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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 23 / 0 / 85 / 27 it is the complementary color CMYK 51 / 70 / 0 / 11. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 23 / 0 / 85 / 27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 23 / 0 / 85 / 27: CMYK 20 / 0 / 88 / 27, CMYK 19 / 0 / 79 / 20, CMYK 18 / 0 / 73 / 13, CMYK 17 / 0 / 67 / 6 and CMYK 15 / 0 / 61 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 23 / 0 / 85 / 27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 23 / 0 / 85 / 27: CMYK 23 / 0 / 85 / 27, CMYK 25 / 0 / 95 / 34, CMYK 27 / 0 / 100 / 41, CMYK 30 / 0 / 100 / 48 and CMYK 34 / 0 / 100 / 55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 85 / 27

HEX #8FBA1C

RGB 143 186 28

HSL 76.33, 0.74%, 0.42%

LAB 70.2, -34.59, 66.69

 

Complementary color

CMYK 51 / 70 / 0 / 11

HEX #7045E3

RGB 112 69 227

HSL 256.33, 0.74%, 0.58%

LAB 43.13, 55.22, -73.92

 

CMYK 20 / 0 / 88 / 27

HEX #94BA17

RGB 148 186 23

HSL 73.99, 0.78%, 0.41%

LAB 70.51, -32.73, 68.13

 

CMYK 19 / 0 / 79 / 20

HEX #A5CC2A

RGB 165 204 42

HSL 74.44, 0.66%, 0.48%

LAB 76.89, -33.59, 69.55

 

CMYK 18 / 0 / 73 / 13

HEX #B6DE3D

RGB 182 222 61

HSL 74.91, 0.71%, 0.55%

LAB 83.19, -34.26, 69.97

 

CMYK 17 / 0 / 67 / 6

HEX #C7F050

RGB 199 240 80

HSL 75.38, 0.84%, 0.63%

LAB 89.41, -34.8, 69.76

 

CMYK 15 / 0 / 61 / 0

HEX #D8FF63

RGB 216 255 99

HSL 75, 1%, 0.69%

LAB 94.75, -33.85, 68.3

 

CMYK 23 / 0 / 85 / 27

HEX #8FBA1C

RGB 143 186 28

HSL 76.33, 0.74%, 0.42%

LAB 70.2, -34.59, 66.69

 

CMYK 25 / 0 / 95 / 34

HEX #7EA809

RGB 126 168 9

HSL 75.85, 0.9%, 0.35%

LAB 63.72, -33.61, 64.29

 

CMYK 27 / 0 / 100 / 41

HEX #6D9600

RGB 109 150 0

HSL 76.4, 1%, 0.29%

LAB 57.14, -32.36, 60

 

CMYK 30 / 0 / 100 / 48

HEX #5C8400

RGB 92 132 0

HSL 78.18, 1%, 0.26%

LAB 50.43, -30.94, 54.41

 

CMYK 34 / 0 / 100 / 55

HEX #4B7200

RGB 75 114 0

HSL 80.53, 1%, 0.22%

LAB 43.55, -29.48, 48.69

 

CMYK 23 / 0 / 85 / 27

HEX #8FBA1C

RGB 143 186 28

HSL 76.33, 0.74%, 0.42%

LAB 70.2, -34.59, 66.69

 

CMYK 37 / 0 / 85 / 27

HEX #75BA1B

RGB 117 186 27

HSL 86.04, 0.75%, 0.42%

LAB 68.74, -44.49, 65.08

 

CMYK 51 / 0 / 85 / 27

HEX #5BBA1B

RGB 91 186 27

HSL 95.85, 0.75%, 0.42%

LAB 67.59, -52.98, 63.64

 

CMYK 66 / 0 / 85 / 27

HEX #40BA1B

RGB 64 186 27

HSL 106.04, 0.75%, 0.42%

LAB 66.74, -59.88, 62.56

 

CMYK 80 / 0 / 85 / 27

HEX #26BA1B

RGB 38 186 27

HSL 115.85, 0.75%, 0.42%

LAB 66.22, -64.34, 61.9

 

CMYK 23 / 0 / 85 / 27

HEX #8FBA1C

RGB 143 186 28

HSL 76.33, 0.74%, 0.42%

LAB 70.2, -34.59, 66.69

 

CMYK 23 / 0 / 85 / 7

HEX #B6ED24

RGB 182 237 36

HSL 76.42, 0.85%, 0.54%

LAB 87.31, -41.96, 80.47

 

CMYK 24 / 0 / 85 / 87

HEX #192105

RGB 25 33 5

HSL 77.14, 0.74%, 0.07%

LAB 11.31, -9.19, 14.58

 

CMYK 23 / 0 / 85 / 67

HEX #41540D

RGB 65 84 13

HSL 76.06, 0.73%, 0.19%

LAB 32.91, -18.31, 35.94

 

CMYK 23 / 0 / 85 / 47

HEX #688714

RGB 104 135 20

HSL 76.17, 0.74%, 0.3%

LAB 52.2, -26.8, 52.11

 

CMYK 23 / 0 / 85 / 27

HEX #8FBA1C

RGB 143 186 28

HSL 76.33, 0.74%, 0.42%

LAB 70.2, -34.59, 66.69

 

CMYK 85 / 0 / 46 / 27

HEX #1BBA65

RGB 27 186 101

HSL 147.92, 0.75%, 0.42%

LAB 66.74, -57.47, 32.4

 

CMYK 11 / 85 / 0 / 27

HEX #A51BBA

RGB 165 27 186

HSL 292.08, 0.75%, 0.42%

LAB 41.73, 70.53, -52.17

 

CMYK 23 / 0 / 85 / 27

HEX #8FBA1C

RGB 143 186 28

HSL 76.33, 0.74%, 0.42%

LAB 70.2, -34.59, 66.69

 

CMYK 85 / 23 / 0 / 27

HEX #1B90BA

RGB 27 144 186

HSL 195.85, 0.75%, 0.42%

LAB 55.81, -15.71, -30.51

 

CMYK 0 / 85 / 23 / 27

HEX #BA1B90

RGB 186 27 144

HSL 315.85, 0.75%, 0.42%

LAB 43.12, 68.4, -24.63

 

CMYK 23 / 0 / 85 / 27

HEX #8FBA1C

RGB 143 186 28

HSL 76.33, 0.74%, 0.42%

LAB 70.2, -34.59, 66.69

 

CMYK 85 / 0 / 46 / 27

HEX #1BBA65

RGB 27 186 101

HSL 147.92, 0.75%, 0.42%

LAB 66.74, -57.47, 32.4

 

CMYK 62 / 85 / 0 / 27

HEX #461BBA

RGB 70 27 186

HSL 256.23, 0.75%, 0.42%

LAB 28.46, 57.65, -74.41

 

CMYK 0 / 85 / 40 / 27

HEX #BA1B70

RGB 186 27 112

HSL 327.92, 0.75%, 0.42%

LAB 41.83, 64.83, -6.87

 

CMYK 23 / 0 / 85 / 27

HEX #8FBA1C

RGB 143 186 28

HSL 76.33, 0.74%, 0.42%

LAB 70.2, -34.59, 66.69

 

CMYK 85 / 0 / 20 / 27

HEX #1BBA95

RGB 27 186 149

HSL 166.04, 0.75%, 0.42%

LAB 67.67, -47.1, 7.98

 

CMYK 62 / 85 / 0 / 27

HEX #461BBA

RGB 70 27 186

HSL 256.23, 0.75%, 0.42%

LAB 28.46, 57.65, -74.41

 

CMYK 0 / 85 / 66 / 27

HEX #BA1B40

RGB 186 27 64

HSL 346.04, 0.75%, 0.42%

LAB 40.56, 61.17, 21.62

 

Description

Color code: CMYK 23 / 0 / 85 / 27 | qconv.com Color code: CMYK 23 / 0 / 85 / 27 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 186 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 186 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 85 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 85% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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