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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 23 / 6 / 0 / 22 it is the complementary color CMYK 0 / 33 / 45 / 60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 23 / 6 / 0 / 22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 23 / 6 / 0 / 22: CMYK 19 / 4 / 0 / 24, CMYK 18 / 4 / 0 / 16, CMYK 17 / 4 / 0 / 9, CMYK 17 / 4 / 0 / 2 and CMYK 11 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 23 / 6 / 0 / 22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 23 / 6 / 0 / 22: CMYK 23 / 6 / 0 / 22, CMYK 24 / 6 / 0 / 29, CMYK 26 / 6 / 0 / 37, CMYK 28 / 6 / 0 / 44 and CMYK 31 / 7 / 0 / 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 6 / 0 / 22

HEX #99BBC7

RGB 153 187 199

HSL 195.65, 0.29%, 0.69%

LAB 73.83, -8.74, -9.84

 

Complementary color

CMYK 0 / 33 / 45 / 60

HEX #664438

RGB 102 68 56

HSL 15.65, 0.29%, 0.31%

LAB 32.36, 13.04, 13.2

 

CMYK 19 / 4 / 0 / 24

HEX #9EBBC2

RGB 158 187 194

HSL 191.67, 0.23%, 0.69%

LAB 74, -8.28, -6.82

 

CMYK 18 / 4 / 0 / 16

HEX #AFCDD5

RGB 175 205 213

HSL 192.63, 0.31%, 0.76%

LAB 80.51, -8.29, -7.33

 

CMYK 17 / 4 / 0 / 9

HEX #C0DFE8

RGB 192 223 232

HSL 193.5, 0.47%, 0.83%

LAB 86.9, -8.31, -7.82

 

CMYK 17 / 4 / 0 / 2

HEX #D1F1FB

RGB 209 241 251

HSL 194.29, 0.84%, 0.9%

LAB 93.2, -8.33, -8.31

 

CMYK 11 / 0 / 0 / 0

HEX #E2FFFF

RGB 226 255 255

HSL 180, 1%, 0.94%

LAB 98, -9.32, -3.18

 

CMYK 23 / 6 / 0 / 22

HEX #99BBC7

RGB 153 187 199

HSL 195.65, 0.29%, 0.69%

LAB 73.83, -8.74, -9.84

 

CMYK 24 / 6 / 0 / 29

HEX #88A9B4

RGB 136 169 180

HSL 195, 0.23%, 0.62%

LAB 67.21, -8.72, -9.37

 

CMYK 26 / 6 / 0 / 37

HEX #7797A1

RGB 119 151 161

HSL 194.29, 0.18%, 0.55%

LAB 60.45, -8.72, -8.9

 

CMYK 28 / 6 / 0 / 44

HEX #66858E

RGB 102 133 142

HSL 193.5, 0.16%, 0.48%

LAB 53.55, -8.72, -8.42

 

CMYK 31 / 7 / 0 / 52

HEX #55737B

RGB 85 115 123

HSL 192.63, 0.18%, 0.41%

LAB 46.48, -8.72, -7.92

 

CMYK 23 / 6 / 0 / 22

HEX #99BBC7

RGB 153 187 199

HSL 195.65, 0.29%, 0.69%

LAB 73.83, -8.74, -9.84

 

CMYK 23 / 10 / 0 / 22

HEX #99B3C6

RGB 153 179 198

HSL 205.33, 0.28%, 0.69%

LAB 71.62, -4.69, -12.6

 

CMYK 23 / 13 / 0 / 22

HEX #99ACC6

RGB 153 172 198

HSL 214.67, 0.28%, 0.69%

LAB 69.72, -0.88, -15.45

 

CMYK 23 / 17 / 0 / 22

HEX #99A4C6

RGB 153 164 198

HSL 225.33, 0.28%, 0.69%

LAB 67.58, 3.54, -18.69

 

CMYK 23 / 21 / 0 / 22

HEX #999CC6

RGB 153 156 198

HSL 236, 0.28%, 0.69%

LAB 65.46, 8.02, -21.92

 

CMYK 23 / 6 / 0 / 22

HEX #99BBC7

RGB 153 187 199

HSL 195.65, 0.29%, 0.69%

LAB 73.83, -8.74, -9.84

 

CMYK 23 / 6 / 0 / 2

HEX #C0EBFA

RGB 192 235 250

HSL 195.52, 0.85%, 0.87%

LAB 90.56, -10.6, -11.83

 

CMYK 24 / 7 / 0 / 82

HEX #232B2E

RGB 35 43 46

HSL 196.36, 0.14%, 0.16%

LAB 16.9, -2.65, -3.11

 

CMYK 23 / 6 / 0 / 62

HEX #4B5B61

RGB 75 91 97

HSL 196.36, 0.13%, 0.34%

LAB 37.56, -4.64, -5.5

 

CMYK 23 / 6 / 0 / 42

HEX #728B94

RGB 114 139 148

HSL 195.88, 0.14%, 0.51%

LAB 56.27, -6.77, -7.75

 

CMYK 23 / 6 / 0 / 22

HEX #99BBC7

RGB 153 187 199

HSL 195.65, 0.29%, 0.69%

LAB 73.83, -8.74, -9.84

 

CMYK 13 / 23 / 0 / 22

HEX #AD99C6

RGB 173 153 198

HSL 266.67, 0.28%, 0.69%

LAB 66.32, 16.12, -20.45

 

CMYK 0 / 4 / 23 / 22

HEX #C6BF99

RGB 198 191 153

HSL 50.67, 0.28%, 0.69%

LAB 77.02, -3.7, 20.09

 

CMYK 23 / 6 / 0 / 22

HEX #99BBC7

RGB 153 187 199

HSL 195.65, 0.29%, 0.69%

LAB 73.83, -8.74, -9.84

 

CMYK 0 / 23 / 6 / 22

HEX #C699BB

RGB 198 153 187

HSL 314.67, 0.28%, 0.69%

LAB 68.3, 22.41, -11.11

 

CMYK 6 / 0 / 23 / 22

HEX #BBC699

RGB 187 198 153

HSL 74.67, 0.28%, 0.69%

LAB 78.02, -11.47, 21.34

 

CMYK 23 / 6 / 0 / 22

HEX #99BBC7

RGB 153 187 199

HSL 195.65, 0.29%, 0.69%

LAB 73.83, -8.74, -9.84

 

CMYK 13 / 23 / 0 / 22

HEX #AD99C6

RGB 173 153 198

HSL 266.67, 0.28%, 0.69%

LAB 66.32, 16.12, -20.45

 

CMYK 0 / 17 / 23 / 22

HEX #C6A499

RGB 198 164 153

HSL 14.67, 0.28%, 0.69%

LAB 70.08, 10.77, 10.38

 

CMYK 10 / 0 / 23 / 22

HEX #B2C699

RGB 178 198 153

HSL 86.67, 0.28%, 0.69%

LAB 77.37, -14.79, 20.34

 

CMYK 23 / 6 / 0 / 22

HEX #99BBC7

RGB 153 187 199

HSL 195.65, 0.29%, 0.69%

LAB 73.83, -8.74, -9.84

 

CMYK 6 / 23 / 0 / 22

HEX #BB99C6

RGB 187 153 198

HSL 285.33, 0.28%, 0.69%

LAB 67.59, 20.75, -18.4

 

CMYK 0 / 17 / 23 / 22

HEX #C6A499

RGB 198 164 153

HSL 14.67, 0.28%, 0.69%

LAB 70.08, 10.77, 10.38

 

CMYK 17 / 0 / 23 / 22

HEX #A4C699

RGB 164 198 153

HSL 105.33, 0.28%, 0.69%

LAB 76.42, -19.81, 18.88

 

Description

Color code: CMYK 23 / 6 / 0 / 22 | qconv.com Color code: CMYK 23 / 6 / 0 / 22 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 187 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 187 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 6 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 6% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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