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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 22 / 0 / 54 / 25 it is the complementary color CMYK 37 / 62 / 0 / 35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 22 / 0 / 54 / 25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 22 / 0 / 54 / 25: CMYK 19 / 0 / 57 / 25, CMYK 18 / 0 / 51 / 18, CMYK 17 / 0 / 47 / 11, CMYK 16 / 0 / 43 / 4 and CMYK 13 / 0 / 38 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 22 / 0 / 54 / 25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 22 / 0 / 54 / 25: CMYK 22 / 0 / 54 / 25, CMYK 24 / 0 / 60 / 32, CMYK 26 / 0 / 68 / 39, CMYK 28 / 0 / 77 / 46 and CMYK 32 / 0 / 90 / 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 54 / 25

HEX #95BF58

RGB 149 191 88

HSL 84.47, 0.45%, 0.55%

LAB 72.47, -30.65, 46.84

 

Complementary color

CMYK 37 / 62 / 0 / 35

HEX #6A40A7

RGB 106 64 167

HSL 264.47, 0.45%, 0.45%

LAB 36.97, 40.39, -49.01

 

CMYK 19 / 0 / 57 / 25

HEX #9ABF53

RGB 154 191 83

HSL 80.56, 0.46%, 0.54%

LAB 72.73, -29.21, 49.56

 

CMYK 18 / 0 / 51 / 18

HEX #ABD166

RGB 171 209 102

HSL 81.31, 0.54%, 0.61%

LAB 79.17, -29.38, 48.5

 

CMYK 17 / 0 / 47 / 11

HEX #BCE379

RGB 188 227 121

HSL 82.08, 0.65%, 0.68%

LAB 85.51, -29.5, 47.38

 

CMYK 16 / 0 / 43 / 4

HEX #CDF58C

RGB 205 245 140

HSL 82.86, 0.84%, 0.75%

LAB 91.76, -29.56, 46.25

 

CMYK 13 / 0 / 38 / 0

HEX #DEFF9F

RGB 222 255 159

HSL 80.63, 1%, 0.81%

LAB 95.81, -25.85, 42.4

 

CMYK 22 / 0 / 54 / 25

HEX #95BF58

RGB 149 191 88

HSL 84.47, 0.45%, 0.55%

LAB 72.47, -30.65, 46.84

 

CMYK 24 / 0 / 60 / 32

HEX #84AD45

RGB 132 173 69

HSL 83.65, 0.43%, 0.47%

LAB 65.92, -30.49, 47.86

 

CMYK 26 / 0 / 68 / 39

HEX #739B32

RGB 115 155 50

HSL 82.86, 0.51%, 0.4%

LAB 59.27, -30.2, 48.63

 

CMYK 28 / 0 / 77 / 46

HEX #62891F

RGB 98 137 31

HSL 82.08, 0.63%, 0.33%

LAB 52.49, -29.74, 48.84

 

CMYK 32 / 0 / 90 / 53

HEX #51770C

RGB 81 119 12

HSL 81.31, 0.82%, 0.26%

LAB 45.59, -29, 47.82

 

CMYK 22 / 0 / 54 / 25

HEX #95BF58

RGB 149 191 88

HSL 84.47, 0.45%, 0.55%

LAB 72.47, -30.65, 46.84

 

CMYK 30 / 0 / 54 / 25

HEX #85BF58

RGB 133 191 88

HSL 93.79, 0.45%, 0.55%

LAB 71.52, -36.58, 45.5

 

CMYK 39 / 0 / 54 / 25

HEX #74BF58

RGB 116 191 88

HSL 103.69, 0.45%, 0.55%

LAB 70.65, -42.41, 44.25

 

CMYK 49 / 0 / 54 / 25

HEX #62BF58

RGB 98 191 88

HSL 114.17, 0.45%, 0.55%

LAB 69.87, -47.94, 43.12

 

CMYK 54 / 0 / 50 / 25

HEX #58BF5F

RGB 88 191 95

HSL 124.08, 0.45%, 0.55%

LAB 69.59, -49.74, 39.29

 

CMYK 22 / 0 / 54 / 25

HEX #95BF58

RGB 149 191 88

HSL 84.47, 0.45%, 0.55%

LAB 72.47, -30.65, 46.84

 

CMYK 22 / 0 / 54 / 5

HEX #BDF26F

RGB 189 242 111

HSL 84.27, 0.83%, 0.69%

LAB 89.61, -37.04, 56.95

 

CMYK 21 / 0 / 53 / 85

HEX #1E2612

RGB 30 38 18

HSL 84, 0.36%, 0.11%

LAB 13.86, -7.99, 12.01

 

CMYK 22 / 0 / 54 / 65

HEX #455929

RGB 69 89 41

HSL 85, 0.37%, 0.25%

LAB 35.14, -16.74, 25.12

 

CMYK 22 / 0 / 54 / 45

HEX #6D8C41

RGB 109 140 65

HSL 84.8, 0.37%, 0.4%

LAB 54.44, -23.91, 36.15

 

CMYK 22 / 0 / 54 / 25

HEX #95BF58

RGB 149 191 88

HSL 84.47, 0.45%, 0.55%

LAB 72.47, -30.65, 46.84

 

CMYK 54 / 0 / 21 / 25

HEX #58BF96

RGB 88 191 150

HSL 156.12, 0.45%, 0.55%

LAB 70.55, -39.74, 11.72

 

CMYK 0 / 54 / 0 / 25

HEX #BF58BF

RGB 191 88 191

HSL 300, 0.45%, 0.55%

LAB 53.83, 55.25, -35.62

 

CMYK 22 / 0 / 54 / 25

HEX #95BF58

RGB 149 191 88

HSL 84.47, 0.45%, 0.55%

LAB 72.47, -30.65, 46.84

 

CMYK 54 / 21 / 0 / 25

HEX #5896BF

RGB 88 150 191

HSL 203.88, 0.45%, 0.55%

LAB 59.57, -8.24, -27.37

 

CMYK 0 / 54 / 21 / 25

HEX #BF5896

RGB 191 88 150

HSL 323.88, 0.45%, 0.55%

LAB 52.13, 48.59, -14.33

 

CMYK 22 / 0 / 54 / 25

HEX #95BF58

RGB 149 191 88

HSL 84.47, 0.45%, 0.55%

LAB 72.47, -30.65, 46.84

 

CMYK 54 / 0 / 21 / 25

HEX #58BF96

RGB 88 191 150

HSL 156.12, 0.45%, 0.55%

LAB 70.55, -39.74, 11.72

 

CMYK 32 / 54 / 0 / 25

HEX #8158BF

RGB 129 88 191

HSL 263.88, 0.45%, 0.55%

LAB 46.19, 38.7, -48.21

 

CMYK 0 / 54 / 32 / 25

HEX #BF5881

RGB 191 88 129

HSL 336.12, 0.45%, 0.55%

LAB 51.43, 45.73, -2.91

 

CMYK 22 / 0 / 54 / 25

HEX #95BF58

RGB 149 191 88

HSL 84.47, 0.45%, 0.55%

LAB 72.47, -30.65, 46.84

 

CMYK 54 / 0 / 5 / 25

HEX #58BFB5

RGB 88 191 181

HSL 174.17, 0.45%, 0.55%

LAB 71.33, -32.27, -4.06

 

CMYK 32 / 54 / 0 / 25

HEX #8158BF

RGB 129 88 191

HSL 263.88, 0.45%, 0.55%

LAB 46.19, 38.7, -48.21

 

CMYK 0 / 54 / 49 / 25

HEX #BF5862

RGB 191 88 98

HSL 354.17, 0.45%, 0.55%

LAB 50.61, 42.28, 14.44

 

Description

Color code: CMYK 22 / 0 / 54 / 25 | qconv.com Color code: CMYK 22 / 0 / 54 / 25 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 191 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 191 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 54 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 54% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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