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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 22 / 12 / 0 / 45 it is the complementary color CMYK 0 / 10 / 21 / 43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 22 / 12 / 0 / 45. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 22 / 12 / 0 / 45: CMYK 16 / 9 / 0 / 47, CMYK 15 / 8 / 0 / 40, CMYK 14 / 8 / 0 / 32, CMYK 14 / 8 / 0 / 25 and CMYK 14 / 8 / 0 / 17

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 22 / 12 / 0 / 45. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 22 / 12 / 0 / 45: CMYK 22 / 12 / 0 / 45, CMYK 24 / 13 / 0 / 53, CMYK 26 / 15 / 0 / 60, CMYK 30 / 17 / 0 / 67 and CMYK 36 / 20 / 0 / 75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 12 / 0 / 45

HEX #6D7B8C

RGB 109 123 140

HSL 212.9, 0.12%, 0.49%

LAB 51.05, -1.22, -10.95

 

Complementary color

CMYK 0 / 10 / 21 / 43

HEX #928473

RGB 146 132 115

HSL 32.9, 0.12%, 0.51%

LAB 55.94, 2.4, 11.1

 

CMYK 16 / 9 / 0 / 47

HEX #727B87

RGB 114 123 135

HSL 214.29, 0.08%, 0.49%

LAB 51.26, -0.69, -7.66

 

CMYK 15 / 8 / 0 / 40

HEX #838D9A

RGB 131 141 154

HSL 213.91, 0.1%, 0.56%

LAB 58.23, -0.83, -8.13

 

CMYK 14 / 8 / 0 / 32

HEX #949FAD

RGB 148 159 173

HSL 213.6, 0.13%, 0.63%

LAB 65.05, -0.96, -8.6

 

CMYK 14 / 8 / 0 / 25

HEX #A5B1C0

RGB 165 177 192

HSL 213.33, 0.18%, 0.7%

LAB 71.72, -1.09, -9.06

 

CMYK 14 / 8 / 0 / 17

HEX #B6C3D3

RGB 182 195 211

HSL 213.1, 0.25%, 0.77%

LAB 78.27, -1.21, -9.52

 

CMYK 22 / 12 / 0 / 45

HEX #6D7B8C

RGB 109 123 140

HSL 212.9, 0.12%, 0.49%

LAB 51.05, -1.22, -10.95

 

CMYK 24 / 13 / 0 / 53

HEX #5C6979

RGB 92 105 121

HSL 213.1, 0.14%, 0.42%

LAB 43.89, -1.06, -10.56

 

CMYK 26 / 15 / 0 / 60

HEX #4B5766

RGB 75 87 102

HSL 213.33, 0.15%, 0.35%

LAB 36.5, -0.9, -10.19

 

CMYK 30 / 17 / 0 / 67

HEX #3A4553

RGB 58 69 83

HSL 213.6, 0.18%, 0.28%

LAB 28.85, -0.7, -9.83

 

CMYK 36 / 20 / 0 / 75

HEX #293340

RGB 41 51 64

HSL 213.91, 0.22%, 0.21%

LAB 20.86, -0.46, -9.52

 

CMYK 22 / 12 / 0 / 45

HEX #6D7B8C

RGB 109 123 140

HSL 212.9, 0.12%, 0.49%

LAB 51.05, -1.22, -10.95

 

CMYK 22 / 15 / 0 / 45

HEX #6D768B

RGB 109 118 139

HSL 222, 0.12%, 0.49%

LAB 49.58, 1.46, -12.57

 

CMYK 22 / 19 / 0 / 45

HEX #6D718B

RGB 109 113 139

HSL 232, 0.12%, 0.49%

LAB 48.17, 4.43, -14.71

 

CMYK 21 / 22 / 0 / 45

HEX #6E6D8B

RGB 110 109 139

HSL 242, 0.12%, 0.49%

LAB 47.13, 7.16, -16.29

 

CMYK 17 / 22 / 0 / 45

HEX #736D8B

RGB 115 109 139

HSL 252, 0.12%, 0.49%

LAB 47.55, 8.87, -15.6

 

CMYK 22 / 12 / 0 / 45

HEX #6D7B8C

RGB 109 123 140

HSL 212.9, 0.12%, 0.49%

LAB 51.05, -1.22, -10.95

 

CMYK 22 / 12 / 0 / 25

HEX #95A8BF

RGB 149 168 191

HSL 212.86, 0.25%, 0.67%

LAB 68.14, -1.56, -14

 

CMYK 22 / 12 / 0 / 5

HEX #BCD5F2

RGB 188 213 242

HSL 212.22, 0.68%, 0.84%

LAB 84.32, -2.18, -16.99

 

CMYK 21 / 13 / 0 / 85

HEX #1E2126

RGB 30 33 38

HSL 217.5, 0.12%, 0.13%

LAB 12.63, -0, -3.83

 

CMYK 22 / 12 / 0 / 65

HEX #454E59

RGB 69 78 89

HSL 213, 0.13%, 0.31%

LAB 32.78, -0.85, -7.67

 

CMYK 22 / 12 / 0 / 45

HEX #6D7B8C

RGB 109 123 140

HSL 212.9, 0.12%, 0.49%

LAB 51.05, -1.22, -10.95

 

CMYK 6 / 22 / 0 / 45

HEX #836D8B

RGB 131 109 139

HSL 284, 0.12%, 0.49%

LAB 49.04, 14.49, -13.2

 

CMYK 3 / 0 / 22 / 45

HEX #878B6D

RGB 135 139 109

HSL 68, 0.12%, 0.49%

LAB 56.8, -6.88, 15.59

 

CMYK 22 / 12 / 0 / 45

HEX #6D7B8C

RGB 109 123 140

HSL 212.9, 0.12%, 0.49%

LAB 51.05, -1.22, -10.95

 

CMYK 0 / 22 / 12 / 45

HEX #8B6D7B

RGB 139 109 123

HSL 332, 0.12%, 0.49%

LAB 49.32, 14.3, -3.2

 

CMYK 12 / 0 / 22 / 45

HEX #7B8B6D

RGB 123 139 109

HSL 92, 0.12%, 0.49%

LAB 55.87, -11.58, 14.15

 

CMYK 22 / 12 / 0 / 45

HEX #6D7B8C

RGB 109 123 140

HSL 212.9, 0.12%, 0.49%

LAB 51.05, -1.22, -10.95

 

CMYK 6 / 22 / 0 / 45

HEX #836D8B

RGB 131 109 139

HSL 284, 0.12%, 0.49%

LAB 49.04, 14.49, -13.2

 

CMYK 0 / 10 / 22 / 45

HEX #8B7D6D

RGB 139 125 109

HSL 32, 0.12%, 0.49%

LAB 53.23, 2.61, 10.67

 

CMYK 16 / 0 / 22 / 45

HEX #758B6D

RGB 117 139 109

HSL 104, 0.12%, 0.49%

LAB 55.43, -13.87, 13.48

 

CMYK 22 / 12 / 0 / 45

HEX #6D7B8C

RGB 109 123 140

HSL 212.9, 0.12%, 0.49%

LAB 51.05, -1.22, -10.95

 

CMYK 0 / 22 / 1 / 45

HEX #8B6D8A

RGB 139 109 138

HSL 302, 0.12%, 0.49%

LAB 49.81, 17.17, -11.37

 

CMYK 0 / 10 / 22 / 45

HEX #8B7D6D

RGB 139 125 109

HSL 32, 0.12%, 0.49%

LAB 53.23, 2.61, 10.67

 

CMYK 22 / 0 / 21 / 45

HEX #6D8B6E

RGB 109 139 110

HSL 122, 0.12%, 0.49%

LAB 54.91, -16.64, 12.1

 

Description

Color code: CMYK 22 / 12 / 0 / 45 | qconv.com Color code: CMYK 22 / 12 / 0 / 45 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 123 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 123 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 12 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 12% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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