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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 25 / 0 / 85 / 31 it is the complementary color CMYK 46 / 66 / 0 / 10. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 25 / 0 / 85 / 31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 25 / 0 / 85 / 31: CMYK 22 / 0 / 88 / 31, CMYK 21 / 0 / 79 / 24, CMYK 19 / 0 / 72 / 17, CMYK 18 / 0 / 66 / 10 and CMYK 17 / 0 / 61 / 3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 25 / 0 / 85 / 31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 25 / 0 / 85 / 31: CMYK 25 / 0 / 85 / 31, CMYK 27 / 0 / 96 / 38, CMYK 30 / 0 / 100 / 45, CMYK 34 / 0 / 100 / 52 and CMYK 38 / 0 / 100 / 59

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 85 / 31

HEX #84B01A

RGB 132 176 26

HSL 77.6, 0.74%, 0.4%

LAB 66.54, -34.46, 63.74

 

Complementary color

CMYK 46 / 66 / 0 / 10

HEX #7B4FE5

RGB 123 79 229

HSL 257.6, 0.74%, 0.6%

LAB 46.26, 52.46, -69.91

 

CMYK 22 / 0 / 88 / 31

HEX #89B015

RGB 137 176 21

HSL 75.1, 0.79%, 0.39%

LAB 66.84, -32.6, 65.19

 

CMYK 21 / 0 / 79 / 24

HEX #9AC228

RGB 154 194 40

HSL 75.58, 0.66%, 0.46%

LAB 73.29, -33.44, 66.6

 

CMYK 19 / 0 / 72 / 17

HEX #ABD43B

RGB 171 212 59

HSL 76.08, 0.64%, 0.53%

LAB 79.65, -34.09, 66.96

 

CMYK 18 / 0 / 66 / 10

HEX #BCE64E

RGB 188 230 78

HSL 76.58, 0.75%, 0.6%

LAB 85.92, -34.6, 66.69

 

CMYK 17 / 0 / 61 / 3

HEX #CDF861

RGB 205 248 97

HSL 77.09, 0.92%, 0.68%

LAB 92.12, -34.98, 66.06

 

CMYK 25 / 0 / 85 / 31

HEX #84B01A

RGB 132 176 26

HSL 77.6, 0.74%, 0.4%

LAB 66.54, -34.46, 63.74

 

CMYK 27 / 0 / 96 / 38

HEX #739E07

RGB 115 158 7

HSL 77.09, 0.92%, 0.32%

LAB 59.99, -33.49, 61.32

 

CMYK 30 / 0 / 100 / 45

HEX #628C00

RGB 98 140 0

HSL 78, 1%, 0.27%

LAB 53.33, -32.21, 56.8

 

CMYK 34 / 0 / 100 / 52

HEX #517A00

RGB 81 122 0

HSL 80.16, 1%, 0.24%

LAB 46.54, -30.77, 51.14

 

CMYK 38 / 0 / 100 / 59

HEX #406800

RGB 64 104 0

HSL 83.08, 1%, 0.2%

LAB 39.56, -29.28, 45.34

 

CMYK 25 / 0 / 85 / 31

HEX #84B01A

RGB 132 176 26

HSL 77.6, 0.74%, 0.4%

LAB 66.54, -34.46, 63.74

 

CMYK 38 / 0 / 85 / 31

HEX #6DB11A

RGB 109 177 26

HSL 87.02, 0.74%, 0.4%

LAB 65.57, -43.6, 62.4

 

CMYK 53 / 0 / 85 / 31

HEX #54B11A

RGB 84 177 26

HSL 96.95, 0.74%, 0.4%

LAB 64.49, -51.7, 61.03

 

CMYK 67 / 0 / 85 / 31

HEX #3BB11A

RGB 59 177 26

HSL 106.89, 0.74%, 0.4%

LAB 63.71, -57.99, 60.05

 

CMYK 81 / 0 / 85 / 31

HEX #22B11A

RGB 34 177 26

HSL 116.82, 0.74%, 0.4%

LAB 63.23, -62.18, 59.43

 

CMYK 25 / 0 / 85 / 31

HEX #84B01A

RGB 132 176 26

HSL 77.6, 0.74%, 0.4%

LAB 66.54, -34.46, 63.74

 

CMYK 25 / 0 / 85 / 11

HEX #AAE322

RGB 170 227 34

HSL 77.72, 0.78%, 0.51%

LAB 83.76, -42.22, 77.59

 

CMYK 26 / 0 / 87 / 91

HEX #111703

RGB 17 23 3

HSL 78, 0.77%, 0.05%

LAB 6.67, -6.06, 8.65

 

CMYK 24 / 0 / 85 / 71

HEX #384A0B

RGB 56 74 11

HSL 77.14, 0.74%, 0.17%

LAB 28.81, -17.2, 32.61

 

CMYK 25 / 0 / 86 / 51

HEX #5E7D12

RGB 94 125 18

HSL 77.38, 0.75%, 0.28%

LAB 48.37, -26.23, 49.04

 

CMYK 25 / 0 / 85 / 31

HEX #84B01A

RGB 132 176 26

HSL 77.6, 0.74%, 0.4%

LAB 66.54, -34.46, 63.74

 

CMYK 85 / 0 / 44 / 31

HEX #1AB163

RGB 26 177 99

HSL 149.01, 0.74%, 0.4%

LAB 63.81, -54.75, 29.65

 

CMYK 10 / 85 / 0 / 31

HEX #9F1AB1

RGB 159 26 177

HSL 292.85, 0.74%, 0.4%

LAB 40.05, 68.16, -49.61

 

CMYK 25 / 0 / 85 / 31

HEX #84B01A

RGB 132 176 26

HSL 77.6, 0.74%, 0.4%

LAB 66.54, -34.46, 63.74

 

CMYK 85 / 24 / 0 / 31

HEX #1A86B1

RGB 26 134 177

HSL 197.09, 0.74%, 0.4%

LAB 52.34, -13.46, -30.77

 

CMYK 0 / 85 / 24 / 31

HEX #B11A86

RGB 177 26 134

HSL 317.09, 0.74%, 0.4%

LAB 40.91, 65.4, -22.07

 

CMYK 25 / 0 / 85 / 31

HEX #84B01A

RGB 132 176 26

HSL 77.6, 0.74%, 0.4%

LAB 66.54, -34.46, 63.74

 

CMYK 85 / 0 / 44 / 31

HEX #1AB163

RGB 26 177 99

HSL 149.01, 0.74%, 0.4%

LAB 63.81, -54.75, 29.65

 

CMYK 61 / 85 / 0 / 31

HEX #451AB1

RGB 69 26 177

HSL 257.09, 0.74%, 0.4%

LAB 27.24, 55.51, -71.07

 

CMYK 0 / 85 / 41 / 31

HEX #B11A68

RGB 177 26 104

HSL 329.01, 0.74%, 0.4%

LAB 39.72, 62.08, -5.18

 

CMYK 25 / 0 / 85 / 31

HEX #84B01A

RGB 132 176 26

HSL 77.6, 0.74%, 0.4%

LAB 66.54, -34.46, 63.74

 

CMYK 85 / 0 / 19 / 31

HEX #1AB190

RGB 26 177 144

HSL 166.89, 0.74%, 0.4%

LAB 64.71, -44.73, 6.5

 

CMYK 61 / 85 / 0 / 31

HEX #451AB1

RGB 69 26 177

HSL 257.09, 0.74%, 0.4%

LAB 27.24, 55.51, -71.07

 

CMYK 0 / 85 / 67 / 31

HEX #B11A3B

RGB 177 26 59

HSL 346.89, 0.74%, 0.4%

LAB 38.55, 58.69, 21.83

 

Description

Color code: CMYK 25 / 0 / 85 / 31 | qconv.com Color code: CMYK 25 / 0 / 85 / 31 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 176 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 176 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 85 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 85% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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