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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 24 / 41 / 0 / 23 it is the complementary color CMYK 24 / 0 / 58 / 45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 24 / 41 / 0 / 23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 24 / 41 / 0 / 23: CMYK 19 / 39 / 0 / 25, CMYK 19 / 36 / 0 / 18, CMYK 18 / 34 / 0 / 10, CMYK 17 / 31 / 0 / 3 and CMYK 13 / 26 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 24 / 41 / 0 / 23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 24 / 41 / 0 / 23: CMYK 24 / 41 / 0 / 23, CMYK 25 / 45 / 0 / 31, CMYK 27 / 49 / 0 / 38, CMYK 29 / 55 / 0 / 45 and CMYK 33 / 63 / 0 / 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 41 / 0 / 23

HEX #9574C4

RGB 149 116 196

HSL 264.75, 0.4%, 0.61%

LAB 54.93, 29.32, -37.11

 

Complementary color

CMYK 24 / 0 / 58 / 45

HEX #6A8B3B

RGB 106 139 59

HSL 84.75, 0.4%, 0.39%

LAB 53.86, -25.25, 38.42

 

CMYK 19 / 39 / 0 / 25

HEX #9A74BF

RGB 154 116 191

HSL 270.4, 0.37%, 0.6%

LAB 55.2, 29.62, -33.8

 

CMYK 19 / 36 / 0 / 18

HEX #AB86D2

RGB 171 134 210

HSL 269.21, 0.46%, 0.67%

LAB 61.96, 28.87, -33.88

 

CMYK 18 / 34 / 0 / 10

HEX #BC98E5

RGB 188 152 229

HSL 268.05, 0.6%, 0.75%

LAB 68.61, 28.18, -33.98

 

CMYK 17 / 31 / 0 / 3

HEX #CDAAF8

RGB 205 170 248

HSL 266.92, 0.85%, 0.82%

LAB 75.14, 27.54, -34.1

 

CMYK 13 / 26 / 0 / 0

HEX #DEBCFF

RGB 222 188 255

HSL 270.45, 1%, 0.87%

LAB 81.14, 24.43, -28.51

 

CMYK 24 / 41 / 0 / 23

HEX #9574C4

RGB 149 116 196

HSL 264.75, 0.4%, 0.61%

LAB 54.93, 29.32, -37.11

 

CMYK 25 / 45 / 0 / 31

HEX #8462B1

RGB 132 98 177

HSL 265.82, 0.34%, 0.54%

LAB 48.03, 30.18, -37.13

 

CMYK 27 / 49 / 0 / 38

HEX #73509E

RGB 115 80 158

HSL 266.92, 0.33%, 0.47%

LAB 40.98, 31.12, -37.16

 

CMYK 29 / 55 / 0 / 45

HEX #623E8B

RGB 98 62 139

HSL 268.05, 0.38%, 0.39%

LAB 33.79, 32.13, -37.2

 

CMYK 33 / 63 / 0 / 53

HEX #512C78

RGB 81 44 120

HSL 269.21, 0.46%, 0.32%

LAB 26.47, 33.15, -37.18

 

CMYK 24 / 41 / 0 / 23

HEX #9574C4

RGB 149 116 196

HSL 264.75, 0.4%, 0.61%

LAB 54.93, 29.32, -37.11

 

CMYK 18 / 41 / 0 / 24

HEX #A073C3

RGB 160 115 195

HSL 273.75, 0.4%, 0.61%

LAB 55.76, 32.92, -35.16

 

CMYK 11 / 41 / 0 / 24

HEX #AE73C3

RGB 174 115 195

HSL 284.25, 0.4%, 0.61%

LAB 57.27, 37.15, -32.69

 

CMYK 4 / 41 / 0 / 24

HEX #BB73C3

RGB 187 115 195

HSL 294, 0.4%, 0.61%

LAB 58.76, 41.12, -30.27

 

CMYK 0 / 41 / 3 / 24

HEX #C373BE

RGB 195 115 190

HSL 303.75, 0.4%, 0.61%

LAB 59.51, 42.65, -26.18

 

CMYK 24 / 41 / 0 / 23

HEX #9574C4

RGB 149 116 196

HSL 264.75, 0.4%, 0.61%

LAB 54.93, 29.32, -37.11

 

CMYK 24 / 41 / 0 / 3

HEX #BC92F7

RGB 188 146 247

HSL 264.95, 0.86%, 0.77%

LAB 67.99, 35.59, -44.81

 

CMYK 23 / 42 / 0 / 83

HEX #21192B

RGB 33 25 43

HSL 266.67, 0.26%, 0.13%

LAB 10.51, 8.63, -10.7

 

CMYK 24 / 40 / 0 / 63

HEX #47385E

RGB 71 56 94

HSL 263.68, 0.25%, 0.29%

LAB 26.67, 15.54, -20.24

 

CMYK 24 / 41 / 0 / 43

HEX #6E5691

RGB 110 86 145

HSL 264.41, 0.26%, 0.45%

LAB 41.24, 22.69, -28.98

 

CMYK 24 / 41 / 0 / 23

HEX #9574C4

RGB 149 116 196

HSL 264.75, 0.4%, 0.61%

LAB 54.93, 29.32, -37.11

 

CMYK 0 / 41 / 25 / 24

HEX #C37393

RGB 195 115 147

HSL 336, 0.4%, 0.61%

LAB 58.01, 35.59, -3.73

 

CMYK 41 / 0 / 41 / 24

HEX #73C373

RGB 115 195 115

HSL 120, 0.4%, 0.61%

LAB 72.17, -40.83, 32.68

 

CMYK 24 / 41 / 0 / 23

HEX #9574C4

RGB 149 116 196

HSL 264.75, 0.4%, 0.61%

LAB 54.93, 29.32, -37.11

 

CMYK 0 / 25 / 41 / 24

HEX #C39373

RGB 195 147 115

HSL 24, 0.4%, 0.61%

LAB 64.73, 13.9, 23.95

 

CMYK 41 / 0 / 25 / 24

HEX #73C393

RGB 115 195 147

HSL 144, 0.4%, 0.61%

LAB 72.75, -35.24, 16.57

 

CMYK 24 / 41 / 0 / 23

HEX #9574C4

RGB 149 116 196

HSL 264.75, 0.4%, 0.61%

LAB 54.93, 29.32, -37.11

 

CMYK 0 / 41 / 25 / 24

HEX #C37393

RGB 195 115 147

HSL 336, 0.4%, 0.61%

LAB 58.01, 35.59, -3.73

 

CMYK 16 / 0 / 41 / 24

HEX #A3C373

RGB 163 195 115

HSL 84, 0.4%, 0.61%

LAB 74.86, -24.22, 36.67

 

CMYK 41 / 0 / 16 / 24

HEX #73C3A3

RGB 115 195 163

HSL 156, 0.4%, 0.61%

LAB 73.1, -31.94, 8.44

 

CMYK 24 / 41 / 0 / 23

HEX #9574C4

RGB 149 116 196

HSL 264.75, 0.4%, 0.61%

LAB 54.93, 29.32, -37.11

 

CMYK 0 / 41 / 37 / 24

HEX #C3737B

RGB 195 115 123

HSL 354, 0.4%, 0.61%

LAB 57.36, 32.39, 9.26

 

CMYK 16 / 0 / 41 / 24

HEX #A3C373

RGB 163 195 115

HSL 84, 0.4%, 0.61%

LAB 74.86, -24.22, 36.67

 

CMYK 41 / 0 / 4 / 24

HEX #73C3BB

RGB 115 195 187

HSL 174, 0.4%, 0.61%

LAB 73.72, -26.44, -3.7

 

Description

Color code: CMYK 24 / 41 / 0 / 23 | qconv.com Color code: CMYK 24 / 41 / 0 / 23 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 116 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 116 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 41 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 41% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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