RGB 139 115 100

HSL 23.08, 0.16%, 0.47%

LAB 50.3, 6.98, 11.81

 

CMYK 24 / 0 / 28 / 45

HEX #698B64

RGB 105 139 100

HSL 112.31, 0.16%, 0.47%

LAB 54.44, -19.93, 17.1

 

Description

Color code: CMYK 27 / 11 / 0 / 45 | qconv.com Color code: CMYK 27 / 11 / 0 / 45 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 125 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 125 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 11 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 11% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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