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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 22 / 8 / 0 / 6 it is the complementary color CMYK 0 / 50 / 78 / 73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 22 / 8 / 0 / 6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 22 / 8 / 0 / 6: CMYK 18 / 6 / 0 / 8, CMYK 18 / 6 / 0 / 0, CMYK 11 / 0 / 0 / 0, CMYK 5 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 22 / 8 / 0 / 6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 22 / 8 / 0 / 6: CMYK 22 / 8 / 0 / 6, CMYK 23 / 8 / 0 / 13, CMYK 24 / 8 / 0 / 21, CMYK 26 / 9 / 0 / 28 and CMYK 27 / 9 / 0 / 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 8 / 0 / 6

HEX #BBDDF0

RGB 187 221 240

HSL 201.51, 0.64%, 0.84%

LAB 86.29, -7.09, -12.99

 

Complementary color

CMYK 0 / 50 / 78 / 73

HEX #44220F

RGB 68 34 15

HSL 21.51, 0.64%, 0.16%

LAB 17.49, 14.38, 19.35

 

CMYK 18 / 6 / 0 / 8

HEX #C0DDEB

RGB 192 221 235

HSL 199.53, 0.52%, 0.84%

LAB 86.46, -6.65, -10.06

 

CMYK 18 / 6 / 0 / 0

HEX #D1EFFE

RGB 209 239 254

HSL 200, 0.96%, 0.91%

LAB 92.77, -6.7, -10.51

 

CMYK 11 / 0 / 0 / 0

HEX #E2FFFF

RGB 226 255 255

HSL 180, 1%, 0.94%

LAB 98, -9.32, -3.18

 

CMYK 5 / 0 / 0 / 0

HEX #F3FFFF

RGB 243 255 255

HSL 180, 1%, 0.98%

LAB 99.14, -3.91, -1.37

 

CMYK 22 / 8 / 0 / 6

HEX #BBDDF0

RGB 187 221 240

HSL 201.51, 0.64%, 0.84%

LAB 86.29, -7.09, -12.99

 

CMYK 23 / 8 / 0 / 13

HEX #AACBDD

RGB 170 203 221

HSL 201.18, 0.43%, 0.77%

LAB 79.89, -7.04, -12.57

 

CMYK 24 / 8 / 0 / 21

HEX #99B9CA

RGB 153 185 202

HSL 200.82, 0.32%, 0.7%

LAB 73.37, -6.99, -12.16

 

CMYK 26 / 9 / 0 / 28

HEX #88A7B7

RGB 136 167 183

HSL 200.43, 0.25%, 0.63%

LAB 66.74, -6.94, -11.74

 

CMYK 27 / 9 / 0 / 36

HEX #7795A4

RGB 119 149 164

HSL 200, 0.2%, 0.55%

LAB 59.98, -6.89, -11.31

 

CMYK 22 / 8 / 0 / 6

HEX #BBDDF0

RGB 187 221 240

HSL 201.51, 0.64%, 0.84%

LAB 86.29, -7.09, -12.99

 

CMYK 22 / 11 / 0 / 6

HEX #BCD5F0

RGB 188 213 240

HSL 211.15, 0.63%, 0.84%

LAB 84.26, -2.62, -16.02

 

CMYK 22 / 15 / 0 / 6

HEX #BCCCF0

RGB 188 204 240

HSL 221.54, 0.63%, 0.84%

LAB 81.93, 2.13, -19.54

 

CMYK 22 / 19 / 0 / 6

HEX #BCC3F0

RGB 188 195 240

HSL 231.92, 0.63%, 0.84%

LAB 79.62, 6.96, -23.04

 

CMYK 22 / 22 / 0 / 6

HEX #BCBCF0

RGB 188 188 240

HSL 240, 0.63%, 0.84%

LAB 77.84, 10.76, -25.75

 

CMYK 22 / 8 / 0 / 6

HEX #BBDDF0

RGB 187 221 240

HSL 201.51, 0.64%, 0.84%

LAB 86.29, -7.09, -12.99

 

CMYK 22 / 8 / 0 / 86

HEX #1C2124

RGB 28 33 36

HSL 202.5, 0.13%, 0.13%

LAB 12.36, -1.44, -2.79

 

CMYK 22 / 8 / 0 / 66

HEX #445057

RGB 68 80 87

HSL 202.11, 0.12%, 0.3%

LAB 33.25, -2.98, -5.7

 

CMYK 22 / 8 / 0 / 46

HEX #6C7F8A

RGB 108 127 138

HSL 202, 0.12%, 0.48%

LAB 52.06, -4.34, -8.26

 

CMYK 22 / 8 / 0 / 26

HEX #93AEBD

RGB 147 174 189

HSL 201.43, 0.24%, 0.66%

LAB 69.58, -5.92, -10.74

 

CMYK 22 / 8 / 0 / 6

HEX #BBDDF0

RGB 187 221 240

HSL 201.51, 0.64%, 0.84%

LAB 86.29, -7.09, -12.99

 

CMYK 10 / 22 / 0 / 6

HEX #D8BCF0

RGB 216 188 240

HSL 272.31, 0.63%, 0.84%

LAB 80.1, 19.48, -22.11

 

CMYK 0 / 1 / 22 / 6

HEX #F0EDBC

RGB 240 237 188

HSL 56.54, 0.63%, 0.84%

LAB 92.89, -6.72, 24.17

 

CMYK 22 / 8 / 0 / 6

HEX #BBDDF0

RGB 187 221 240

HSL 201.51, 0.64%, 0.84%

LAB 86.29, -7.09, -12.99

 

CMYK 0 / 22 / 8 / 6

HEX #F0BCDE

RGB 240 188 222

HSL 320.77, 0.63%, 0.84%

LAB 81.71, 24.05, -9.8

 

CMYK 8 / 0 / 22 / 6

HEX #DEF0BC

RGB 222 240 188

HSL 80.77, 0.63%, 0.84%

LAB 92.35, -14.7, 23.2

 

CMYK 22 / 8 / 0 / 6

HEX #BBDDF0

RGB 187 221 240

HSL 201.51, 0.64%, 0.84%

LAB 86.29, -7.09, -12.99

 

CMYK 10 / 22 / 0 / 6

HEX #D8BCF0

RGB 216 188 240

HSL 272.31, 0.63%, 0.84%

LAB 80.1, 19.48, -22.11

 

CMYK 0 / 14 / 22 / 6

HEX #F0CEBC

RGB 240 206 188

HSL 20.77, 0.63%, 0.84%

LAB 85.15, 9.19, 13.36

 

CMYK 12 / 0 / 22 / 6

HEX #D3F0BC

RGB 211 240 188

HSL 93.46, 0.63%, 0.84%

LAB 91.6, -18.56, 22.05

 

CMYK 22 / 8 / 0 / 6

HEX #BBDDF0

RGB 187 221 240

HSL 201.51, 0.64%, 0.84%

LAB 86.29, -7.09, -12.99

 

CMYK 3 / 22 / 0 / 6

HEX #E8BCF0

RGB 232 188 240

HSL 290.77, 0.63%, 0.84%

LAB 81.52, 24.63, -19.82

 

CMYK 0 / 14 / 22 / 6

HEX #F0CEBC

RGB 240 206 188

HSL 20.77, 0.63%, 0.84%

LAB 85.15, 9.19, 13.36

 

CMYK 19 / 0 / 22 / 6

HEX #C3F0BC

RGB 195 240 188

HSL 111.92, 0.63%, 0.84%

LAB 90.58, -24.02, 20.48

 

Description

Color code: CMYK 22 / 8 / 0 / 6 | qconv.com Color code: CMYK 22 / 8 / 0 / 6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 221 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 221 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 8 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 8% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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