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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 21 / 0 / 28 / 42 it is the complementary color CMYK 7 / 28 / 0 / 42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 21 / 0 / 28 / 42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 21 / 0 / 28 / 42: CMYK 18 / 0 / 32 / 42, CMYK 16 / 0 / 28 / 35, CMYK 15 / 0 / 24 / 28, CMYK 14 / 0 / 22 / 21 and CMYK 14 / 0 / 20 / 14

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 21 / 0 / 28 / 42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 21 / 0 / 28 / 42: CMYK 21 / 0 / 28 / 42, CMYK 23 / 0 / 33 / 49, CMYK 26 / 0 / 39 / 56, CMYK 30 / 0 / 48 / 63 and CMYK 36 / 0 / 61 / 70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 28 / 42

HEX #75946A

RGB 117 148 106

HSL 104.29, 0.17%, 0.5%

LAB 58.04, -19.15, 18.76

 

Complementary color

CMYK 7 / 28 / 0 / 42

HEX #8A6B95

RGB 138 107 149

HSL 284.29, 0.17%, 0.5%

LAB 49.6, 20.28, -18.19

 

CMYK 18 / 0 / 32 / 42

HEX #7A9465

RGB 122 148 101

HSL 93.19, 0.19%, 0.49%

LAB 58.28, -18.07, 21.93

 

CMYK 16 / 0 / 28 / 35

HEX #8BA678

RGB 139 166 120

HSL 95.22, 0.21%, 0.56%

LAB 65.06, -17.98, 20.82

 

CMYK 15 / 0 / 24 / 28

HEX #9CB88B

RGB 156 184 139

HSL 97.33, 0.24%, 0.63%

LAB 71.7, -17.9, 19.78

 

CMYK 14 / 0 / 22 / 21

HEX #ADCA9E

RGB 173 202 158

HSL 99.55, 0.29%, 0.71%

LAB 78.22, -17.82, 18.8

 

CMYK 14 / 0 / 20 / 14

HEX #BEDCB1

RGB 190 220 177

HSL 101.86, 0.38%, 0.78%

LAB 84.64, -17.74, 17.88

 

CMYK 21 / 0 / 28 / 42

HEX #75946A

RGB 117 148 106

HSL 104.29, 0.17%, 0.5%

LAB 58.04, -19.15, 18.76

 

CMYK 23 / 0 / 33 / 49

HEX #648257

RGB 100 130 87

HSL 101.86, 0.2%, 0.43%

LAB 51.11, -19.31, 19.91

 

CMYK 26 / 0 / 39 / 56

HEX #537044

RGB 83 112 68

HSL 99.55, 0.24%, 0.35%

LAB 44.01, -19.48, 21.14

 

CMYK 30 / 0 / 48 / 63

HEX #425E31

RGB 66 94 49

HSL 97.33, 0.31%, 0.28%

LAB 36.72, -19.62, 22.47

 

CMYK 36 / 0 / 61 / 70

HEX #314C1E

RGB 49 76 30

HSL 95.22, 0.43%, 0.21%

LAB 29.2, -19.67, 23.83

 

CMYK 21 / 0 / 28 / 42

HEX #75946A

RGB 117 148 106

HSL 104.29, 0.17%, 0.5%

LAB 58.04, -19.15, 18.76

 

CMYK 26 / 0 / 30 / 42

HEX #6E9569

RGB 110 149 105

HSL 113.18, 0.17%, 0.5%

LAB 57.88, -22.39, 19.02

 

CMYK 30 / 0 / 28 / 42

HEX #69956C

RGB 105 149 108

HSL 124.09, 0.17%, 0.5%

LAB 57.64, -23.62, 16.97

 

CMYK 30 / 0 / 23 / 42

HEX #699573

RGB 105 149 115

HSL 133.64, 0.17%, 0.5%

LAB 57.79, -22.3, 13.24

 

CMYK 30 / 0 / 17 / 42

HEX #69957B

RGB 105 149 123

HSL 144.55, 0.17%, 0.5%

LAB 57.97, -20.7, 8.97

 

CMYK 21 / 0 / 28 / 42

HEX #75946A

RGB 117 148 106

HSL 104.29, 0.17%, 0.5%

LAB 58.04, -19.15, 18.76

 

CMYK 21 / 0 / 28 / 22

HEX #9DC78F

RGB 157 199 143

HSL 105, 0.33%, 0.67%

LAB 76.07, -24.39, 23.63

 

CMYK 21 / 0 / 28 / 2

HEX #C6FAB3

RGB 198 250 179

HSL 103.94, 0.88%, 0.84%

LAB 93.29, -29.19, 28.83

 

CMYK 22 / 0 / 28 / 82

HEX #242E21

RGB 36 46 33

HSL 106.15, 0.16%, 0.15%

LAB 17.64, -7.44, 7

 

CMYK 21 / 0 / 29 / 62

HEX #4D6145

RGB 77 97 69

HSL 102.86, 0.17%, 0.33%

LAB 38.82, -13.51, 13.56

 

CMYK 21 / 0 / 28 / 42

HEX #75946A

RGB 117 148 106

HSL 104.29, 0.17%, 0.5%

LAB 58.04, -19.15, 18.76

 

CMYK 30 / 0 / 2 / 42

HEX #699592

RGB 105 149 146

HSL 175.91, 0.17%, 0.5%

LAB 58.58, -15.57, -3.24

 

CMYK 0 / 30 / 10 / 42

HEX #956986

RGB 149 105 134

HSL 320.45, 0.17%, 0.5%

LAB 49.75, 22.4, -8.97

 

CMYK 21 / 0 / 28 / 42

HEX #75946A

RGB 117 148 106

HSL 104.29, 0.17%, 0.5%

LAB 58.04, -19.15, 18.76

 

CMYK 30 / 21 / 0 / 42

HEX #697595

RGB 105 117 149

HSL 223.64, 0.17%, 0.5%

LAB 49.37, 3.29, -18.81

 

CMYK 0 / 30 / 21 / 42

HEX #956975

RGB 149 105 117

HSL 343.64, 0.17%, 0.5%

LAB 49.22, 19.48, 0.36

 

CMYK 21 / 0 / 28 / 42

HEX #75946A

RGB 117 148 106

HSL 104.29, 0.17%, 0.5%

LAB 58.04, -19.15, 18.76

 

CMYK 30 / 0 / 2 / 42

HEX #699592

RGB 105 149 146

HSL 175.91, 0.17%, 0.5%

LAB 58.58, -15.57, -3.24

 

CMYK 8 / 30 / 0 / 42

HEX #896995

RGB 137 105 149

HSL 283.64, 0.17%, 0.5%

LAB 49, 21.12, -19.13

 

CMYK 0 / 30 / 28 / 42

HEX #95696C

RGB 149 105 108

HSL 355.91, 0.17%, 0.5%

LAB 48.98, 18.08, 5.36

 

CMYK 21 / 0 / 28 / 42

HEX #75946A

RGB 117 148 106

HSL 104.29, 0.17%, 0.5%

LAB 58.04, -19.15, 18.76

 

CMYK 30 / 7 / 0 / 42

HEX #698B95

RGB 105 139 149

HSL 193.64, 0.17%, 0.5%

LAB 55.72, -9.38, -9.19

 

CMYK 8 / 30 / 0 / 42

HEX #896995

RGB 137 105 149

HSL 283.64, 0.17%, 0.5%

LAB 49, 21.12, -19.13

 

CMYK 0 / 23 / 30 / 42

HEX #957369

RGB 149 115 105

HSL 13.64, 0.17%, 0.5%

LAB 51.46, 11.84, 10.66

 

Description

Color code: CMYK 21 / 0 / 28 / 42 | qconv.com Color code: CMYK 21 / 0 / 28 / 42 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 148 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 148 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 28 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 28% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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