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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 21 / 17 / 0 / 10 it is the complementary color CMYK 0 / 12 / 66 / 71. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 21 / 17 / 0 / 10. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 21 / 17 / 0 / 10: CMYK 17 / 16 / 0 / 12, CMYK 17 / 15 / 0 / 4, CMYK 14 / 11 / 0 / 0, CMYK 7 / 4 / 0 / 0 and CMYK 0 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 21 / 17 / 0 / 10. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 21 / 17 / 0 / 10: CMYK 21 / 17 / 0 / 10, CMYK 22 / 18 / 0 / 17, CMYK 23 / 20 / 0 / 25, CMYK 25 / 21 / 0 / 32 and CMYK 27 / 23 / 0 / 40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 17 / 0 / 10

HEX #B5BEE6

RGB 181 190 230

HSL 228.98, 0.49%, 0.81%

LAB 77.5, 5.28, -20.94

 

Complementary color

CMYK 0 / 12 / 66 / 71

HEX #4A4119

RGB 74 65 25

HSL 48.98, 0.49%, 0.19%

LAB 27.59, -1.93, 25.3

 

CMYK 17 / 16 / 0 / 12

HEX #BABEE1

RGB 186 190 225

HSL 233.85, 0.39%, 0.81%

LAB 77.7, 5.73, -17.9

 

CMYK 17 / 15 / 0 / 4

HEX #CBD0F4

RGB 203 208 244

HSL 232.68, 0.65%, 0.88%

LAB 84.14, 5.48, -18.22

 

CMYK 14 / 11 / 0 / 0

HEX #DCE2FF

RGB 220 226 255

HSL 229.71, 1%, 0.93%

LAB 90.24, 3.61, -14.73

 

CMYK 7 / 4 / 0 / 0

HEX #EDF4FF

RGB 237 244 255

HSL 216.67, 1%, 0.96%

LAB 95.97, -0.28, -6.09

 

CMYK 0 / 0 / 0 / 0

HEX #FEFFFF

RGB 254 255 255

HSL 180, 1%, 1%

LAB 99.93, -0.32, -0.13

 

CMYK 21 / 17 / 0 / 10

HEX #B5BEE6

RGB 181 190 230

HSL 228.98, 0.49%, 0.81%

LAB 77.5, 5.28, -20.94

 

CMYK 22 / 18 / 0 / 17

HEX #A4ACD3

RGB 164 172 211

HSL 229.79, 0.35%, 0.74%

LAB 70.94, 5.55, -20.68

 

CMYK 23 / 20 / 0 / 25

HEX #939AC0

RGB 147 154 192

HSL 230.67, 0.26%, 0.66%

LAB 64.26, 5.85, -20.44

 

CMYK 25 / 21 / 0 / 32

HEX #8288AD

RGB 130 136 173

HSL 231.63, 0.21%, 0.59%

LAB 57.44, 6.17, -20.22

 

CMYK 27 / 23 / 0 / 40

HEX #71769A

RGB 113 118 154

HSL 232.68, 0.17%, 0.52%

LAB 50.45, 6.54, -20.03

 

CMYK 21 / 17 / 0 / 10

HEX #B5BEE6

RGB 181 190 230

HSL 228.98, 0.49%, 0.81%

LAB 77.5, 5.28, -20.94

 

CMYK 21 / 20 / 0 / 10

HEX #B6B8E6

RGB 182 184 230

HSL 237.5, 0.49%, 0.81%

LAB 76.03, 8.85, -23.16

 

CMYK 18 / 21 / 0 / 10

HEX #BDB6E6

RGB 189 182 230

HSL 248.75, 0.49%, 0.81%

LAB 76.06, 12.11, -23.07

 

CMYK 14 / 21 / 0 / 10

HEX #C5B6E6

RGB 197 182 230

HSL 258.75, 0.49%, 0.81%

LAB 76.7, 14.63, -22.03

 

CMYK 11 / 21 / 0 / 10

HEX #CCB6E6

RGB 204 182 230

HSL 267.5, 0.49%, 0.81%

LAB 77.28, 16.86, -21.09

 

CMYK 21 / 17 / 0 / 10

HEX #B5BEE6

RGB 181 190 230

HSL 228.98, 0.49%, 0.81%

LAB 77.5, 5.28, -20.94

 

CMYK 23 / 19 / 0 / 90

HEX #14151A

RGB 20 21 26

HSL 230, 0.13%, 0.09%

LAB 6.86, 0.86, -3.62

 

CMYK 21 / 17 / 0 / 70

HEX #3D404D

RGB 61 64 77

HSL 228.75, 0.12%, 0.27%

LAB 27.28, 1.99, -8.28

 

CMYK 21 / 17 / 0 / 50

HEX #656A80

RGB 101 106 128

HSL 228.89, 0.12%, 0.45%

LAB 45.13, 3.17, -12.83

 

CMYK 21 / 17 / 0 / 30

HEX #8D94B3

RGB 141 148 179

HSL 228.95, 0.2%, 0.63%

LAB 61.74, 4.26, -17

 

CMYK 21 / 17 / 0 / 10

HEX #B5BEE6

RGB 181 190 230

HSL 228.98, 0.49%, 0.81%

LAB 77.5, 5.28, -20.94

 

CMYK 0 / 21 / 0 / 10

HEX #E6B6E6

RGB 230 182 230

HSL 300, 0.49%, 0.81%

LAB 79.61, 25.32, -17.35

 

CMYK 8 / 0 / 21 / 10

HEX #D3E6B6

RGB 211 230 182

HSL 83.75, 0.49%, 0.81%

LAB 88.84, -14.54, 21.33

 

CMYK 21 / 17 / 0 / 10

HEX #B5BEE6

RGB 181 190 230

HSL 228.98, 0.49%, 0.81%

LAB 77.5, 5.28, -20.94

 

CMYK 0 / 21 / 17 / 10

HEX #E6B6C0

RGB 230 182 192

HSL 347.5, 0.49%, 0.81%

LAB 78.51, 18.85, 1.57

 

CMYK 17 / 0 / 21 / 10

HEX #C0E6B6

RGB 192 230 182

HSL 107.5, 0.49%, 0.81%

LAB 87.57, -21.17, 19.37

 

CMYK 21 / 17 / 0 / 10

HEX #B5BEE6

RGB 181 190 230

HSL 228.98, 0.49%, 0.81%

LAB 77.5, 5.28, -20.94

 

CMYK 0 / 21 / 0 / 10

HEX #E6B6E6

RGB 230 182 230

HSL 300, 0.49%, 0.81%

LAB 79.61, 25.32, -17.35

 

CMYK 0 / 4 / 21 / 10

HEX #E6DCB6

RGB 230 220 182

HSL 47.5, 0.49%, 0.81%

LAB 87.67, -2.61, 19.93

 

CMYK 21 / 0 / 21 / 10

HEX #B6E6B6

RGB 182 230 182

HSL 120, 0.49%, 0.81%

LAB 86.96, -24.53, 18.42

 

CMYK 21 / 17 / 0 / 10

HEX #B5BEE6

RGB 181 190 230

HSL 228.98, 0.49%, 0.81%

LAB 77.5, 5.28, -20.94

 

CMYK 0 / 21 / 6 / 10

HEX #E6B6D8

RGB 230 182 216

HSL 317.5, 0.49%, 0.81%

LAB 79.18, 22.81, -10.44

 

CMYK 0 / 4 / 21 / 10

HEX #E6DCB6

RGB 230 220 182

HSL 47.5, 0.49%, 0.81%

LAB 87.67, -2.61, 19.93

 

CMYK 21 / 0 / 14 / 10

HEX #B6E6C5

RGB 182 230 197

HSL 138.75, 0.49%, 0.81%

LAB 87.28, -21.87, 11.05

 

Description

Color code: CMYK 21 / 17 / 0 / 10 | qconv.com Color code: CMYK 21 / 17 / 0 / 10 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 190 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 190 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 17 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 17% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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