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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 22 / 23 / 0 / 25 it is the complementary color CMYK 2 / 0 / 41 / 58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 22 / 23 / 0 / 25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 22 / 23 / 0 / 25: CMYK 17 / 21 / 0 / 27, CMYK 17 / 20 / 0 / 20, CMYK 16 / 18 / 0 / 12, CMYK 16 / 17 / 0 / 5 and CMYK 13 / 14 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 22 / 23 / 0 / 25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 22 / 23 / 0 / 25: CMYK 22 / 23 / 0 / 25, CMYK 23 / 25 / 0 / 33, CMYK 25 / 27 / 0 / 40, CMYK 27 / 31 / 0 / 47 and CMYK 30 / 35 / 0 / 55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 23 / 0 / 25

HEX #9593BF

RGB 149 147 191

HSL 242.73, 0.26%, 0.66%

LAB 62.52, 10.21, -22.51

 

Complementary color

CMYK 2 / 0 / 41 / 58

HEX #6A6C40

RGB 106 108 64

HSL 62.73, 0.26%, 0.34%

LAB 44.46, -8.17, 24.36

 

CMYK 17 / 21 / 0 / 27

HEX #9A93BA

RGB 154 147 186

HSL 250.77, 0.22%, 0.65%

LAB 62.75, 10.66, -19.32

 

CMYK 17 / 20 / 0 / 20

HEX #ABA5CD

RGB 171 165 205

HSL 249, 0.29%, 0.73%

LAB 69.45, 10.29, -19.59

 

CMYK 16 / 18 / 0 / 12

HEX #BCB7E0

RGB 188 183 224

HSL 247.32, 0.4%, 0.8%

LAB 76.03, 9.95, -19.87

 

CMYK 16 / 17 / 0 / 5

HEX #CDC9F3

RGB 205 201 243

HSL 245.71, 0.64%, 0.87%

LAB 82.5, 9.63, -20.16

 

CMYK 13 / 14 / 0 / 0

HEX #DEDBFF

RGB 222 219 255

HSL 245, 1%, 0.93%

LAB 88.64, 7.9, -17.11

 

CMYK 22 / 23 / 0 / 25

HEX #9593BF

RGB 149 147 191

HSL 242.73, 0.26%, 0.66%

LAB 62.52, 10.21, -22.51

 

CMYK 23 / 25 / 0 / 33

HEX #8481AC

RGB 132 129 172

HSL 244.19, 0.21%, 0.59%

LAB 55.67, 10.64, -22.34

 

CMYK 25 / 27 / 0 / 40

HEX #736F99

RGB 115 111 153

HSL 245.71, 0.17%, 0.52%

LAB 48.65, 11.11, -22.2

 

CMYK 27 / 31 / 0 / 47

HEX #625D86

RGB 98 93 134

HSL 247.32, 0.18%, 0.45%

LAB 41.45, 11.66, -22.1

 

CMYK 30 / 35 / 0 / 55

HEX #514B73

RGB 81 75 115

HSL 249, 0.21%, 0.37%

LAB 34.02, 12.31, -22.06

 

CMYK 22 / 23 / 0 / 25

HEX #9593BF

RGB 149 147 191

HSL 242.73, 0.26%, 0.66%

LAB 62.52, 10.21, -22.51

 

CMYK 19 / 24 / 0 / 25

HEX #9A91BE

RGB 154 145 190

HSL 252, 0.26%, 0.66%

LAB 62.37, 12.71, -22.15

 

CMYK 15 / 24 / 0 / 25

HEX #A291BE

RGB 162 145 190

HSL 262.67, 0.26%, 0.66%

LAB 63.05, 15.3, -21.04

 

CMYK 11 / 24 / 0 / 25

HEX #A991BE

RGB 169 145 190

HSL 272, 0.26%, 0.66%

LAB 63.67, 17.6, -20.04

 

CMYK 7 / 24 / 0 / 25

HEX #B191BE

RGB 177 145 190

HSL 282.67, 0.26%, 0.66%

LAB 64.42, 20.27, -18.84

 

CMYK 22 / 23 / 0 / 25

HEX #9593BF

RGB 149 147 191

HSL 242.73, 0.26%, 0.66%

LAB 62.52, 10.21, -22.51

 

CMYK 22 / 23 / 0 / 5

HEX #BDBAF2

RGB 189 186 242

HSL 243.21, 0.68%, 0.84%

LAB 77.49, 12.61, -27.36

 

CMYK 21 / 24 / 0 / 85

HEX #1E1D26

RGB 30 29 38

HSL 246.67, 0.13%, 0.13%

LAB 11.24, 2.92, -5.93

 

CMYK 22 / 24 / 0 / 65

HEX #454459

RGB 69 68 89

HSL 242.86, 0.13%, 0.31%

LAB 29.72, 5.57, -12.31

 

CMYK 22 / 23 / 0 / 45

HEX #6D6C8C

RGB 109 108 140

HSL 241.88, 0.13%, 0.49%

LAB 46.8, 7.67, -17.38

 

CMYK 22 / 23 / 0 / 25

HEX #9593BF

RGB 149 147 191

HSL 242.73, 0.26%, 0.66%

LAB 62.52, 10.21, -22.51

 

CMYK 0 / 24 / 5 / 25

HEX #BE91B4

RGB 190 145 180

HSL 313.33, 0.26%, 0.66%

LAB 65.35, 22.78, -11.69

 

CMYK 15 / 0 / 24 / 25

HEX #A2BE91

RGB 162 190 145

HSL 97.33, 0.26%, 0.66%

LAB 73.9, -17.8, 19.65

 

CMYK 22 / 23 / 0 / 25

HEX #9593BF

RGB 149 147 191

HSL 242.73, 0.26%, 0.66%

LAB 62.52, 10.21, -22.51

 

CMYK 0 / 23 / 24 / 25

HEX #BE9391

RGB 190 147 145

HSL 2.67, 0.26%, 0.66%

LAB 64.85, 15.86, 7.28

 

CMYK 24 / 0 / 23 / 25

HEX #91BE93

RGB 145 190 147

HSL 122.67, 0.26%, 0.66%

LAB 72.86, -23.43, 16.97

 

CMYK 22 / 23 / 0 / 25

HEX #9593BF

RGB 149 147 191

HSL 242.73, 0.26%, 0.66%

LAB 62.52, 10.21, -22.51

 

CMYK 0 / 24 / 5 / 25

HEX #BE91B4

RGB 190 145 180

HSL 313.33, 0.26%, 0.66%

LAB 65.35, 22.78, -11.69

 

CMYK 1 / 0 / 24 / 25

HEX #BDBE91

RGB 189 190 145

HSL 61.33, 0.26%, 0.66%

LAB 75.88, -7.75, 22.68

 

CMYK 24 / 0 / 18 / 25

HEX #91BE9C

RGB 145 190 156

HSL 134.67, 0.26%, 0.66%

LAB 73.05, -21.79, 12.38

 

CMYK 22 / 23 / 0 / 25

HEX #9593BF

RGB 149 147 191

HSL 242.73, 0.26%, 0.66%

LAB 62.52, 10.21, -22.51

 

CMYK 0 / 24 / 13 / 25

HEX #BE91A6

RGB 190 145 166

HSL 332, 0.26%, 0.66%

LAB 64.92, 20.32, -4.45

 

CMYK 1 / 0 / 24 / 25

HEX #BDBE91

RGB 189 190 145

HSL 61.33, 0.26%, 0.66%

LAB 75.88, -7.75, 22.68

 

CMYK 24 / 0 / 11 / 25

HEX #91BEA9

RGB 145 190 169

HSL 152, 0.26%, 0.66%

LAB 73.36, -19.25, 5.76

 

Description

Color code: CMYK 22 / 23 / 0 / 25 | qconv.com Color code: CMYK 22 / 23 / 0 / 25 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 147 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 147 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 23 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 23% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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