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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 24 / 0 / 37 / 27 it is the complementary color CMYK 17 / 50 / 0 / 46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 24 / 0 / 37 / 27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 24 / 0 / 37 / 27: CMYK 22 / 0 / 40 / 27, CMYK 20 / 0 / 36 / 20, CMYK 19 / 0 / 32 / 13, CMYK 18 / 0 / 30 / 6 and CMYK 16 / 0 / 26 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 24 / 0 / 37 / 27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 24 / 0 / 37 / 27: CMYK 24 / 0 / 37 / 27, CMYK 26 / 0 / 42 / 34, CMYK 29 / 0 / 47 / 41, CMYK 32 / 0 / 55 / 48 and CMYK 36 / 0 / 64 / 55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 37 / 27

HEX #8DBA75

RGB 141 186 117

HSL 99.13, 0.33%, 0.59%

LAB 70.92, -27.69, 30.27

 

Complementary color

CMYK 17 / 50 / 0 / 46

HEX #72458A

RGB 114 69 138

HSL 279.13, 0.33%, 0.41%

LAB 37.24, 32.38, -30.98

 

CMYK 22 / 0 / 40 / 27

HEX #92BA70

RGB 146 186 112

HSL 92.43, 0.35%, 0.58%

LAB 71.14, -26.57, 33.23

 

CMYK 20 / 0 / 36 / 20

HEX #A3CC83

RGB 163 204 131

HSL 93.7, 0.42%, 0.66%

LAB 77.64, -26.48, 32.07

 

CMYK 19 / 0 / 32 / 13

HEX #B4DE96

RGB 180 222 150

HSL 95, 0.52%, 0.73%

LAB 84.04, -26.39, 30.97

 

CMYK 18 / 0 / 30 / 6

HEX #C5F0A9

RGB 197 240 169

HSL 96.34, 0.7%, 0.8%

LAB 90.35, -26.29, 29.91

 

CMYK 16 / 0 / 26 / 0

HEX #D6FFBC

RGB 214 255 188

HSL 96.72, 1%, 0.87%

LAB 95.77, -24.76, 27.81

 

CMYK 24 / 0 / 37 / 27

HEX #8DBA75

RGB 141 186 117

HSL 99.13, 0.33%, 0.59%

LAB 70.92, -27.69, 30.27

 

CMYK 26 / 0 / 42 / 34

HEX #7CA862

RGB 124 168 98

HSL 97.71, 0.29%, 0.52%

LAB 64.3, -27.83, 31.46

 

CMYK 29 / 0 / 47 / 41

HEX #6B964F

RGB 107 150 79

HSL 96.34, 0.31%, 0.45%

LAB 57.56, -27.93, 32.7

 

CMYK 32 / 0 / 55 / 48

HEX #5A843C

RGB 90 132 60

HSL 95, 0.38%, 0.38%

LAB 50.69, -27.98, 33.95

 

CMYK 36 / 0 / 64 / 55

HEX #497229

RGB 73 114 41

HSL 93.7, 0.47%, 0.3%

LAB 43.67, -27.92, 35.08

 

CMYK 24 / 0 / 37 / 27

HEX #8DBA75

RGB 141 186 117

HSL 99.13, 0.33%, 0.59%

LAB 70.92, -27.69, 30.27

 

CMYK 30 / 0 / 38 / 28

HEX #80B873

RGB 128 184 115

HSL 108.7, 0.33%, 0.59%

LAB 69.55, -31.6, 29.38

 

CMYK 36 / 0 / 38 / 28

HEX #75B873

RGB 117 184 115

HSL 118.26, 0.33%, 0.59%

LAB 68.97, -35.26, 28.52

 

CMYK 38 / 0 / 32 / 28

HEX #73B87E

RGB 115 184 126

HSL 129.57, 0.33%, 0.59%

LAB 69.06, -34.05, 22.78

 

CMYK 38 / 0 / 26 / 28

HEX #73B889

RGB 115 184 137

HSL 139.13, 0.33%, 0.59%

LAB 69.28, -32.03, 17.15

 

CMYK 24 / 0 / 37 / 27

HEX #8DBA75

RGB 141 186 117

HSL 99.13, 0.33%, 0.59%

LAB 70.92, -27.69, 30.27

 

CMYK 24 / 0 / 37 / 7

HEX #B4ED95

RGB 180 237 149

HSL 98.86, 0.71%, 0.76%

LAB 88.18, -33.59, 36.93

 

CMYK 24 / 0 / 36 / 87

HEX #192115

RGB 25 33 21

HSL 100, 0.22%, 0.11%

LAB 11.61, -6.6, 6.96

 

CMYK 24 / 0 / 37 / 67

HEX #405435

RGB 64 84 53

HSL 98.71, 0.23%, 0.27%

LAB 33.32, -14.32, 15.69

 

CMYK 24 / 0 / 37 / 47

HEX #668755

RGB 102 135 85

HSL 99.6, 0.23%, 0.43%

LAB 52.74, -21.47, 23.22

 

CMYK 24 / 0 / 37 / 27

HEX #8DBA75

RGB 141 186 117

HSL 99.13, 0.33%, 0.59%

LAB 70.92, -27.69, 30.27

 

CMYK 38 / 0 / 5 / 28

HEX #73B8AE

RGB 115 184 174

HSL 171.3, 0.33%, 0.59%

LAB 70.16, -24.1, -1.81

 

CMYK 0 / 38 / 9 / 28

HEX #B873A7

RGB 184 115 167

HSL 314.78, 0.33%, 0.59%

LAB 57.31, 34.98, -16.48

 

CMYK 24 / 0 / 37 / 27

HEX #8DBA75

RGB 141 186 117

HSL 99.13, 0.33%, 0.59%

LAB 70.92, -27.69, 30.27

 

CMYK 38 / 24 / 0 / 28

HEX #738CB8

RGB 115 140 184

HSL 218.26, 0.33%, 0.59%

LAB 57.91, 2.23, -25.86

 

CMYK 0 / 38 / 24 / 28

HEX #B8738C

RGB 184 115 140

HSL 338.26, 0.33%, 0.59%

LAB 56.43, 30.6, -2.14

 

CMYK 24 / 0 / 37 / 27

HEX #8DBA75

RGB 141 186 117

HSL 99.13, 0.33%, 0.59%

LAB 70.92, -27.69, 30.27

 

CMYK 38 / 0 / 5 / 28

HEX #73B8AE

RGB 115 184 174

HSL 171.3, 0.33%, 0.59%

LAB 70.16, -24.1, -1.81

 

CMYK 13 / 38 / 0 / 28

HEX #A073B8

RGB 160 115 184

HSL 279.13, 0.33%, 0.59%

LAB 55.27, 30.47, -29.63

 

CMYK 0 / 38 / 32 / 28

HEX #B8737E

RGB 184 115 126

HSL 350.43, 0.33%, 0.59%

LAB 56.05, 28.61, 5.45

 

CMYK 24 / 0 / 37 / 27

HEX #8DBA75

RGB 141 186 117

HSL 99.13, 0.33%, 0.59%

LAB 70.92, -27.69, 30.27

 

CMYK 38 / 5 / 0 / 28

HEX #73AEB8

RGB 115 174 184

HSL 188.7, 0.33%, 0.59%

LAB 67.56, -16.52, -11.19

 

CMYK 13 / 38 / 0 / 28

HEX #A073B8

RGB 160 115 184

HSL 279.13, 0.33%, 0.59%

LAB 55.27, 30.47, -29.63

 

CMYK 0 / 32 / 38 / 28

HEX #B87E73

RGB 184 126 115

HSL 9.57, 0.33%, 0.59%

LAB 58.37, 21.1, 15.09

 

Description

Color code: CMYK 24 / 0 / 37 / 27 | qconv.com Color code: CMYK 24 / 0 / 37 / 27 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 186 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 186 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 37 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 37% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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