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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 21 / 43 / 0 / 23 it is the complementary color CMYK 30 / 0 / 59 / 44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 21 / 43 / 0 / 23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 21 / 43 / 0 / 23: CMYK 16 / 41 / 0 / 25, CMYK 16 / 38 / 0 / 18, CMYK 15 / 35 / 0 / 10, CMYK 15 / 33 / 0 / 3 and CMYK 11 / 28 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 21 / 43 / 0 / 23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 21 / 43 / 0 / 23: CMYK 21 / 43 / 0 / 23, CMYK 22 / 47 / 0 / 31, CMYK 23 / 52 / 0 / 38, CMYK 25 / 58 / 0 / 45 and CMYK 28 / 67 / 0 / 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 43 / 0 / 23

HEX #9B70C4

RGB 155 112 196

HSL 270.71, 0.42%, 0.6%

LAB 54.6, 33.37, -37.59

 

Complementary color

CMYK 30 / 0 / 59 / 44

HEX #648F3B

RGB 100 143 59

HSL 90.71, 0.42%, 0.4%

LAB 54.73, -29.56, 39.33

 

CMYK 16 / 41 / 0 / 25

HEX #A070BF

RGB 160 112 191

HSL 276.46, 0.38%, 0.59%

LAB 54.89, 33.72, -34.24

 

CMYK 16 / 38 / 0 / 18

HEX #B182D2

RGB 177 130 210

HSL 275.25, 0.47%, 0.67%

LAB 61.62, 32.93, -34.37

 

CMYK 15 / 35 / 0 / 10

HEX #C294E5

RGB 194 148 229

HSL 274.07, 0.61%, 0.74%

LAB 68.25, 32.21, -34.5

 

CMYK 15 / 33 / 0 / 3

HEX #D3A6F8

RGB 211 166 248

HSL 272.93, 0.85%, 0.81%

LAB 74.76, 31.53, -34.64

 

CMYK 11 / 28 / 0 / 0

HEX #E4B8FF

RGB 228 184 255

HSL 277.18, 1%, 0.86%

LAB 80.74, 28.43, -29.07

 

CMYK 21 / 43 / 0 / 23

HEX #9B70C4

RGB 155 112 196

HSL 270.71, 0.42%, 0.6%

LAB 54.6, 33.37, -37.59

 

CMYK 22 / 47 / 0 / 31

HEX #8A5EB1

RGB 138 94 177

HSL 271.81, 0.35%, 0.53%

LAB 47.73, 34.24, -37.55

 

CMYK 23 / 52 / 0 / 38

HEX #794C9E

RGB 121 76 158

HSL 272.93, 0.35%, 0.46%

LAB 40.74, 35.15, -37.5

 

CMYK 25 / 58 / 0 / 45

HEX #683A8B

RGB 104 58 139

HSL 274.07, 0.41%, 0.39%

LAB 33.63, 36.07, -37.4

 

CMYK 28 / 67 / 0 / 53

HEX #572878

RGB 87 40 120

HSL 275.25, 0.5%, 0.31%

LAB 26.45, 36.88, -37.17

 

CMYK 21 / 43 / 0 / 23

HEX #9B70C4

RGB 155 112 196

HSL 270.71, 0.42%, 0.6%

LAB 54.6, 33.37, -37.59

 

CMYK 14 / 44 / 0 / 24

HEX #A76EC3

RGB 167 110 195

HSL 280.24, 0.41%, 0.6%

LAB 55.39, 37.81, -35.69

 

CMYK 7 / 44 / 0 / 24

HEX #B56EC3

RGB 181 110 195

HSL 290.12, 0.41%, 0.6%

LAB 56.99, 41.98, -33.06

 

CMYK 0 / 44 / 0 / 24

HEX #C36EC3

RGB 195 110 195

HSL 300, 0.41%, 0.6%

LAB 58.69, 46.18, -30.3

 

CMYK 0 / 44 / 7 / 24

HEX #C36EB5

RGB 195 110 181

HSL 309.88, 0.41%, 0.6%

LAB 58.12, 43.68, -23.17

 

CMYK 21 / 43 / 0 / 23

HEX #9B70C4

RGB 155 112 196

HSL 270.71, 0.42%, 0.6%

LAB 54.6, 33.37, -37.59

 

CMYK 21 / 43 / 0 / 3

HEX #C38DF7

RGB 195 141 247

HSL 270.57, 0.87%, 0.76%

LAB 67.55, 40.29, -45.46

 

CMYK 21 / 42 / 0 / 83

HEX #22192B

RGB 34 25 43

HSL 270, 0.26%, 0.13%

LAB 10.63, 9.04, -10.5

 

CMYK 21 / 43 / 0 / 63

HEX #4A365E

RGB 74 54 94

HSL 270, 0.27%, 0.29%

LAB 26.45, 17.88, -20.54

 

CMYK 21 / 43 / 0 / 43

HEX #735391

RGB 115 83 145

HSL 270.97, 0.27%, 0.45%

LAB 41.02, 26.07, -29.29

 

CMYK 21 / 43 / 0 / 23

HEX #9B70C4

RGB 155 112 196

HSL 270.71, 0.42%, 0.6%

LAB 54.6, 33.37, -37.59

 

CMYK 0 / 44 / 31 / 24

HEX #C36E87

RGB 195 110 135

HSL 342.35, 0.41%, 0.6%

LAB 56.59, 36.6, 1.17

 

CMYK 44 / 0 / 39 / 24

HEX #6EC376

RGB 110 195 118

HSL 125.65, 0.41%, 0.6%

LAB 72, -41.85, 30.86

 

CMYK 21 / 43 / 0 / 23

HEX #9B70C4

RGB 155 112 196

HSL 270.71, 0.42%, 0.6%

LAB 54.6, 33.37, -37.59

 

CMYK 0 / 22 / 44 / 24

HEX #C3996E

RGB 195 153 110

HSL 30.35, 0.41%, 0.6%

LAB 66.14, 10.06, 28.56

 

CMYK 44 / 0 / 22 / 24

HEX #6EC399

RGB 110 195 153

HSL 150.35, 0.41%, 0.6%

LAB 72.66, -35.42, 13.19

 

CMYK 21 / 43 / 0 / 23

HEX #9B70C4

RGB 155 112 196

HSL 270.71, 0.42%, 0.6%

LAB 54.6, 33.37, -37.59

 

CMYK 0 / 44 / 31 / 24

HEX #C36E87

RGB 195 110 135

HSL 342.35, 0.41%, 0.6%

LAB 56.59, 36.6, 1.17

 

CMYK 22 / 0 / 44 / 24

HEX #99C36E

RGB 153 195 110

HSL 89.65, 0.41%, 0.6%

LAB 74.14, -28.58, 38.17

 

CMYK 44 / 0 / 13 / 24

HEX #6EC3AA

RGB 110 195 170

HSL 162.35, 0.41%, 0.6%

LAB 73.05, -31.72, 4.55

 

CMYK 21 / 43 / 0 / 23

HEX #9B70C4

RGB 155 112 196

HSL 270.71, 0.42%, 0.6%

LAB 54.6, 33.37, -37.59

 

CMYK 0 / 44 / 44 / 24

HEX #C36E6E

RGB 195 110 110

HSL 0, 0.41%, 0.6%

LAB 55.97, 33.59, 14.86

 

CMYK 22 / 0 / 44 / 24

HEX #99C36E

RGB 153 195 110

HSL 89.65, 0.41%, 0.6%

LAB 74.14, -28.58, 38.17

 

CMYK 44 / 0 / 0 / 24

HEX #6EC3C3

RGB 110 195 195

HSL 180, 0.41%, 0.6%

LAB 73.73, -25.69, -8.05

 

Description

Color code: CMYK 21 / 43 / 0 / 23 | qconv.com Color code: CMYK 21 / 43 / 0 / 23 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 112 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 112 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 43 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 43% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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