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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 25 / 2 / 0 / 25 it is the complementary color CMYK 0 / 39 / 43 / 56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 25 / 2 / 0 / 25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 25 / 2 / 0 / 25: CMYK 21 / 0 / 1 / 27, CMYK 20 / 0 / 0 / 20, CMYK 19 / 0 / 0 / 12, CMYK 18 / 1 / 0 / 5 and CMYK 15 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 25 / 2 / 0 / 25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 25 / 2 / 0 / 25: CMYK 25 / 2 / 0 / 25, CMYK 27 / 2 / 0 / 33, CMYK 29 / 1 / 0 / 40, CMYK 31 / 1 / 0 / 47 and CMYK 35 / 0 / 0 / 55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 2 / 0 / 25

HEX #8FBBBF

RGB 143 187 191

HSL 185, 0.27%, 0.65%

LAB 72.99, -13.6, -6.79

 

Complementary color

CMYK 0 / 39 / 43 / 56

HEX #704440

RGB 112 68 64

HSL 5, 0.27%, 0.35%

LAB 33.88, 18.47, 10.42

 

CMYK 21 / 0 / 1 / 27

HEX #94BBBA

RGB 148 187 186

HSL 178.46, 0.22%, 0.66%

LAB 73.14, -13.18, -3.8

 

CMYK 20 / 0 / 0 / 20

HEX #A5CDCD

RGB 165 205 205

HSL 180, 0.29%, 0.73%

LAB 79.65, -13.11, -4.37

 

CMYK 19 / 0 / 0 / 12

HEX #B6DFE0

RGB 182 223 224

HSL 181.43, 0.4%, 0.8%

LAB 86.06, -13.06, -4.92

 

CMYK 18 / 1 / 0 / 5

HEX #C7F1F3

RGB 199 241 243

HSL 182.73, 0.65%, 0.87%

LAB 92.36, -13.02, -5.46

 

CMYK 15 / 0 / 0 / 0

HEX #D8FFFF

RGB 216 255 255

HSL 180, 1%, 0.92%

LAB 97.36, -12.41, -4.18

 

CMYK 25 / 2 / 0 / 25

HEX #8FBBBF

RGB 143 187 191

HSL 185, 0.27%, 0.65%

LAB 72.99, -13.6, -6.79

 

CMYK 27 / 2 / 0 / 33

HEX #7EA9AC

RGB 126 169 172

HSL 183.91, 0.22%, 0.58%

LAB 66.36, -13.66, -6.25

 

CMYK 29 / 1 / 0 / 40

HEX #6D9799

RGB 109 151 153

HSL 182.73, 0.18%, 0.51%

LAB 59.6, -13.74, -5.68

 

CMYK 31 / 1 / 0 / 47

HEX #5C8586

RGB 92 133 134

HSL 181.43, 0.19%, 0.44%

LAB 52.7, -13.83, -5.09

 

CMYK 35 / 0 / 0 / 55

HEX #4B7373

RGB 75 115 115

HSL 180, 0.21%, 0.37%

LAB 45.63, -13.92, -4.47

 

CMYK 25 / 2 / 0 / 25

HEX #8FBBBF

RGB 143 187 191

HSL 185, 0.27%, 0.65%

LAB 72.99, -13.6, -6.79

 

CMYK 25 / 6 / 0 / 26

HEX #8DB1BD

RGB 141 177 189

HSL 195, 0.27%, 0.65%

LAB 70.02, -9.38, -10.12

 

CMYK 25 / 11 / 0 / 26

HEX #8DA9BD

RGB 141 169 189

HSL 205, 0.27%, 0.65%

LAB 67.81, -5.07, -13.43

 

CMYK 25 / 15 / 0 / 26

HEX #8DA1BD

RGB 141 161 189

HSL 215, 0.27%, 0.65%

LAB 65.61, -0.66, -16.74

 

CMYK 25 / 19 / 0 / 26

HEX #8D99BD

RGB 141 153 189

HSL 225, 0.27%, 0.65%

LAB 63.44, 3.82, -20.04

 

CMYK 25 / 2 / 0 / 25

HEX #8FBBBF

RGB 143 187 191

HSL 185, 0.27%, 0.65%

LAB 72.99, -13.6, -6.79

 

CMYK 25 / 2 / 0 / 5

HEX #B5EDF2

RGB 181 237 242

HSL 184.92, 0.7%, 0.83%

LAB 90.23, -16.55, -8.21

 

CMYK 26 / 3 / 0 / 85

HEX #1C2526

RGB 28 37 38

HSL 186, 0.15%, 0.13%

LAB 13.88, -3.67, -1.98

 

CMYK 25 / 2 / 0 / 65

HEX #435759

RGB 67 87 89

HSL 185.45, 0.14%, 0.31%

LAB 35.46, -7.11, -3.68

 

CMYK 25 / 2 / 0 / 45

HEX #69898C

RGB 105 137 140

HSL 185.14, 0.14%, 0.48%

LAB 54.85, -10.48, -5.3

 

CMYK 25 / 2 / 0 / 25

HEX #8FBBBF

RGB 143 187 191

HSL 185, 0.27%, 0.65%

LAB 72.99, -13.6, -6.79

 

CMYK 18 / 25 / 0 / 26

HEX #9B8DBD

RGB 155 141 189

HSL 257.5, 0.27%, 0.65%

LAB 61.39, 15.09, -23.08

 

CMYK 0 / 8 / 25 / 26

HEX #BDAE8D

RGB 189 174 141

HSL 41.25, 0.27%, 0.65%

LAB 71.56, 0.14, 18.92

 

CMYK 25 / 2 / 0 / 25

HEX #8FBBBF

RGB 143 187 191

HSL 185, 0.27%, 0.65%

LAB 72.99, -13.6, -6.79

 

CMYK 0 / 25 / 2 / 26

HEX #BD8DB9

RGB 189 141 185

HSL 305, 0.27%, 0.65%

LAB 64.46, 25.58, -15.85

 

CMYK 2 / 0 / 25 / 26

HEX #B9BD8D

RGB 185 189 141

HSL 65, 0.27%, 0.65%

LAB 75.22, -9.32, 23.87

 

CMYK 25 / 2 / 0 / 25

HEX #8FBBBF

RGB 143 187 191

HSL 185, 0.27%, 0.65%

LAB 72.99, -13.6, -6.79

 

CMYK 18 / 25 / 0 / 26

HEX #9B8DBD

RGB 155 141 189

HSL 257.5, 0.27%, 0.65%

LAB 61.39, 15.09, -23.08

 

CMYK 0 / 23 / 25 / 26

HEX #BD918D

RGB 189 145 141

HSL 5, 0.27%, 0.65%

LAB 64.16, 16, 8.53

 

CMYK 7 / 0 / 25 / 26

HEX #B0BD8D

RGB 176 189 141

HSL 76.25, 0.27%, 0.65%

LAB 74.54, -12.74, 22.82

 

CMYK 25 / 2 / 0 / 25

HEX #8FBBBF

RGB 143 187 191

HSL 185, 0.27%, 0.65%

LAB 72.99, -13.6, -6.79

 

CMYK 11 / 25 / 0 / 26

HEX #A98DBD

RGB 169 141 189

HSL 275, 0.27%, 0.65%

LAB 62.64, 19.66, -21.05

 

CMYK 0 / 23 / 25 / 26

HEX #BD918D

RGB 189 145 141

HSL 5, 0.27%, 0.65%

LAB 64.16, 16, 8.53

 

CMYK 15 / 0 / 25 / 26

HEX #A1BD8D

RGB 161 189 141

HSL 95, 0.27%, 0.65%

LAB 73.48, -18.3, 21.2

 

Description

Color code: CMYK 25 / 2 / 0 / 25 | qconv.com Color code: CMYK 25 / 2 / 0 / 25 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 187 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 187 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 2 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 2% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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