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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 23 / 0 / 35 / 24 it is the complementary color CMYK 18 / 53 / 0 / 49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 23 / 0 / 35 / 24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 23 / 0 / 35 / 24: CMYK 21 / 0 / 38 / 24, CMYK 19 / 0 / 34 / 17, CMYK 18 / 0 / 31 / 10, CMYK 17 / 0 / 28 / 3 and CMYK 13 / 0 / 23 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 23 / 0 / 35 / 24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 23 / 0 / 35 / 24: CMYK 23 / 0 / 35 / 24, CMYK 25 / 0 / 39 / 31, CMYK 27 / 0 / 44 / 38, CMYK 30 / 0 / 51 / 45 and CMYK 34 / 0 / 59 / 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 35 / 24

HEX #95C27E

RGB 149 194 126

HSL 99.71, 0.36%, 0.63%

LAB 73.86, -27.39, 29.52

 

Complementary color

CMYK 18 / 53 / 0 / 49

HEX #6A3D81

RGB 106 61 129

HSL 279.71, 0.36%, 0.37%

LAB 33.96, 32.51, -30.69

 

CMYK 21 / 0 / 38 / 24

HEX #9AC279

RGB 154 194 121

HSL 92.88, 0.37%, 0.62%

LAB 74.08, -26.3, 32.48

 

CMYK 19 / 0 / 34 / 17

HEX #ABD48C

RGB 171 212 140

HSL 94.17, 0.46%, 0.69%

LAB 80.54, -26.2, 31.34

 

CMYK 18 / 0 / 31 / 10

HEX #BCE69F

RGB 188 230 159

HSL 95.49, 0.59%, 0.76%

LAB 86.89, -26.11, 30.26

 

CMYK 17 / 0 / 28 / 3

HEX #CDF8B2

RGB 205 248 178

HSL 96.86, 0.83%, 0.84%

LAB 93.16, -26.01, 29.23

 

CMYK 13 / 0 / 23 / 0

HEX #DEFFC5

RGB 222 255 197

HSL 94.14, 1%, 0.89%

LAB 96.44, -20.66, 24.27

 

CMYK 23 / 0 / 35 / 24

HEX #95C27E

RGB 149 194 126

HSL 99.71, 0.36%, 0.63%

LAB 73.86, -27.39, 29.52

 

CMYK 25 / 0 / 39 / 31

HEX #84B06B

RGB 132 176 107

HSL 98.26, 0.3%, 0.55%

LAB 67.29, -27.53, 30.69

 

CMYK 27 / 0 / 44 / 38

HEX #739E58

RGB 115 158 88

HSL 96.86, 0.28%, 0.48%

LAB 60.61, -27.65, 31.91

 

CMYK 30 / 0 / 51 / 45

HEX #628C45

RGB 98 140 69

HSL 95.49, 0.34%, 0.41%

LAB 53.8, -27.73, 33.16

 

CMYK 34 / 0 / 59 / 52

HEX #517A32

RGB 81 122 50

HSL 94.17, 0.42%, 0.34%

LAB 46.84, -27.73, 34.37

 

CMYK 23 / 0 / 35 / 24

HEX #95C27E

RGB 149 194 126

HSL 99.71, 0.36%, 0.63%

LAB 73.86, -27.39, 29.52

 

CMYK 28 / 0 / 35 / 24

HEX #8BC27E

RGB 139 194 126

HSL 108.53, 0.36%, 0.63%

LAB 73.27, -30.88, 28.64

 

CMYK 35 / 0 / 35 / 24

HEX #7FC27E

RGB 127 194 126

HSL 119.12, 0.36%, 0.63%

LAB 72.63, -34.88, 27.67

 

CMYK 35 / 0 / 30 / 24

HEX #7EC288

RGB 126 194 136

HSL 128.82, 0.36%, 0.63%

LAB 72.76, -33.51, 22.55

 

CMYK 35 / 0 / 24 / 24

HEX #7EC294

RGB 126 194 148

HSL 139.41, 0.36%, 0.63%

LAB 73, -31.32, 16.46

 

CMYK 23 / 0 / 35 / 24

HEX #95C27E

RGB 149 194 126

HSL 99.71, 0.36%, 0.63%

LAB 73.86, -27.39, 29.52

 

CMYK 23 / 0 / 35 / 4

HEX #BCF59F

RGB 188 245 159

HSL 99.77, 0.81%, 0.79%

LAB 91.01, -33.16, 35.73

 

CMYK 24 / 0 / 34 / 84

HEX #1F291B

RGB 31 41 27

HSL 102.86, 0.21%, 0.13%

LAB 15.26, -7.77, 7.8

 

CMYK 23 / 0 / 35 / 64

HEX #475C3C

RGB 71 92 60

HSL 99.38, 0.21%, 0.3%

LAB 36.59, -14.73, 15.9

 

CMYK 23 / 0 / 35 / 44

HEX #6E8F5D

RGB 110 143 93

HSL 99.6, 0.21%, 0.46%

LAB 55.84, -21.3, 22.96

 

CMYK 23 / 0 / 35 / 24

HEX #95C27E

RGB 149 194 126

HSL 99.71, 0.36%, 0.63%

LAB 73.86, -27.39, 29.52

 

CMYK 35 / 0 / 5 / 24

HEX #7EC2B8

RGB 126 194 184

HSL 171.18, 0.36%, 0.63%

LAB 73.86, -23.72, -1.8

 

CMYK 0 / 35 / 9 / 24

HEX #C27EB1

RGB 194 126 177

HSL 315, 0.36%, 0.63%

LAB 61.28, 34.1, -16.09

 

CMYK 23 / 0 / 35 / 24

HEX #95C27E

RGB 149 194 126

HSL 99.71, 0.36%, 0.63%

LAB 73.86, -27.39, 29.52

 

CMYK 35 / 23 / 0 / 24

HEX #7E96C2

RGB 126 150 194

HSL 218.82, 0.36%, 0.63%

LAB 61.78, 2.32, -25.49

 

CMYK 0 / 35 / 23 / 24

HEX #C27E96

RGB 194 126 150

HSL 338.82, 0.36%, 0.63%

LAB 60.42, 29.71, -1.92

 

CMYK 23 / 0 / 35 / 24

HEX #95C27E

RGB 149 194 126

HSL 99.71, 0.36%, 0.63%

LAB 73.86, -27.39, 29.52

 

CMYK 35 / 0 / 5 / 24

HEX #7EC2B8

RGB 126 194 184

HSL 171.18, 0.36%, 0.63%

LAB 73.86, -23.72, -1.8

 

CMYK 12 / 35 / 0 / 24

HEX #AA7EC2

RGB 170 126 194

HSL 278.82, 0.36%, 0.63%

LAB 59.31, 29.55, -28.99

 

CMYK 0 / 35 / 30 / 24

HEX #C27E88

RGB 194 126 136

HSL 351.18, 0.36%, 0.63%

LAB 60.04, 27.71, 5.56

 

CMYK 23 / 0 / 35 / 24

HEX #95C27E

RGB 149 194 126

HSL 99.71, 0.36%, 0.63%

LAB 73.86, -27.39, 29.52

 

CMYK 35 / 5 / 0 / 24

HEX #7EB8C2

RGB 126 184 194

HSL 188.82, 0.36%, 0.63%

LAB 71.29, -16.23, -11.06

 

CMYK 12 / 35 / 0 / 24

HEX #AA7EC2

RGB 170 126 194

HSL 278.82, 0.36%, 0.63%

LAB 59.31, 29.55, -28.99

 

CMYK 0 / 30 / 35 / 24

HEX #C2887E

RGB 194 136 126

HSL 8.82, 0.36%, 0.63%

LAB 62.15, 20.89, 14.26

 

Description

Color code: CMYK 23 / 0 / 35 / 24 | qconv.com Color code: CMYK 23 / 0 / 35 / 24 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 194 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 194 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 35 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 35% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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