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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 27 / 0 / 38 / 60 it is the complementary color CMYK 6 / 20 / 0 / 25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 27 / 0 / 38 / 60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 27 / 0 / 38 / 60: CMYK 23 / 0 / 43 / 60, CMYK 20 / 0 / 36 / 53, CMYK 18 / 0 / 30 / 46, CMYK 17 / 0 / 26 / 39 and CMYK 16 / 0 / 23 / 32

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 27 / 0 / 38 / 60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 27 / 0 / 38 / 60: CMYK 27 / 0 / 38 / 60, CMYK 32 / 0 / 48 / 67, CMYK 39 / 0 / 62 / 74, CMYK 52 / 0 / 88 / 81 and CMYK 80 / 0 / 100 / 88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 38 / 60

HEX #4A663F

RGB 74 102 63

HSL 103.08, 0.24%, 0.32%

LAB 40.11, -18.5, 18.82

 

Complementary color

CMYK 6 / 20 / 0 / 25

HEX #B599C0

RGB 181 153 192

HSL 283.08, 0.24%, 0.68%

LAB 66.83, 17.53, -16.26

 

CMYK 23 / 0 / 43 / 60

HEX #4F663A

RGB 79 102 58

HSL 91.36, 0.28%, 0.31%

LAB 40.36, -17.26, 22.11

 

CMYK 20 / 0 / 36 / 53

HEX #60784D

RGB 96 120 77

HSL 93.49, 0.22%, 0.39%

LAB 47.57, -17.17, 20.83

 

CMYK 18 / 0 / 30 / 46

HEX #718A60

RGB 113 138 96

HSL 95.71, 0.18%, 0.46%

LAB 54.59, -17.07, 19.65

 

CMYK 17 / 0 / 26 / 39

HEX #829C73

RGB 130 156 115

HSL 98.05, 0.17%, 0.53%

LAB 61.45, -16.97, 18.55

 

CMYK 16 / 0 / 23 / 32

HEX #93AE86

RGB 147 174 134

HSL 100.5, 0.2%, 0.6%

LAB 68.17, -16.87, 17.52

 

CMYK 27 / 0 / 38 / 60

HEX #4A663F

RGB 74 102 63

HSL 103.08, 0.24%, 0.32%

LAB 40.11, -18.5, 18.82

 

CMYK 32 / 0 / 48 / 67

HEX #39542C

RGB 57 84 44

HSL 100.5, 0.31%, 0.25%

LAB 32.68, -18.68, 20.17

 

CMYK 39 / 0 / 62 / 74

HEX #284219

RGB 40 66 25

HSL 98.05, 0.45%, 0.18%

LAB 25.01, -18.76, 21.57

 

CMYK 52 / 0 / 88 / 81

HEX #173006

RGB 23 48 6

HSL 95.71, 0.78%, 0.11%

LAB 17.03, -18.57, 21.62

 

CMYK 80 / 0 / 100 / 88

HEX #061E00

RGB 6 30 0

HSL 108, 1%, 0.06%

LAB 8.72, -15.47, 12.76

 

CMYK 27 / 0 / 38 / 60

HEX #4A663F

RGB 74 102 63

HSL 103.08, 0.24%, 0.32%

LAB 40.11, -18.5, 18.82

 

CMYK 35 / 0 / 39 / 60

HEX #42653E

RGB 66 101 62

HSL 113.85, 0.24%, 0.32%

LAB 39.26, -21.21, 18.19

 

CMYK 39 / 0 / 38 / 60

HEX #3E653F

RGB 62 101 63

HSL 121.54, 0.24%, 0.32%

LAB 39.05, -22.49, 17.28

 

CMYK 39 / 0 / 31 / 60

HEX #3E6546

RGB 62 101 70

HSL 132.31, 0.24%, 0.32%

LAB 39.2, -21.14, 13.31

 

CMYK 39 / 0 / 24 / 60

HEX #3E654D

RGB 62 101 77

HSL 143.08, 0.24%, 0.32%

LAB 39.36, -19.67, 9.31

 

CMYK 27 / 0 / 38 / 60

HEX #4A663F

RGB 74 102 63

HSL 103.08, 0.24%, 0.32%

LAB 40.11, -18.5, 18.82

 

CMYK 27 / 0 / 38 / 40

HEX #6F995F

RGB 111 153 95

HSL 103.45, 0.23%, 0.49%

LAB 58.96, -25.66, 26

 

CMYK 27 / 0 / 38 / 20

HEX #94CC7E

RGB 148 204 126

HSL 103.08, 0.43%, 0.65%

LAB 76.67, -32.49, 33.2

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 27 / 0 / 37 / 80

HEX #253320

RGB 37 51 32

HSL 104.21, 0.23%, 0.16%

LAB 19.5, -10.34, 10.22

 

CMYK 27 / 0 / 38 / 60

HEX #4A663F

RGB 74 102 63

HSL 103.08, 0.24%, 0.32%

LAB 40.11, -18.5, 18.82

 

CMYK 39 / 0 / 4 / 60

HEX #3E6561

RGB 62 101 97

HSL 173.85, 0.24%, 0.32%

LAB 39.91, -14.8, -2.11

 

CMYK 0 / 39 / 13 / 60

HEX #653E58

RGB 101 62 88

HSL 320, 0.24%, 0.32%

LAB 31.62, 21.39, -8.44

 

CMYK 27 / 0 / 38 / 60

HEX #4A663F

RGB 74 102 63

HSL 103.08, 0.24%, 0.32%

LAB 40.11, -18.5, 18.82

 

CMYK 39 / 28 / 0 / 60

HEX #3E4965

RGB 62 73 101

HSL 223.08, 0.24%, 0.32%

LAB 31.18, 3.36, -17.78

 

CMYK 0 / 39 / 28 / 60

HEX #653E49

RGB 101 62 73

HSL 343.08, 0.24%, 0.32%

LAB 31.1, 18.75, 0.48

 

CMYK 27 / 0 / 38 / 60

HEX #4A663F

RGB 74 102 63

HSL 103.08, 0.24%, 0.32%

LAB 40.11, -18.5, 18.82

 

CMYK 39 / 0 / 4 / 60

HEX #3E6561

RGB 62 101 97

HSL 173.85, 0.24%, 0.32%

LAB 39.91, -14.8, -2.11

 

CMYK 11 / 39 / 0 / 60

HEX #5A3E65

RGB 90 62 101

HSL 283.08, 0.24%, 0.32%

LAB 30.78, 20.08, -18.18

 

CMYK 0 / 39 / 36 / 60

HEX #653E41

RGB 101 62 65

HSL 355.38, 0.24%, 0.32%

LAB 30.86, 17.52, 5.33

 

CMYK 27 / 0 / 38 / 60

HEX #4A663F

RGB 74 102 63

HSL 103.08, 0.24%, 0.32%

LAB 40.11, -18.5, 18.82

 

CMYK 39 / 9 / 0 / 60

HEX #3E5C65

RGB 62 92 101

HSL 193.85, 0.24%, 0.32%

LAB 37.15, -8.49, -8.68

 

CMYK 11 / 39 / 0 / 60

HEX #5A3E65

RGB 90 62 101

HSL 283.08, 0.24%, 0.32%

LAB 30.78, 20.08, -18.18

 

CMYK 0 / 31 / 39 / 60

HEX #65463E

RGB 101 70 62

HSL 12.31, 0.24%, 0.32%

LAB 32.91, 12.14, 10.12

 

Description

Color code: CMYK 27 / 0 / 38 / 60 | qconv.com Color code: CMYK 27 / 0 / 38 / 60 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 102 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 102 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 38 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 38% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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