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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 25 / 0 / 0 / 39 it is the complementary color CMYK 0 / 28 / 28 / 46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 25 / 0 / 0 / 39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 25 / 0 / 0 / 39: CMYK 22 / 0 / 3 / 39, CMYK 20 / 0 / 2 / 32, CMYK 19 / 0 / 2 / 25, CMYK 18 / 0 / 1 / 18 and CMYK 17 / 0 / 0 / 11

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 25 / 0 / 0 / 39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 25 / 0 / 0 / 39: CMYK 25 / 0 / 0 / 39, CMYK 28 / 0 / 1 / 46, CMYK 31 / 0 / 2 / 53, CMYK 35 / 0 / 3 / 60 and CMYK 42 / 0 / 5 / 67

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 0 / 39

HEX #759C9C

RGB 117 156 156

HSL 180, 0.16%, 0.54%

LAB 61.62, -13.25, -4.35

 

Complementary color

CMYK 0 / 28 / 28 / 46

HEX #8A6363

RGB 138 99 99

HSL 0, 0.16%, 0.46%

LAB 45.94, 15.78, 6.25

 

CMYK 22 / 0 / 3 / 39

HEX #7A9C97

RGB 122 156 151

HSL 171.18, 0.15%, 0.55%

LAB 61.78, -12.79, -1.25

 

CMYK 20 / 0 / 2 / 32

HEX #8BAEAA

RGB 139 174 170

HSL 173.14, 0.18%, 0.61%

LAB 68.51, -12.69, -1.88

 

CMYK 19 / 0 / 2 / 25

HEX #9CC0BD

RGB 156 192 189

HSL 175, 0.22%, 0.68%

LAB 75.1, -12.62, -2.49

 

CMYK 18 / 0 / 1 / 18

HEX #ADD2D0

RGB 173 210 208

HSL 176.76, 0.29%, 0.75%

LAB 81.58, -12.56, -3.08

 

CMYK 17 / 0 / 0 / 11

HEX #BEE4E3

RGB 190 228 227

HSL 178.42, 0.41%, 0.82%

LAB 87.96, -12.51, -3.65

 

CMYK 25 / 0 / 0 / 39

HEX #759C9C

RGB 117 156 156

HSL 180, 0.16%, 0.54%

LAB 61.62, -13.25, -4.35

 

CMYK 28 / 0 / 1 / 46

HEX #648A89

RGB 100 138 137

HSL 178.42, 0.16%, 0.47%

LAB 54.75, -13.34, -3.74

 

CMYK 31 / 0 / 2 / 53

HEX #537876

RGB 83 120 118

HSL 176.76, 0.18%, 0.4%

LAB 47.73, -13.46, -3.1

 

CMYK 35 / 0 / 3 / 60

HEX #426663

RGB 66 102 99

HSL 175, 0.21%, 0.33%

LAB 40.51, -13.59, -2.42

 

CMYK 42 / 0 / 5 / 67

HEX #315450

RGB 49 84 80

HSL 173.14, 0.26%, 0.26%

LAB 33.08, -13.73, -1.66

 

CMYK 25 / 0 / 0 / 39

HEX #759C9C

RGB 117 156 156

HSL 180, 0.16%, 0.54%

LAB 61.62, -13.25, -4.35

 

CMYK 24 / 4 / 0 / 39

HEX #76969C

RGB 118 150 156

HSL 189.47, 0.16%, 0.54%

LAB 59.95, -9.68, -6.82

 

CMYK 24 / 8 / 0 / 39

HEX #768F9C

RGB 118 143 156

HSL 200.53, 0.16%, 0.54%

LAB 57.94, -5.8, -9.81

 

CMYK 24 / 12 / 0 / 39

HEX #76899C

RGB 118 137 156

HSL 210, 0.16%, 0.54%

LAB 56.23, -2.41, -12.38

 

CMYK 24 / 16 / 0 / 39

HEX #76839C

RGB 118 131 156

HSL 219.47, 0.16%, 0.54%

LAB 54.54, 1.03, -14.94

 

CMYK 25 / 0 / 0 / 39

HEX #759C9C

RGB 117 156 156

HSL 180, 0.16%, 0.54%

LAB 61.62, -13.25, -4.35

 

CMYK 25 / 0 / 0 / 19

HEX #9BCFCF

RGB 155 207 207

HSL 180, 0.35%, 0.71%

LAB 79.67, -16.72, -5.48

 

CMYK 33 / 0 / 0 / 99

HEX #020303

RGB 2 3 3

HSL 180, 0.2%, 0.01%

LAB 0.76, -0.26, -0.09

 

CMYK 24 / 0 / 0 / 79

HEX #293636

RGB 41 54 54

HSL 180, 0.14%, 0.19%

LAB 21.49, -5.37, -1.78

 

CMYK 25 / 0 / 0 / 59

HEX #4F6969

RGB 79 105 105

HSL 180, 0.14%, 0.36%

LAB 42.44, -9.52, -3.14

 

CMYK 25 / 0 / 0 / 39

HEX #759C9C

RGB 117 156 156

HSL 180, 0.16%, 0.54%

LAB 61.62, -13.25, -4.35

 

CMYK 19 / 24 / 0 / 39

HEX #7E769C

RGB 126 118 156

HSL 252.63, 0.16%, 0.54%

LAB 51.6, 11.28, -19.35

 

CMYK 0 / 10 / 24 / 39

HEX #9C8D76

RGB 156 141 118

HSL 36.32, 0.16%, 0.54%

LAB 59.37, 1.81, 14.32

 

CMYK 25 / 0 / 0 / 39

HEX #759C9C

RGB 117 156 156

HSL 180, 0.16%, 0.54%

LAB 61.62, -13.25, -4.35

 

CMYK 0 / 24 / 0 / 39

HEX #9C769C

RGB 156 118 156

HSL 300, 0.16%, 0.54%

LAB 54.48, 21.59, -14.71

 

CMYK 0 / 0 / 24 / 39

HEX #9C9C76

RGB 156 156 118

HSL 60, 0.16%, 0.54%

LAB 63.47, -6.44, 19.97

 

CMYK 25 / 0 / 0 / 39

HEX #759C9C

RGB 117 156 156

HSL 180, 0.16%, 0.54%

LAB 61.62, -13.25, -4.35

 

CMYK 19 / 24 / 0 / 39

HEX #7E769C

RGB 126 118 156

HSL 252.63, 0.16%, 0.54%

LAB 51.6, 11.28, -19.35

 

CMYK 0 / 24 / 24 / 39

HEX #9C7676

RGB 156 118 118

HSL 0, 0.16%, 0.54%

LAB 53.31, 14.88, 5.77

 

CMYK 5 / 0 / 24 / 39

HEX #949C76

RGB 148 156 118

HSL 72.63, 0.16%, 0.54%

LAB 62.83, -9.59, 18.99

 

CMYK 25 / 0 / 0 / 39

HEX #759C9C

RGB 117 156 156

HSL 180, 0.16%, 0.54%

LAB 61.62, -13.25, -4.35

 

CMYK 12 / 24 / 0 / 39

HEX #89769C

RGB 137 118 156

HSL 270, 0.16%, 0.54%

LAB 52.59, 15, -17.74

 

CMYK 0 / 24 / 24 / 39

HEX #9C7676

RGB 156 118 118

HSL 0, 0.16%, 0.54%

LAB 53.31, 14.88, 5.77

 

CMYK 12 / 0 / 24 / 39

HEX #899C76

RGB 137 156 118

HSL 90, 0.16%, 0.54%

LAB 62, -13.83, 17.72

 

Description

Color code: CMYK 25 / 0 / 0 / 39 | qconv.com Color code: CMYK 25 / 0 / 0 / 39 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 156 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 156 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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