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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 21 / 0 / 51 / 13 it is the complementary color CMYK 45 / 77 / 0 / 43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 21 / 0 / 51 / 13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 21 / 0 / 51 / 13: CMYK 19 / 0 / 53 / 13, CMYK 18 / 0 / 49 / 6, CMYK 16 / 0 / 44 / 0, CMYK 9 / 0 / 37 / 0 and CMYK 3 / 0 / 29 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 21 / 0 / 51 / 13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 21 / 0 / 51 / 13: CMYK 21 / 0 / 51 / 13, CMYK 23 / 0 / 56 / 20, CMYK 24 / 0 / 62 / 27, CMYK 26 / 0 / 69 / 34 and CMYK 29 / 0 / 78 / 41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 51 / 13

HEX #AFDE6D

RGB 175 222 109

HSL 84.96, 0.63%, 0.65%

LAB 83.16, -33.25, 50.03

 

Complementary color

CMYK 45 / 77 / 0 / 43

HEX #502192

RGB 80 33 146

HSL 264.96, 0.63%, 0.35%

LAB 26.36, 45.66, -53.63

 

CMYK 19 / 0 / 53 / 13

HEX #B4DE68

RGB 180 222 104

HSL 81.36, 0.64%, 0.64%

LAB 83.41, -31.88, 52.73

 

CMYK 18 / 0 / 49 / 6

HEX #C5F07B

RGB 197 240 123

HSL 82.05, 0.8%, 0.71%

LAB 89.68, -32.01, 51.65

 

CMYK 16 / 0 / 44 / 0

HEX #D6FF8E

RGB 214 255 142

HSL 81.77, 1%, 0.78%

LAB 95.06, -30.71, 49.54

 

CMYK 9 / 0 / 37 / 0

HEX #E7FFA1

RGB 231 255 161

HSL 75.32, 1%, 0.82%

LAB 96.44, -22.33, 42.36

 

CMYK 3 / 0 / 29 / 0

HEX #F8FFB4

RGB 248 255 180

HSL 65.6, 1%, 0.85%

LAB 97.94, -13.77, 35.16

 

CMYK 21 / 0 / 51 / 13

HEX #AFDE6D

RGB 175 222 109

HSL 84.96, 0.63%, 0.65%

LAB 83.16, -33.25, 50.03

 

CMYK 23 / 0 / 56 / 20

HEX #9ECC5A

RGB 158 204 90

HSL 84.21, 0.53%, 0.58%

LAB 76.8, -33.14, 51.1

 

CMYK 24 / 0 / 62 / 27

HEX #8DBA47

RGB 141 186 71

HSL 83.48, 0.45%, 0.5%

LAB 70.34, -32.94, 52.03

 

CMYK 26 / 0 / 69 / 34

HEX #7CA834

RGB 124 168 52

HSL 82.76, 0.53%, 0.43%

LAB 63.79, -32.62, 52.69

 

CMYK 29 / 0 / 78 / 41

HEX #6B9621

RGB 107 150 33

HSL 82.05, 0.64%, 0.36%

LAB 57.12, -32.13, 52.75

 

CMYK 21 / 0 / 51 / 13

HEX #AFDE6D

RGB 175 222 109

HSL 84.96, 0.63%, 0.65%

LAB 83.16, -33.25, 50.03

 

CMYK 29 / 0 / 51 / 13

HEX #9EDD6D

RGB 158 221 109

HSL 93.75, 0.62%, 0.65%

LAB 81.88, -38.92, 48.27

 

CMYK 37 / 0 / 51 / 13

HEX #8BDD6D

RGB 139 221 109

HSL 103.93, 0.62%, 0.65%

LAB 80.91, -45.33, 46.86

 

CMYK 46 / 0 / 51 / 13

HEX #78DD6D

RGB 120 221 109

HSL 114.11, 0.62%, 0.65%

LAB 80.07, -51.13, 45.65

 

CMYK 51 / 0 / 47 / 13

HEX #6DDD75

RGB 109 221 117

HSL 124.29, 0.62%, 0.65%

LAB 79.76, -53.08, 41.3

 

CMYK 21 / 0 / 51 / 13

HEX #AFDE6D

RGB 175 222 109

HSL 84.96, 0.63%, 0.65%

LAB 83.16, -33.25, 50.03

 

CMYK 22 / 0 / 50 / 93

HEX #0E1209

RGB 14 18 9

HSL 86.67, 0.33%, 0.05%

LAB 4.93, -2.95, 3.63

 

CMYK 22 / 0 / 51 / 73

HEX #364522

RGB 54 69 34

HSL 85.71, 0.34%, 0.2%

LAB 27.17, -13.08, 19.14

 

CMYK 21 / 0 / 51 / 53

HEX #5F783B

RGB 95 120 59

HSL 84.59, 0.34%, 0.35%

LAB 47.21, -20.07, 30.36

 

CMYK 21 / 0 / 51 / 33

HEX #87AB54

RGB 135 171 84

HSL 84.83, 0.34%, 0.5%

LAB 65.68, -26.87, 40.5

 

CMYK 21 / 0 / 51 / 13

HEX #AFDE6D

RGB 175 222 109

HSL 84.96, 0.63%, 0.65%

LAB 83.16, -33.25, 50.03

 

CMYK 51 / 0 / 20 / 13

HEX #6DDDB0

RGB 109 221 176

HSL 155.89, 0.62%, 0.65%

LAB 80.79, -42.52, 12.4

 

CMYK 0 / 51 / 0 / 13

HEX #DD6DDD

RGB 221 109 221

HSL 300, 0.62%, 0.65%

LAB 62.95, 58.79, -38.07

 

CMYK 21 / 0 / 51 / 13

HEX #AFDE6D

RGB 175 222 109

HSL 84.96, 0.63%, 0.65%

LAB 83.16, -33.25, 50.03

 

CMYK 51 / 20 / 0 / 13

HEX #6DB0DD

RGB 109 176 221

HSL 204.11, 0.62%, 0.65%

LAB 69.13, -8.95, -29.22

 

CMYK 0 / 51 / 20 / 13

HEX #DD6DB0

RGB 221 109 176

HSL 324.11, 0.62%, 0.65%

LAB 61.17, 51.57, -15.35

 

CMYK 21 / 0 / 51 / 13

HEX #AFDE6D

RGB 175 222 109

HSL 84.96, 0.63%, 0.65%

LAB 83.16, -33.25, 50.03

 

CMYK 51 / 0 / 20 / 13

HEX #6DDDB0

RGB 109 221 176

HSL 155.89, 0.62%, 0.65%

LAB 80.79, -42.52, 12.4

 

CMYK 30 / 51 / 0 / 13

HEX #9A6DDD

RGB 154 109 221

HSL 264.11, 0.62%, 0.65%

LAB 55.1, 40.81, -50.98

 

CMYK 0 / 51 / 30 / 13

HEX #DD6D9A

RGB 221 109 154

HSL 335.89, 0.62%, 0.65%

LAB 60.46, 48.57, -3.76

 

CMYK 21 / 0 / 51 / 13

HEX #AFDE6D

RGB 175 222 109

HSL 84.96, 0.63%, 0.65%

LAB 83.16, -33.25, 50.03

 

CMYK 51 / 0 / 5 / 13

HEX #6DDDD2

RGB 109 221 210

HSL 174.11, 0.62%, 0.65%

LAB 81.63, -34.63, -4.43

 

CMYK 30 / 51 / 0 / 13

HEX #9A6DDD

RGB 154 109 221

HSL 264.11, 0.62%, 0.65%

LAB 55.1, 40.81, -50.98

 

CMYK 0 / 51 / 46 / 13

HEX #DD6D78

RGB 221 109 120

HSL 354.11, 0.62%, 0.65%

LAB 59.59, 44.72, 14.64

 

Description

Color code: CMYK 21 / 0 / 51 / 13 | qconv.com Color code: CMYK 21 / 0 / 51 / 13 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 222 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 222 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 51 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 51% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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