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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 22 / 0 / 68 / 5 it is the complementary color CMYK 63 / 93 / 0 / 31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 22 / 0 / 68 / 5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 22 / 0 / 68 / 5: CMYK 20 / 0 / 70 / 5, CMYK 17 / 0 / 64 / 0, CMYK 11 / 0 / 56 / 0, CMYK 4 / 0 / 49 / 0 and CMYK 0 / 0 / 42 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 22 / 0 / 68 / 5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 22 / 0 / 68 / 5: CMYK 22 / 0 / 68 / 5, CMYK 23 / 0 / 74 / 12, CMYK 25 / 0 / 81 / 19, CMYK 27 / 0 / 89 / 26 and CMYK 29 / 0 / 99 / 33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 68 / 5

HEX #BDF24E

RGB 189 242 78

HSL 79.39, 0.86%, 0.63%

LAB 89.33, -39.62, 70.23

 

Complementary color

CMYK 63 / 93 / 0 / 31

HEX #420DB1

RGB 66 13 177

HSL 259.39, 0.86%, 0.37%

LAB 25.62, 59.17, -73.75

 

CMYK 20 / 0 / 70 / 5

HEX #C2F249

RGB 194 242 73

HSL 77.04, 0.87%, 0.62%

LAB 89.61, -38.03, 72.4

 

CMYK 17 / 0 / 64 / 0

HEX #D3FF5C

RGB 211 255 92

HSL 76.2, 1%, 0.68%

LAB 94.37, -36.24, 70.59

 

CMYK 11 / 0 / 56 / 0

HEX #E4FF6F

RGB 228 255 111

HSL 71.25, 1%, 0.72%

LAB 95.65, -28.37, 64.52

 

CMYK 4 / 0 / 49 / 0

HEX #F5FF82

RGB 245 255 130

HSL 64.8, 1%, 0.75%

LAB 97.04, -20.25, 58.03

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF95

RGB 255 255 149

HSL 60, 1%, 0.79%

LAB 98.01, -14.63, 50.51

 

CMYK 22 / 0 / 68 / 5

HEX #BDF24E

RGB 189 242 78

HSL 79.39, 0.86%, 0.63%

LAB 89.33, -39.62, 70.23

 

CMYK 23 / 0 / 74 / 12

HEX #ACE03B

RGB 172 224 59

HSL 78.91, 0.73%, 0.55%

LAB 83.12, -39.13, 70.35

 

CMYK 25 / 0 / 81 / 19

HEX #9BCE28

RGB 155 206 40

HSL 78.43, 0.67%, 0.48%

LAB 76.84, -38.5, 69.81

 

CMYK 27 / 0 / 89 / 26

HEX #8ABC15

RGB 138 188 21

HSL 77.96, 0.8%, 0.41%

LAB 70.47, -37.67, 68.22

 

CMYK 29 / 0 / 99 / 33

HEX #79AA02

RGB 121 170 2

HSL 77.5, 0.98%, 0.34%

LAB 64.01, -36.64, 65.31

 

CMYK 22 / 0 / 68 / 5

HEX #BDF24E

RGB 189 242 78

HSL 79.39, 0.86%, 0.63%

LAB 89.33, -39.62, 70.23

 

CMYK 32 / 0 / 67 / 5

HEX #A3F14F

RGB 163 241 79

HSL 88.89, 0.85%, 0.63%

LAB 87.61, -48.51, 67.62

 

CMYK 44 / 0 / 67 / 5

HEX #88F14F

RGB 136 241 79

HSL 98.89, 0.85%, 0.63%

LAB 86.36, -57.31, 65.93

 

CMYK 55 / 0 / 67 / 5

HEX #6DF14F

RGB 109 241 79

HSL 108.89, 0.85%, 0.63%

LAB 85.37, -64.83, 64.57

 

CMYK 66 / 0 / 67 / 5

HEX #52F14F

RGB 82 241 79

HSL 118.89, 0.85%, 0.63%

LAB 84.62, -70.8, 63.56

 

CMYK 22 / 0 / 68 / 5

HEX #BDF24E

RGB 189 242 78

HSL 79.39, 0.86%, 0.63%

LAB 89.33, -39.62, 70.23

 

CMYK 21 / 0 / 68 / 85

HEX #1E260C

RGB 30 38 12

HSL 78.46, 0.52%, 0.1%

LAB 13.76, -8.86, 15.06

 

CMYK 21 / 0 / 67 / 65

HEX #46591D

RGB 70 89 29

HSL 79, 0.51%, 0.23%

LAB 35.07, -17.58, 31.39

 

CMYK 22 / 0 / 68 / 45

HEX #6D8C2D

RGB 109 140 45

HSL 79.58, 0.51%, 0.36%

LAB 54.24, -25.75, 45.35

 

CMYK 22 / 0 / 68 / 25

HEX #95BF3E

RGB 149 191 62

HSL 79.53, 0.51%, 0.5%

LAB 72.23, -32.84, 57.94

 

CMYK 22 / 0 / 68 / 5

HEX #BDF24E

RGB 189 242 78

HSL 79.39, 0.86%, 0.63%

LAB 89.33, -39.62, 70.23

 

CMYK 67 / 0 / 32 / 5

HEX #4FF1A3

RGB 79 241 163

HSL 151.11, 0.85%, 0.63%

LAB 85.61, -59.31, 25.73

 

CMYK 5 / 67 / 0 / 5

HEX #E44FF1

RGB 228 79 241

HSL 295.19, 0.85%, 0.63%

LAB 60.28, 76.62, -53.38

 

CMYK 22 / 0 / 68 / 5

HEX #BDF24E

RGB 189 242 78

HSL 79.39, 0.86%, 0.63%

LAB 89.33, -39.62, 70.23

 

CMYK 67 / 21 / 0 / 5

HEX #4FBEF1

RGB 79 190 241

HSL 198.89, 0.85%, 0.63%

LAB 72.79, -15.93, -34.55

 

CMYK 0 / 67 / 21 / 5

HEX #F14FBE

RGB 241 79 190

HSL 318.89, 0.85%, 0.63%

LAB 59.9, 72.03, -25.04

 

CMYK 22 / 0 / 68 / 5

HEX #BDF24E

RGB 189 242 78

HSL 79.39, 0.86%, 0.63%

LAB 89.33, -39.62, 70.23

 

CMYK 67 / 0 / 32 / 5

HEX #4FF1A3

RGB 79 241 163

HSL 151.11, 0.85%, 0.63%

LAB 85.61, -59.31, 25.73

 

CMYK 46 / 67 / 0 / 5

HEX #824FF1

RGB 130 79 241

HSL 258.89, 0.85%, 0.63%

LAB 47.87, 56.93, -74.02

 

CMYK 0 / 67 / 35 / 5

HEX #F14F9D

RGB 241 79 157

HSL 331.11, 0.85%, 0.63%

LAB 58.72, 68.08, -7.75

 

CMYK 22 / 0 / 68 / 5

HEX #BDF24E

RGB 189 242 78

HSL 79.39, 0.86%, 0.63%

LAB 89.33, -39.62, 70.23

 

CMYK 67 / 0 / 12 / 5

HEX #4FF1D4

RGB 79 241 212

HSL 169.26, 0.85%, 0.63%

LAB 86.67, -48.36, 1.79

 

CMYK 46 / 67 / 0 / 5

HEX #824FF1

RGB 130 79 241

HSL 258.89, 0.85%, 0.63%

LAB 47.87, 56.93, -74.02

 

CMYK 0 / 67 / 55 / 5

HEX #F14F6D

RGB 241 79 109

HSL 348.89, 0.85%, 0.63%

LAB 57.46, 63.69, 18.61

 

Description

Color code: CMYK 22 / 0 / 68 / 5 | qconv.com Color code: CMYK 22 / 0 / 68 / 5 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 242 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 242 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 68 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 68% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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