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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 20 / 0 / 93 / 50 it is the complementary color CMYK 38 / 48 / 0 / 4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 20 / 0 / 93 / 50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 20 / 0 / 93 / 50: CMYK 16 / 0 / 97 / 50, CMYK 15 / 0 / 84 / 43, CMYK 14 / 0 / 74 / 36, CMYK 13 / 0 / 66 / 29 and CMYK 13 / 0 / 60 / 22

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 20 / 0 / 93 / 50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 20 / 0 / 93 / 50: CMYK 20 / 0 / 93 / 50, CMYK 23 / 0 / 100 / 57, CMYK 26 / 0 / 100 / 64, CMYK 31 / 0 / 100 / 71 and CMYK 39 / 0 / 100 / 78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 93 / 50

HEX #668009

RGB 102 128 9

HSL 73.11, 0.87%, 0.27%

LAB 49.84, -24.54, 52.51

 

Complementary color

CMYK 38 / 48 / 0 / 4

HEX #997FF6

RGB 153 127 246

HSL 253.11, 0.87%, 0.73%

LAB 60.43, 36.82, -56.43

 

CMYK 16 / 0 / 97 / 50

HEX #6B8004

RGB 107 128 4

HSL 70.16, 0.94%, 0.26%

LAB 50.18, -22.45, 53.89

 

CMYK 15 / 0 / 84 / 43

HEX #7C9217

RGB 124 146 23

HSL 70.73, 0.73%, 0.33%

LAB 56.98, -23.54, 56.03

 

CMYK 14 / 0 / 74 / 36

HEX #8DA42A

RGB 141 164 42

HSL 71.31, 0.59%, 0.4%

LAB 63.66, -24.37, 56.69

 

CMYK 13 / 0 / 66 / 29

HEX #9EB63D

RGB 158 182 61

HSL 71.9, 0.5%, 0.48%

LAB 70.22, -25, 56.44

 

CMYK 13 / 0 / 60 / 22

HEX #AFC850

RGB 175 200 80

HSL 72.5, 0.52%, 0.55%

LAB 76.68, -25.47, 55.73

 

CMYK 20 / 0 / 93 / 50

HEX #668009

RGB 102 128 9

HSL 73.11, 0.87%, 0.27%

LAB 49.84, -24.54, 52.51

 

CMYK 23 / 0 / 100 / 57

HEX #556E00

RGB 85 110 0

HSL 73.64, 1%, 0.22%

LAB 42.89, -23.24, 48.46

 

CMYK 26 / 0 / 100 / 64

HEX #445C00

RGB 68 92 0

HSL 75.65, 1%, 0.18%

LAB 35.76, -21.7, 42.53

 

CMYK 31 / 0 / 100 / 71

HEX #334A00

RGB 51 74 0

HSL 78.65, 1%, 0.15%

LAB 28.38, -20.13, 36.35

 

CMYK 39 / 0 / 100 / 78

HEX #223800

RGB 34 56 0

HSL 83.57, 1%, 0.11%

LAB 20.71, -18.5, 28.52

 

CMYK 20 / 0 / 93 / 50

HEX #668009

RGB 102 128 9

HSL 73.11, 0.87%, 0.27%

LAB 49.84, -24.54, 52.51

 

CMYK 36 / 0 / 94 / 50

HEX #528008

RGB 82 128 8

HSL 83, 0.88%, 0.27%

LAB 48.57, -32.89, 51.15

 

CMYK 52 / 0 / 94 / 50

HEX #3E8008

RGB 62 128 8

HSL 93, 0.88%, 0.27%

LAB 47.6, -40.07, 49.95

 

CMYK 67 / 0 / 94 / 50

HEX #2A8008

RGB 42 128 8

HSL 103, 0.88%, 0.27%

LAB 46.91, -45.66, 49.09

 

CMYK 83 / 0 / 94 / 50

HEX #168008

RGB 22 128 8

HSL 113, 0.88%, 0.27%

LAB 46.48, -49.34, 48.56

 

CMYK 20 / 0 / 93 / 50

HEX #668009

RGB 102 128 9

HSL 73.11, 0.87%, 0.27%

LAB 49.84, -24.54, 52.51

 

CMYK 20 / 0 / 93 / 30

HEX #8FB30D

RGB 143 179 13

HSL 73.01, 0.86%, 0.38%

LAB 68.1, -31.72, 67.7

 

CMYK 20 / 0 / 93 / 10

HEX #B7E610

RGB 183 230 16

HSL 73.18, 0.87%, 0.48%

LAB 85.35, -38.91, 82.05

 

CMYK 19 / 0 / 92 / 90

HEX #151A02

RGB 21 26 2

HSL 72.5, 0.86%, 0.05%

LAB 8.15, -6.89, 11.26

 

CMYK 21 / 0 / 94 / 70

HEX #3D4D05

RGB 61 77 5

HSL 73.33, 0.88%, 0.16%

LAB 30.18, -16.78, 36.14

 

CMYK 20 / 0 / 93 / 50

HEX #668009

RGB 102 128 9

HSL 73.11, 0.87%, 0.27%

LAB 49.84, -24.54, 52.51

 

CMYK 94 / 0 / 55 / 50

HEX #08803A

RGB 8 128 58

HSL 145, 0.88%, 0.27%

LAB 46.7, -45.96, 29.55

 

CMYK 17 / 94 / 0 / 50

HEX #6A0880

RGB 106 8 128

HSL 289, 0.88%, 0.27%

LAB 26.15, 53.8, -42.56

 

CMYK 20 / 0 / 93 / 50

HEX #668009

RGB 102 128 9

HSL 73.11, 0.87%, 0.27%

LAB 49.84, -24.54, 52.51

 

CMYK 94 / 20 / 0 / 50

HEX #086680

RGB 8 102 128

HSL 193, 0.88%, 0.27%

LAB 39.77, -14.64, -21.39

 

CMYK 0 / 94 / 20 / 50

HEX #800866

RGB 128 8 102

HSL 313, 0.88%, 0.27%

LAB 28.7, 53.81, -21.6

 

CMYK 20 / 0 / 93 / 50

HEX #668009

RGB 102 128 9

HSL 73.11, 0.87%, 0.27%

LAB 49.84, -24.54, 52.51

 

CMYK 94 / 0 / 55 / 50

HEX #08803A

RGB 8 128 58

HSL 145, 0.88%, 0.27%

LAB 46.7, -45.96, 29.55

 

CMYK 73 / 94 / 0 / 50

HEX #220880

RGB 34 8 128

HSL 253, 0.88%, 0.27%

LAB 15.86, 45.44, -59.84

 

CMYK 0 / 94 / 39 / 50

HEX #80084E

RGB 128 8 78

HSL 325, 0.88%, 0.27%

LAB 27.61, 50.91, -7.47

 

CMYK 20 / 0 / 93 / 50

HEX #668009

RGB 102 128 9

HSL 73.11, 0.87%, 0.27%

LAB 49.84, -24.54, 52.51

 

CMYK 94 / 0 / 27 / 50

HEX #08805E

RGB 8 128 94

HSL 163, 0.88%, 0.27%

LAB 47.36, -38.34, 10.22

 

CMYK 73 / 94 / 0 / 50

HEX #220880

RGB 34 8 128

HSL 253, 0.88%, 0.27%

LAB 15.86, 45.44, -59.84

 

CMYK 0 / 94 / 67 / 50

HEX #80082A

RGB 128 8 42

HSL 343, 0.88%, 0.27%

LAB 26.53, 47.94, 15.4

 

Description

Color code: CMYK 20 / 0 / 93 / 50 | qconv.com Color code: CMYK 20 / 0 / 93 / 50 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 128 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 128 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 93 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 93% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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