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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 26 / 0 / 44 / 33 it is the complementary color CMYK 19 / 47 / 0 / 38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 26 / 0 / 44 / 33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 26 / 0 / 44 / 33: CMYK 23 / 0 / 47 / 33, CMYK 22 / 0 / 42 / 26, CMYK 20 / 0 / 38 / 19, CMYK 19 / 0 / 34 / 12 and CMYK 18 / 0 / 31 / 5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 26 / 0 / 44 / 33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 26 / 0 / 44 / 33: CMYK 26 / 0 / 44 / 33, CMYK 29 / 0 / 50 / 40, CMYK 32 / 0 / 57 / 47, CMYK 36 / 0 / 67 / 54 and CMYK 41 / 0 / 80 / 61

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 44 / 33

HEX #7EAB60

RGB 126 171 96

HSL 96, 0.31%, 0.52%

LAB 65.28, -28.82, 33.79

 

Complementary color

CMYK 19 / 47 / 0 / 38

HEX #81549F

RGB 129 84 159

HSL 276, 0.31%, 0.48%

LAB 43.52, 33.1, -33.64

 

CMYK 23 / 0 / 47 / 33

HEX #83AB5B

RGB 131 171 91

HSL 90, 0.32%, 0.51%

LAB 65.52, -27.59, 36.72

 

CMYK 22 / 0 / 42 / 26

HEX #94BD6E

RGB 148 189 110

HSL 91.14, 0.37%, 0.59%

LAB 72.11, -27.55, 35.52

 

CMYK 20 / 0 / 38 / 19

HEX #A5CF81

RGB 165 207 129

HSL 92.31, 0.45%, 0.66%

LAB 78.58, -27.48, 34.35

 

CMYK 19 / 0 / 34 / 12

HEX #B6E194

RGB 182 225 148

HSL 93.51, 0.56%, 0.73%

LAB 84.96, -27.4, 33.23

 

CMYK 18 / 0 / 31 / 5

HEX #C7F3A7

RGB 199 243 167

HSL 94.74, 0.76%, 0.8%

LAB 91.25, -27.3, 32.15

 

CMYK 26 / 0 / 44 / 33

HEX #7EAB60

RGB 126 171 96

HSL 96, 0.31%, 0.52%

LAB 65.28, -28.82, 33.79

 

CMYK 29 / 0 / 50 / 40

HEX #6D994D

RGB 109 153 77

HSL 94.74, 0.33%, 0.45%

LAB 58.57, -28.89, 35.02

 

CMYK 32 / 0 / 57 / 47

HEX #5C873A

RGB 92 135 58

HSL 93.51, 0.4%, 0.38%

LAB 51.73, -28.9, 36.22

 

CMYK 36 / 0 / 67 / 54

HEX #4B7527

RGB 75 117 39

HSL 92.31, 0.5%, 0.31%

LAB 44.75, -28.77, 37.25

 

CMYK 41 / 0 / 80 / 61

HEX #3A6314

RGB 58 99 20

HSL 91.14, 0.66%, 0.23%

LAB 37.61, -28.4, 37.69

 

CMYK 26 / 0 / 44 / 33

HEX #7EAB60

RGB 126 171 96

HSL 96, 0.31%, 0.52%

LAB 65.28, -28.82, 33.79

 

CMYK 34 / 0 / 45 / 33

HEX #70AA5E

RGB 112 170 94

HSL 105.79, 0.31%, 0.52%

LAB 64.16, -33.6, 33.24

 

CMYK 42 / 0 / 45 / 33

HEX #63AA5E

RGB 99 170 94

HSL 116.05, 0.31%, 0.52%

LAB 63.52, -37.9, 32.28

 

CMYK 45 / 0 / 40 / 33

HEX #5EAA66

RGB 94 170 102

HSL 126.32, 0.31%, 0.52%

LAB 63.42, -38.18, 27.9

 

CMYK 45 / 0 / 33 / 33

HEX #5EAA72

RGB 94 170 114

HSL 135.79, 0.31%, 0.52%

LAB 63.63, -36.09, 21.73

 

CMYK 26 / 0 / 44 / 33

HEX #7EAB60

RGB 126 171 96

HSL 96, 0.31%, 0.52%

LAB 65.28, -28.82, 33.79

 

CMYK 26 / 0 / 44 / 13

HEX #A4DE7D

RGB 164 222 125

HSL 95.88, 0.6%, 0.68%

LAB 82.71, -35.39, 41.63

 

CMYK 28 / 0 / 44 / 93

HEX #0D120A

RGB 13 18 10

HSL 97.5, 0.29%, 0.05%

LAB 4.88, -3.12, 3.14

 

CMYK 26 / 0 / 43 / 73

HEX #334527

RGB 51 69 39

HSL 96, 0.28%, 0.21%

LAB 27.04, -13.64, 15.87

 

CMYK 27 / 0 / 44 / 53

HEX #587843

RGB 88 120 67

HSL 96.23, 0.28%, 0.37%

LAB 46.86, -21.84, 25.45

 

CMYK 26 / 0 / 44 / 33

HEX #7EAB60

RGB 126 171 96

HSL 96, 0.31%, 0.52%

LAB 65.28, -28.82, 33.79

 

CMYK 45 / 0 / 9 / 33

HEX #5EAA9B

RGB 94 170 155

HSL 168.16, 0.31%, 0.52%

LAB 64.56, -27.28, 0.39

 

CMYK 0 / 45 / 9 / 33

HEX #AA5E9B

RGB 170 94 155

HSL 311.84, 0.31%, 0.52%

LAB 50.59, 39.6, -19.89

 

CMYK 26 / 0 / 44 / 33

HEX #7EAB60

RGB 126 171 96

HSL 96, 0.31%, 0.52%

LAB 65.28, -28.82, 33.79

 

CMYK 45 / 26 / 0 / 33

HEX #5E7DAA

RGB 94 125 170

HSL 215.53, 0.31%, 0.52%

LAB 51.78, 1.25, -27.41

 

CMYK 0 / 45 / 26 / 33

HEX #AA5E7D

RGB 170 94 125

HSL 335.53, 0.31%, 0.52%

LAB 49.54, 34.78, -3.66

 

CMYK 26 / 0 / 44 / 33

HEX #7EAB60

RGB 126 171 96

HSL 96, 0.31%, 0.52%

LAB 65.28, -28.82, 33.79

 

CMYK 45 / 0 / 9 / 33

HEX #5EAA9B

RGB 94 170 155

HSL 168.16, 0.31%, 0.52%

LAB 64.56, -27.28, 0.39

 

CMYK 18 / 45 / 0 / 33

HEX #8C5EAA

RGB 140 94 170

HSL 276.32, 0.31%, 0.52%

LAB 47.6, 33.19, -33.64

 

CMYK 0 / 45 / 36 / 33

HEX #AA5E6D

RGB 170 94 109

HSL 348.16, 0.31%, 0.52%

LAB 49.08, 32.61, 5.26

 

CMYK 26 / 0 / 44 / 33

HEX #7EAB60

RGB 126 171 96

HSL 96, 0.31%, 0.52%

LAB 65.28, -28.82, 33.79

 

CMYK 45 / 5 / 0 / 33

HEX #5EA2AA

RGB 94 162 170

HSL 186.32, 0.31%, 0.52%

LAB 62.61, -19.37, -10.89

 

CMYK 18 / 45 / 0 / 33

HEX #8C5EAA

RGB 140 94 170

HSL 276.32, 0.31%, 0.52%

LAB 47.6, 33.19, -33.64

 

CMYK 0 / 40 / 45 / 33

HEX #AA665E

RGB 170 102 94

HSL 6.32, 0.31%, 0.52%

LAB 50.52, 26.43, 16.21

 

Description

Color code: CMYK 26 / 0 / 44 / 33 | qconv.com Color code: CMYK 26 / 0 / 44 / 33 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 171 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 171 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 44 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 44% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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