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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 22 / 100 / 0 / 34 it is the complementary color CMYK 51 / 0 / 66 / 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 22 / 100 / 0 / 34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 22 / 100 / 0 / 34: CMYK 17 / 100 / 0 / 36, CMYK 16 / 90 / 0 / 29, CMYK 15 / 82 / 0 / 21, CMYK 15 / 75 / 0 / 14 and CMYK 15 / 70 / 0 / 6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 22 / 100 / 0 / 34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 22 / 100 / 0 / 34: CMYK 22 / 100 / 0 / 34, CMYK 23 / 100 / 0 / 42, CMYK 25 / 100 / 0 / 49, CMYK 28 / 100 / 0 / 56 and CMYK 32 / 100 / 0 / 64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 100 / 0 / 34

HEX #8300A8

RGB 131 0 168

HSL 286.79, 1%, 0.33%

LAB 33.25, 66.24, -55.48

 

Complementary color

CMYK 51 / 0 / 66 / 0

HEX #7CFF57

RGB 124 255 87

HSL 106.79, 1%, 0.67%

LAB 90.09, -65.3, 66.69

 

CMYK 17 / 100 / 0 / 36

HEX #8800A3

RGB 136 0 163

HSL 290.06, 1%, 0.32%

LAB 33.73, 66.06, -51.64

 

CMYK 16 / 90 / 0 / 29

HEX #9912B6

RGB 153 18 182

HSL 289.39, 0.82%, 0.39%

LAB 38.87, 69.55, -54.54

 

CMYK 15 / 82 / 0 / 21

HEX #AA24C9

RGB 170 36 201

HSL 288.73, 0.7%, 0.46%

LAB 44.27, 71.93, -56.81

 

CMYK 15 / 75 / 0 / 14

HEX #BB36DC

RGB 187 54 220

HSL 288.07, 0.7%, 0.54%

LAB 49.94, 73.23, -58.45

 

CMYK 15 / 70 / 0 / 6

HEX #CC48EF

RGB 204 72 239

HSL 287.43, 0.84%, 0.61%

LAB 55.79, 73.8, -59.64

 

CMYK 22 / 100 / 0 / 34

HEX #8300A8

RGB 131 0 168

HSL 286.79, 1%, 0.33%

LAB 33.25, 66.24, -55.48

 

CMYK 23 / 100 / 0 / 42

HEX #720095

RGB 114 0 149

HSL 285.91, 1%, 0.29%

LAB 28.77, 60.39, -51.34

 

CMYK 25 / 100 / 0 / 49

HEX #610082

RGB 97 0 130

HSL 284.77, 1%, 0.25%

LAB 24.17, 54.4, -47.11

 

CMYK 28 / 100 / 0 / 56

HEX #50006F

RGB 80 0 111

HSL 283.24, 1%, 0.22%

LAB 19.45, 48.25, -42.78

 

CMYK 32 / 100 / 0 / 64

HEX #3F005C

RGB 63 0 92

HSL 281.09, 1%, 0.18%

LAB 14.57, 41.9, -38.34

 

CMYK 22 / 100 / 0 / 34

HEX #8300A8

RGB 131 0 168

HSL 286.79, 1%, 0.33%

LAB 33.25, 66.24, -55.48

 

CMYK 7 / 100 / 0 / 34

HEX #9D00A8

RGB 157 0 168

HSL 296.07, 1%, 0.33%

LAB 37.83, 70.1, -47.83

 

CMYK 0 / 100 / 10 / 34

HEX #A80097

RGB 168 0 151

HSL 306.07, 1%, 0.33%

LAB 38.83, 69.43, -35.86

 

CMYK 0 / 100 / 27 / 34

HEX #A8007B

RGB 168 0 123

HSL 316.07, 1%, 0.33%

LAB 37.4, 65.85, -20.83

 

CMYK 0 / 100 / 43 / 34

HEX #A8005F

RGB 168 0 95

HSL 326.07, 1%, 0.33%

LAB 36.27, 62.95, -4.77

 

CMYK 22 / 100 / 0 / 34

HEX #8300A8

RGB 131 0 168

HSL 286.79, 1%, 0.33%

LAB 33.25, 66.24, -55.48

 

CMYK 22 / 100 / 0 / 14

HEX #AB00DB

RGB 171 0 219

HSL 286.85, 1%, 0.43%

LAB 43.9, 80.63, -67.77

 

CMYK 20 / 100 / 0 / 94

HEX #0C000F

RGB 12 0 15

HSL 288, 1%, 0.03%

LAB 1.02, 5.36, -4.84

 

CMYK 23 / 100 / 0 / 74

HEX #330042

RGB 51 0 66

HSL 286.36, 1%, 0.13%

LAB 9.78, 34.53, -28.32

 

CMYK 22 / 100 / 0 / 54

HEX #5B0075

RGB 91 0 117

HSL 286.67, 1%, 0.23%

LAB 21.98, 51.01, -42.45

 

CMYK 22 / 100 / 0 / 34

HEX #8300A8

RGB 131 0 168

HSL 286.79, 1%, 0.33%

LAB 33.25, 66.24, -55.48

 

CMYK 0 / 100 / 97 / 34

HEX #A80005

RGB 168 0 5

HSL 358.21, 1%, 0.33%

LAB 34.67, 58.67, 46.91

 

CMYK 100 / 0 / 64 / 34

HEX #00A83D

RGB 0 168 61

HSL 141.79, 1%, 0.33%

LAB 60.2, -59.17, 43.92

 

CMYK 22 / 100 / 0 / 34

HEX #8300A8

RGB 131 0 168

HSL 286.79, 1%, 0.33%

LAB 33.25, 66.24, -55.48

 

CMYK 0 / 23 / 100 / 34

HEX #A88100

RGB 168 129 0

HSL 46.07, 1%, 0.33%

LAB 56.11, 5.19, 61.52

 

CMYK 100 / 0 / 23 / 34

HEX #00A881

RGB 0 168 129

HSL 166.07, 1%, 0.33%

LAB 61.3, -46.24, 9.94

 

CMYK 22 / 100 / 0 / 34

HEX #8300A8

RGB 131 0 168

HSL 286.79, 1%, 0.33%

LAB 33.25, 66.24, -55.48

 

CMYK 0 / 100 / 97 / 34

HEX #A80005

RGB 168 0 5

HSL 358.21, 1%, 0.33%

LAB 34.67, 58.67, 46.91

 

CMYK 77 / 0 / 100 / 34

HEX #27A800

RGB 39 168 0

HSL 106.07, 1%, 0.33%

LAB 60.28, -59.56, 61.33

 

CMYK 100 / 0 / 4 / 34

HEX #00A8A2

RGB 0 168 162

HSL 177.86, 1%, 0.33%

LAB 62.18, -37.01, -7.25

 

CMYK 22 / 100 / 0 / 34

HEX #8300A8

RGB 131 0 168

HSL 286.79, 1%, 0.33%

LAB 33.25, 66.24, -55.48

 

CMYK 0 / 74 / 100 / 34

HEX #A82C00

RGB 168 44 0

HSL 15.71, 1%, 0.33%

LAB 38.07, 48.93, 50.57

 

CMYK 77 / 0 / 100 / 34

HEX #27A800

RGB 39 168 0

HSL 106.07, 1%, 0.33%

LAB 60.28, -59.56, 61.33

 

CMYK 100 / 27 / 0 / 34

HEX #007BA8

RGB 0 123 168

HSL 196.07, 1%, 0.33%

LAB 48.25, -11.94, -31.96

 

Description

Color code: CMYK 22 / 100 / 0 / 34 | qconv.com Color code: CMYK 22 / 100 / 0 / 34 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, none green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 0 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 100 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 100% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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