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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 22 / 56 / 0 / 53 it is the complementary color CMYK 20 / 0 / 33 / 21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 22 / 56 / 0 / 53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 22 / 56 / 0 / 53: CMYK 15 / 54 / 0 / 55, CMYK 14 / 47 / 0 / 47, CMYK 14 / 42 / 0 / 40, CMYK 13 / 38 / 0 / 33 and CMYK 13 / 35 / 0 / 25

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 22 / 56 / 0 / 53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 22 / 56 / 0 / 53: CMYK 23 / 56 / 0 / 53, CMYK 25 / 65 / 0 / 60, CMYK 28 / 79 / 0 / 68, CMYK 33 / 100 / 0 / 75 and CMYK 43 / 100 / 0 / 83

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 56 / 0 / 53

HEX #5D3578

RGB 93 53 120

HSL 275.82, 0.39%, 0.34%

LAB 29.98, 31.18, -31.47

 

Complementary color

CMYK 20 / 0 / 33 / 21

HEX #A2CA87

RGB 162 202 135

HSL 95.82, 0.39%, 0.66%

LAB 77.08, -25.3, 29.25

 

CMYK 15 / 54 / 0 / 55

HEX #623573

RGB 98 53 115

HSL 283.55, 0.37%, 0.33%

LAB 30.35, 31.46, -27.68

 

CMYK 14 / 47 / 0 / 47

HEX #734786

RGB 115 71 134

HSL 281.9, 0.31%, 0.4%

LAB 37.61, 30.6, -27.94

 

CMYK 14 / 42 / 0 / 40

HEX #845999

RGB 132 89 153

HSL 280.31, 0.26%, 0.47%

LAB 44.73, 29.75, -28.14

 

CMYK 13 / 38 / 0 / 33

HEX #956BAC

RGB 149 107 172

HSL 278.77, 0.28%, 0.55%

LAB 51.71, 28.95, -28.33

 

CMYK 13 / 35 / 0 / 25

HEX #A67DBF

RGB 166 125 191

HSL 277.27, 0.34%, 0.62%

LAB 58.54, 28.2, -28.51

 

CMYK 23 / 56 / 0 / 53

HEX #5D3578

RGB 93 53 120

HSL 275.82, 0.39%, 0.34%

LAB 29.98, 31.18, -31.47

 

CMYK 25 / 65 / 0 / 60

HEX #4C2365

RGB 76 35 101

HSL 277.27, 0.49%, 0.27%

LAB 22.58, 32.03, -31.23

 

CMYK 28 / 79 / 0 / 68

HEX #3B1152

RGB 59 17 82

HSL 278.77, 0.66%, 0.19%

LAB 15.17, 32.43, -30.62

 

CMYK 33 / 100 / 0 / 75

HEX #2A003F

RGB 42 0 63

HSL 280, 1%, 0.12%

LAB 7.69, 32.44, -29.66

 

CMYK 43 / 100 / 0 / 83

HEX #19002C

RGB 25 0 44

HSL 274.09, 1%, 0.09%

LAB 3.51, 19.92, -22.54

 

CMYK 23 / 56 / 0 / 53

HEX #5D3578

RGB 93 53 120

HSL 275.82, 0.39%, 0.34%

LAB 29.98, 31.18, -31.47

 

CMYK 14 / 57 / 0 / 53

HEX #673478

RGB 103 52 120

HSL 285, 0.4%, 0.34%

LAB 31.1, 34.66, -29.61

 

CMYK 5 / 57 / 0 / 53

HEX #723478

RGB 114 52 120

HSL 294.71, 0.4%, 0.34%

LAB 32.68, 37.89, -27.02

 

CMYK 0 / 57 / 5 / 53

HEX #783472

RGB 120 52 114

HSL 305.29, 0.4%, 0.34%

LAB 33.27, 38.53, -22.24

 

CMYK 0 / 57 / 14 / 53

HEX #783467

RGB 120 52 103

HSL 315, 0.4%, 0.34%

LAB 32.76, 36.55, -16.06

 

CMYK 23 / 56 / 0 / 53

HEX #5D3578

RGB 93 53 120

HSL 275.82, 0.39%, 0.34%

LAB 29.98, 31.18, -31.47

 

CMYK 22 / 56 / 0 / 33

HEX #854CAB

RGB 133 76 171

HSL 276, 0.38%, 0.48%

LAB 42.91, 41.53, -41.7

 

CMYK 23 / 56 / 0 / 13

HEX #AC62DE

RGB 172 98 222

HSL 275.81, 0.65%, 0.63%

LAB 54.84, 51.53, -51.84

 

CMYK 22 / 56 / 0 / 93

HEX #0E0812

RGB 14 8 18

HSL 276, 0.38%, 0.05%

LAB 2.81, 3.35, -3.92

 

CMYK 23 / 57 / 0 / 73

HEX #351E45

RGB 53 30 69

HSL 275.38, 0.39%, 0.19%

LAB 16.08, 19.86, -20.29

 

CMYK 23 / 56 / 0 / 53

HEX #5D3578

RGB 93 53 120

HSL 275.82, 0.39%, 0.34%

LAB 29.98, 31.18, -31.47

 

CMYK 0 / 57 / 44 / 53

HEX #783443

RGB 120 52 67

HSL 346.76, 0.4%, 0.34%

LAB 31.47, 31.31, 5.29

 

CMYK 57 / 0 / 46 / 53

HEX #347841

RGB 52 120 65

HSL 131.47, 0.4%, 0.34%

LAB 45, -34.32, 23.82

 

CMYK 23 / 56 / 0 / 53

HEX #5D3578

RGB 93 53 120

HSL 275.82, 0.39%, 0.34%

LAB 29.98, 31.18, -31.47

 

CMYK 0 / 23 / 57 / 53

HEX #785C34

RGB 120 92 52

HSL 35.29, 0.4%, 0.34%

LAB 41.05, 6.27, 27.21

 

CMYK 57 / 0 / 23 / 53

HEX #34785C

RGB 52 120 92

HSL 155.29, 0.4%, 0.34%

LAB 45.55, -28.74, 8.97

 

CMYK 23 / 56 / 0 / 53

HEX #5D3578

RGB 93 53 120

HSL 275.82, 0.39%, 0.34%

LAB 29.98, 31.18, -31.47

 

CMYK 0 / 57 / 44 / 53

HEX #783443

RGB 120 52 67

HSL 346.76, 0.4%, 0.34%

LAB 31.47, 31.31, 5.29

 

CMYK 33 / 0 / 57 / 53

HEX #517834

RGB 81 120 52

HSL 94.41, 0.4%, 0.34%

LAB 46.22, -26.53, 32.62

 

CMYK 57 / 0 / 13 / 53

HEX #347869

RGB 52 120 105

HSL 166.76, 0.4%, 0.34%

LAB 45.88, -25.45, 1.75

 

CMYK 23 / 56 / 0 / 53

HEX #5D3578

RGB 93 53 120

HSL 275.82, 0.39%, 0.34%

LAB 29.98, 31.18, -31.47

 

CMYK 0 / 52 / 57 / 53

HEX #783A34

RGB 120 58 52

HSL 5.29, 0.4%, 0.34%

LAB 32.41, 26.43, 16.26

 

CMYK 33 / 0 / 57 / 53

HEX #517834

RGB 81 120 52

HSL 94.41, 0.4%, 0.34%

LAB 46.22, -26.53, 32.62

 

CMYK 57 / 5 / 0 / 53

HEX #347278

RGB 52 114 120

HSL 185.29, 0.4%, 0.34%

LAB 44.41, -18.02, -9.4

 

Description

Color code: CMYK 22 / 56 / 0 / 53 | qconv.com Color code: CMYK 22 / 56 / 0 / 53 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 53 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 53 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 56 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 56% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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