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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 26 / 11 / 0 / 39 it is the complementary color CMYK 0 / 16 / 29 / 45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 26 / 11 / 0 / 39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 26 / 11 / 0 / 39: CMYK 21 / 9 / 0 / 41, CMYK 19 / 8 / 0 / 33, CMYK 19 / 8 / 0 / 26, CMYK 18 / 8 / 0 / 18 and CMYK 17 / 7 / 0 / 11

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 26 / 11 / 0 / 39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 26 / 11 / 0 / 39: CMYK 26 / 12 / 0 / 39, CMYK 28 / 12 / 0 / 46, CMYK 31 / 14 / 0 / 54, CMYK 35 / 15 / 0 / 61 and CMYK 41 / 18 / 0 / 69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 11 / 0 / 39

HEX #738A9C

RGB 115 138 156

HSL 206.34, 0.17%, 0.53%

LAB 56.31, -3.94, -12.28

 

Complementary color

CMYK 0 / 16 / 29 / 45

HEX #8C7563

RGB 140 117 99

HSL 26.34, 0.17%, 0.47%

LAB 50.92, 6.09, 13.28

 

CMYK 21 / 9 / 0 / 41

HEX #788A97

RGB 120 138 151

HSL 205.16, 0.13%, 0.53%

LAB 56.49, -3.52, -9.1

 

CMYK 19 / 8 / 0 / 33

HEX #899CAA

RGB 137 156 170

HSL 205.45, 0.16%, 0.6%

LAB 63.34, -3.61, -9.54

SW® 9151

CMYK 19 / 8 / 0 / 26

HEX #9AAEBD

RGB 154 174 189

HSL 205.71, 0.21%, 0.67%

LAB 70.05, -3.69, -9.99

 

CMYK 18 / 8 / 0 / 18

HEX #ABC0D0

RGB 171 192 208

HSL 205.95, 0.28%, 0.74%

LAB 76.63, -3.78, -10.43

 

CMYK 17 / 7 / 0 / 11

HEX #BCD2E3

RGB 188 210 227

HSL 206.15, 0.41%, 0.81%

LAB 83.09, -3.86, -10.87

 

CMYK 26 / 12 / 0 / 39

HEX #738A9C

RGB 115 138 156

HSL 206.34, 0.17%, 0.53%

LAB 56.31, -3.94, -12.28

 

CMYK 28 / 12 / 0 / 46

HEX #627889

RGB 98 120 137

HSL 206.15, 0.17%, 0.46%

LAB 49.3, -3.83, -11.9

 

CMYK 31 / 14 / 0 / 54

HEX #516676

RGB 81 102 118

HSL 205.95, 0.19%, 0.39%

LAB 42.09, -3.71, -11.53

 

CMYK 35 / 15 / 0 / 61

HEX #405463

RGB 64 84 99

HSL 205.71, 0.21%, 0.32%

LAB 34.66, -3.57, -11.17

 

CMYK 41 / 18 / 0 / 69

HEX #2F4250

RGB 47 66 80

HSL 205.45, 0.26%, 0.25%

LAB 26.96, -3.38, -10.83

 

CMYK 26 / 12 / 0 / 39

HEX #738A9C

RGB 115 138 156

HSL 206.34, 0.17%, 0.53%

LAB 56.31, -3.94, -12.28

 

CMYK 26 / 15 / 0 / 39

HEX #72839B

RGB 114 131 155

HSL 215.12, 0.17%, 0.53%

LAB 54.21, -0.51, -14.87

 

CMYK 26 / 20 / 0 / 39

HEX #727C9B

RGB 114 124 155

HSL 225.37, 0.17%, 0.53%

LAB 52.24, 3.57, -17.87

 

CMYK 26 / 25 / 0 / 39

HEX #72759B

RGB 114 117 155

HSL 235.61, 0.17%, 0.53%

LAB 50.29, 7.71, -20.85

 

CMYK 24 / 26 / 0 / 39

HEX #76729B

RGB 118 114 155

HSL 245.85, 0.17%, 0.53%

LAB 49.8, 10.79, -21.58

 

CMYK 26 / 12 / 0 / 39

HEX #738A9C

RGB 115 138 156

HSL 206.34, 0.17%, 0.53%

LAB 56.31, -3.94, -12.28

 

CMYK 26 / 12 / 0 / 19

HEX #99B7CF

RGB 153 183 207

HSL 206.67, 0.36%, 0.71%

LAB 72.99, -4.75, -15.46

 

CMYK 33 / 0 / 0 / 99

HEX #020303

RGB 2 3 3

HSL 180, 0.2%, 0.01%

LAB 0.76, -0.26, -0.09

 

CMYK 26 / 11 / 0 / 79

HEX #283036

RGB 40 48 54

HSL 205.71, 0.15%, 0.18%

LAB 19.36, -1.78, -4.97

 

CMYK 27 / 11 / 0 / 59

HEX #4D5D69

RGB 77 93 105

HSL 205.71, 0.15%, 0.36%

LAB 38.6, -3.09, -8.87

 

CMYK 26 / 12 / 0 / 39

HEX #738A9C

RGB 115 138 156

HSL 206.34, 0.17%, 0.53%

LAB 56.31, -3.94, -12.28

 

CMYK 10 / 26 / 0 / 39

HEX #8C729B

RGB 140 114 155

HSL 278.05, 0.17%, 0.53%

LAB 51.81, 18.15, -18.33

 

CMYK 1 / 0 / 26 / 39

HEX #9A9B72

RGB 154 155 114

HSL 61.46, 0.17%, 0.53%

LAB 62.95, -7.27, 21.45

 

CMYK 26 / 12 / 0 / 39

HEX #738A9C

RGB 115 138 156

HSL 206.34, 0.17%, 0.53%

LAB 56.31, -3.94, -12.28

 

CMYK 0 / 26 / 12 / 39

HEX #9B7289

RGB 155 114 137

HSL 326.34, 0.17%, 0.53%

LAB 52.74, 19.96, -6.22

 

CMYK 12 / 0 / 26 / 39

HEX #899B72

RGB 137 155 114

HSL 86.34, 0.17%, 0.53%

LAB 61.63, -13.95, 19.44

 

CMYK 26 / 12 / 0 / 39

HEX #738A9C

RGB 115 138 156

HSL 206.34, 0.17%, 0.53%

LAB 56.31, -3.94, -12.28

 

CMYK 10 / 26 / 0 / 39

HEX #8C729B

RGB 140 114 155

HSL 278.05, 0.17%, 0.53%

LAB 51.81, 18.15, -18.33

 

CMYK 0 / 15 / 26 / 39

HEX #9B8472

RGB 155 132 114

HSL 26.34, 0.17%, 0.53%

LAB 56.77, 5.87, 12.97

 

CMYK 17 / 0 / 26 / 39

HEX #819B72

RGB 129 155 114

HSL 98.05, 0.17%, 0.53%

LAB 61.07, -16.98, 18.57

 

CMYK 26 / 12 / 0 / 39

HEX #738A9C

RGB 115 138 156

HSL 206.34, 0.17%, 0.53%

LAB 56.31, -3.94, -12.28

 

CMYK 2 / 26 / 0 / 39

HEX #98729B

RGB 152 114 155

HSL 295.61, 0.17%, 0.53%

LAB 53.03, 22.3, -16.35

 

CMYK 0 / 15 / 26 / 39

HEX #9B8472

RGB 155 132 114

HSL 26.34, 0.17%, 0.53%

LAB 56.77, 5.87, 12.97

 

CMYK 25 / 0 / 26 / 39

HEX #759B72

RGB 117 155 114

HSL 115.61, 0.17%, 0.53%

LAB 60.28, -21.37, 17.37

 

Description

Color code: CMYK 26 / 11 / 0 / 39 | qconv.com Color code: CMYK 26 / 11 / 0 / 39 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 138 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 138 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 11 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 11% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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