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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 24 / 0 / 26 / 30 it is the complementary color CMYK 3 / 38 / 0 / 52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 24 / 0 / 26 / 30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 24 / 0 / 26 / 30: CMYK 21 / 0 / 29 / 30, CMYK 20 / 0 / 26 / 23, CMYK 19 / 0 / 23 / 16, CMYK 18 / 0 / 21 / 9 and CMYK 17 / 0 / 19 / 2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 24 / 0 / 26 / 30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 24 / 0 / 26 / 30: CMYK 24 / 0 / 26 / 30, CMYK 26 / 0 / 30 / 37, CMYK 29 / 0 / 34 / 44, CMYK 32 / 0 / 40 / 51 and CMYK 36 / 0 / 48 / 58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 26 / 30

HEX #88B384

RGB 136 179 132

HSL 114.89, 0.24%, 0.61%

LAB 68.85, -23.66, 19.45

 

Complementary color

CMYK 3 / 38 / 0 / 52

HEX #774C7B

RGB 119 76 123

HSL 294.89, 0.24%, 0.39%

LAB 38.76, 26.55, -19.36

 

CMYK 21 / 0 / 29 / 30

HEX #8DB37F

RGB 141 179 127

HSL 103.85, 0.25%, 0.6%

LAB 69.07, -22.73, 22.49

 

CMYK 20 / 0 / 26 / 23

HEX #9EC592

RGB 158 197 146

HSL 105.88, 0.31%, 0.67%

LAB 75.62, -22.57, 21.44

 

CMYK 19 / 0 / 23 / 16

HEX #AFD7A5

RGB 175 215 165

HSL 108, 0.38%, 0.75%

LAB 82.07, -22.43, 20.46

 

CMYK 18 / 0 / 21 / 9

HEX #C0E9B8

RGB 192 233 184

HSL 110.2, 0.53%, 0.82%

LAB 88.42, -22.3, 19.52

 

CMYK 17 / 0 / 19 / 2

HEX #D1FBCB

RGB 209 251 203

HSL 112.5, 0.86%, 0.89%

LAB 94.68, -22.18, 18.63

 

CMYK 24 / 0 / 26 / 30

HEX #88B384

RGB 136 179 132

HSL 114.89, 0.24%, 0.61%

LAB 68.85, -23.66, 19.45

 

CMYK 26 / 0 / 30 / 37

HEX #77A171

RGB 119 161 113

HSL 112.5, 0.2%, 0.54%

LAB 62.17, -23.87, 20.52

 

CMYK 29 / 0 / 34 / 44

HEX #668F5E

RGB 102 143 94

HSL 110.2, 0.21%, 0.46%

LAB 55.36, -24.09, 21.68

 

CMYK 32 / 0 / 40 / 51

HEX #557D4B

RGB 85 125 75

HSL 108, 0.25%, 0.39%

LAB 48.39, -24.31, 22.92

 

CMYK 36 / 0 / 48 / 58

HEX #446B38

RGB 68 107 56

HSL 105.88, 0.31%, 0.32%

LAB 41.26, -24.51, 24.25

 

CMYK 24 / 0 / 26 / 30

HEX #88B384

RGB 136 179 132

HSL 114.89, 0.24%, 0.61%

LAB 68.85, -23.66, 19.45

 

CMYK 27 / 0 / 25 / 30

HEX #83B386

RGB 131 179 134

HSL 123.75, 0.24%, 0.61%

LAB 68.6, -25.03, 17.96

 

CMYK 27 / 0 / 21 / 30

HEX #83B38E

RGB 131 179 142

HSL 133.75, 0.24%, 0.61%

LAB 68.76, -23.57, 13.84

 

CMYK 27 / 0 / 16 / 30

HEX #83B396

RGB 131 179 150

HSL 143.75, 0.24%, 0.61%

LAB 68.94, -22.02, 9.71

 

CMYK 27 / 0 / 12 / 30

HEX #83B39E

RGB 131 179 158

HSL 153.75, 0.24%, 0.61%

LAB 69.14, -20.4, 5.59

 

CMYK 24 / 0 / 26 / 30

HEX #88B384

RGB 136 179 132

HSL 114.89, 0.24%, 0.61%

LAB 68.85, -23.66, 19.45

 

CMYK 24 / 0 / 26 / 10

HEX #AFE6AA

RGB 175 230 170

HSL 115, 0.55%, 0.78%

LAB 86.31, -28.85, 23.69

 

CMYK 23 / 0 / 27 / 90

HEX #141A13

RGB 20 26 19

HSL 111.43, 0.16%, 0.09%

LAB 8.43, -4.59, 3.73

 

CMYK 23 / 0 / 26 / 70

HEX #3B4D39

RGB 59 77 57

HSL 114, 0.15%, 0.26%

LAB 30.72, -11.61, 9.61

 

CMYK 24 / 0 / 27 / 50

HEX #61805E

RGB 97 128 94

HSL 114.71, 0.15%, 0.44%

LAB 50.44, -18.17, 14.96

 

CMYK 24 / 0 / 26 / 30

HEX #88B384

RGB 136 179 132

HSL 114.89, 0.24%, 0.61%

LAB 68.85, -23.66, 19.45

 

CMYK 27 / 3 / 0 / 30

HEX #83AEB3

RGB 131 174 179

HSL 186.25, 0.24%, 0.61%

LAB 68.28, -13.16, -7.25

 

CMYK 0 / 27 / 13 / 30

HEX #B3839B

RGB 179 131 155

HSL 330, 0.24%, 0.61%

LAB 60.05, 22.26, -5.52

 

CMYK 24 / 0 / 26 / 30

HEX #88B384

RGB 136 179 132

HSL 114.89, 0.24%, 0.61%

LAB 68.85, -23.66, 19.45

 

CMYK 27 / 24 / 0 / 30

HEX #8388B3

RGB 131 136 179

HSL 233.75, 0.24%, 0.61%

LAB 57.74, 7.98, -23.17

 

CMYK 0 / 27 / 24 / 30

HEX #B38388

RGB 179 131 136

HSL 353.75, 0.24%, 0.61%

LAB 59.52, 19.21, 4.59

 

CMYK 24 / 0 / 26 / 30

HEX #88B384

RGB 136 179 132

HSL 114.89, 0.24%, 0.61%

LAB 68.85, -23.66, 19.45

 

CMYK 27 / 3 / 0 / 30

HEX #83AEB3

RGB 131 174 179

HSL 186.25, 0.24%, 0.61%

LAB 68.28, -13.16, -7.25

 

CMYK 3 / 27 / 0 / 30

HEX #AE83B3

RGB 174 131 179

HSL 293.75, 0.24%, 0.61%

LAB 60.33, 24.93, -18.88

 

CMYK 0 / 24 / 27 / 30

HEX #B38883

RGB 179 136 131

HSL 6.25, 0.24%, 0.61%

LAB 60.63, 15.67, 9.04

 

CMYK 24 / 0 / 26 / 30

HEX #88B384

RGB 136 179 132

HSL 114.89, 0.24%, 0.61%

LAB 68.85, -23.66, 19.45

 

CMYK 27 / 11 / 0 / 30

HEX #83A0B3

RGB 131 160 179

HSL 203.75, 0.24%, 0.61%

LAB 64.34, -5.6, -13.14

 

CMYK 3 / 27 / 0 / 30

HEX #AE83B3

RGB 174 131 179

HSL 293.75, 0.24%, 0.61%

LAB 60.33, 24.93, -18.88

 

CMYK 0 / 16 / 27 / 30

HEX #B39683

RGB 179 150 131

HSL 23.75, 0.24%, 0.61%

LAB 64.19, 7.87, 14.05

 

Description

Color code: CMYK 24 / 0 / 26 / 30 | qconv.com Color code: CMYK 24 / 0 / 26 / 30 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 179 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 179 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 26 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 26% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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