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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 20 / 71 / 0 / 15 it is the complementary color CMYK 57 / 0 / 80 / 25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 20 / 71 / 0 / 15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 20 / 71 / 0 / 15: CMYK 16 / 70 / 0 / 17, CMYK 16 / 65 / 0 / 9, CMYK 15 / 60 / 0 / 2, CMYK 10 / 54 / 0 / 0 and CMYK 4 / 47 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 20 / 71 / 0 / 15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 20 / 71 / 0 / 15: CMYK 20 / 71 / 0 / 15, CMYK 21 / 77 / 0 / 22, CMYK 22 / 85 / 0 / 30, CMYK 24 / 94 / 0 / 37 and CMYK 26 / 100 / 0 / 45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 71 / 0 / 15

HEX #AD3FD9

RGB 173 63 217

HSL 282.86, 0.67%, 0.55%

LAB 48.82, 66.74, -58.65

 

Complementary color

CMYK 57 / 0 / 80 / 25

HEX #52C026

RGB 82 192 38

HSL 102.86, 0.67%, 0.45%

LAB 69.21, -57.15, 62.15

 

CMYK 16 / 70 / 0 / 17

HEX #B23FD4

RGB 178 63 212

HSL 286.31, 0.63%, 0.54%

LAB 49.22, 66.79, -55.11

 

CMYK 16 / 65 / 0 / 9

HEX #C351E7

RGB 195 81 231

HSL 285.6, 0.76%, 0.61%

LAB 55.34, 66.81, -55.95

 

CMYK 15 / 60 / 0 / 2

HEX #D463FA

RGB 212 99 250

HSL 284.9, 0.94%, 0.68%

LAB 61.5, 66.5, -56.56

 

CMYK 10 / 54 / 0 / 0

HEX #E575FF

RGB 229 117 255

HSL 288.7, 1%, 0.73%

LAB 66.98, 63.31, -50.49

 

CMYK 4 / 47 / 0 / 0

HEX #F687FF

RGB 246 135 255

HSL 295.5, 1%, 0.76%

LAB 72.32, 59.18, -41.94

 

CMYK 20 / 71 / 0 / 15

HEX #AD3FD9

RGB 173 63 217

HSL 282.86, 0.67%, 0.55%

LAB 48.82, 66.74, -58.65

 

CMYK 21 / 77 / 0 / 22

HEX #9C2DC6

RGB 156 45 198

HSL 283.53, 0.63%, 0.48%

LAB 42.8, 66.25, -57.55

 

CMYK 22 / 85 / 0 / 30

HEX #8B1BB3

RGB 139 27 179

HSL 284.21, 0.74%, 0.4%

LAB 36.98, 64.89, -55.93

 

CMYK 24 / 94 / 0 / 37

HEX #7A09A0

RGB 122 9 160

HSL 284.9, 0.89%, 0.33%

LAB 31.51, 62.18, -53.53

 

CMYK 26 / 100 / 0 / 45

HEX #69008D

RGB 105 0 141

HSL 284.68, 1%, 0.28%

LAB 26.52, 57.63, -50.11

 

CMYK 20 / 71 / 0 / 15

HEX #AD3FD9

RGB 173 63 217

HSL 282.86, 0.67%, 0.55%

LAB 48.82, 66.74, -58.65

 

CMYK 10 / 71 / 0 / 15

HEX #C43FD9

RGB 196 63 217

HSL 291.82, 0.67%, 0.55%

LAB 52.18, 71.44, -53.08

 

CMYK 0 / 71 / 2 / 15

HEX #D93FD4

RGB 217 63 212

HSL 301.95, 0.67%, 0.55%

LAB 55.13, 75.06, -45.33

 

CMYK 0 / 71 / 14 / 15

HEX #D93FBA

RGB 217 63 186

HSL 312.08, 0.67%, 0.55%

LAB 53.87, 71.19, -32.39

 

CMYK 0 / 71 / 26 / 15

HEX #D93FA0

RGB 217 63 160

HSL 322.21, 0.67%, 0.55%

LAB 52.78, 67.76, -18.87

 

CMYK 20 / 71 / 0 / 15

HEX #AD3FD9

RGB 173 63 217

HSL 282.86, 0.67%, 0.55%

LAB 48.82, 66.74, -58.65

 

CMYK 23 / 69 / 0 / 95

HEX #0A040D

RGB 10 4 13

HSL 280, 0.53%, 0.03%

LAB 1.63, 2.86, -2.95

 

CMYK 20 / 70 / 0 / 75

HEX #331340

RGB 51 19 64

HSL 282.67, 0.54%, 0.16%

LAB 12.86, 24.77, -21.93

 

CMYK 20 / 71 / 0 / 55

HEX #5C2173

RGB 92 33 115

HSL 283.17, 0.55%, 0.29%

LAB 25.57, 40.43, -35.36

 

CMYK 20 / 71 / 0 / 35

HEX #8430A6

RGB 132 48 166

HSL 282.71, 0.55%, 0.42%

LAB 37.43, 53.9, -47.5

 

CMYK 20 / 71 / 0 / 15

HEX #AD3FD9

RGB 173 63 217

HSL 282.86, 0.67%, 0.55%

LAB 48.82, 66.74, -58.65

 

CMYK 0 / 71 / 64 / 15

HEX #D93F4E

RGB 217 63 78

HSL 354.16, 0.67%, 0.55%

LAB 50.52, 60.27, 27.01

 

CMYK 71 / 0 / 50 / 15

HEX #3FD96D

RGB 63 217 109

HSL 137.92, 0.67%, 0.55%

LAB 77.15, -62.52, 41.67

 

CMYK 20 / 71 / 0 / 15

HEX #AD3FD9

RGB 173 63 217

HSL 282.86, 0.67%, 0.55%

LAB 48.82, 66.74, -58.65

 

CMYK 0 / 21 / 71 / 15

HEX #D9AB3F

RGB 217 171 63

HSL 42.08, 0.67%, 0.55%

LAB 72.39, 6.04, 59.47

 

CMYK 71 / 0 / 21 / 15

HEX #3FD9AB

RGB 63 217 171

HSL 162.08, 0.67%, 0.55%

LAB 78.24, -50.53, 11.25

 

CMYK 20 / 71 / 0 / 15

HEX #AD3FD9

RGB 173 63 217

HSL 282.86, 0.67%, 0.55%

LAB 48.82, 66.74, -58.65

 

CMYK 0 / 71 / 64 / 15

HEX #D93F4E

RGB 217 63 78

HSL 354.16, 0.67%, 0.55%

LAB 50.52, 60.27, 27.01

 

CMYK 50 / 0 / 71 / 15

HEX #6DD93F

RGB 109 217 63

HSL 102.08, 0.67%, 0.55%

LAB 78.01, -57.34, 62.88

 

CMYK 71 / 0 / 7 / 15

HEX #3FD9C9

RGB 63 217 201

HSL 173.77, 0.67%, 0.55%

LAB 78.98, -43, -3.67

 

CMYK 20 / 71 / 0 / 15

HEX #AD3FD9

RGB 173 63 217

HSL 282.86, 0.67%, 0.55%

LAB 48.82, 66.74, -58.65

 

CMYK 0 / 57 / 71 / 15

HEX #D95E3F

RGB 217 94 63

HSL 12.08, 0.67%, 0.55%

LAB 55.19, 46.38, 41.13

 

CMYK 50 / 0 / 71 / 15

HEX #6DD93F

RGB 109 217 63

HSL 102.08, 0.67%, 0.55%

LAB 78.01, -57.34, 62.88

 

CMYK 71 / 14 / 0 / 15

HEX #3FBAD9

RGB 63 186 217

HSL 192.08, 0.67%, 0.55%

LAB 70.3, -23.69, -25.36

 

Description

Color code: CMYK 20 / 71 / 0 / 15 | qconv.com Color code: CMYK 20 / 71 / 0 / 15 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 63 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 63 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 71 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 71% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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