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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 20 / 0 / 47 / 20 it is the complementary color CMYK 37 / 65 / 0 / 42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 20 / 0 / 47 / 20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 20 / 0 / 47 / 20: CMYK 18 / 0 / 50 / 20, CMYK 17 / 0 / 45 / 13, CMYK 16 / 0 / 41 / 6, CMYK 14 / 0 / 37 / 0 and CMYK 7 / 0 / 30 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 20 / 0 / 47 / 20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 20 / 0 / 47 / 20: CMYK 20 / 0 / 47 / 20, CMYK 22 / 0 / 52 / 27, CMYK 23 / 0 / 58 / 34, CMYK 25 / 0 / 66 / 41 and CMYK 28 / 0 / 76 / 48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 47 / 20

HEX #A3CC6C

RGB 163 204 108

HSL 85.63, 0.48%, 0.61%

LAB 77.31, -29.39, 43.25

 

Complementary color

CMYK 37 / 65 / 0 / 42

HEX #5C3393

RGB 92 51 147

HSL 265.63, 0.48%, 0.39%

LAB 31.23, 39.08, -46.26

 

CMYK 18 / 0 / 50 / 20

HEX #A8CC67

RGB 168 204 103

HSL 81.39, 0.5%, 0.6%

LAB 77.57, -28.05, 46.06

 

CMYK 17 / 0 / 45 / 13

HEX #B9DE7A

RGB 185 222 122

HSL 82.2, 0.6%, 0.67%

LAB 83.95, -28.14, 44.92

 

CMYK 16 / 0 / 41 / 6

HEX #CAF08D

RGB 202 240 141

HSL 83.03, 0.77%, 0.75%

LAB 90.23, -28.19, 43.79

 

CMYK 14 / 0 / 37 / 0

HEX #DBFFA0

RGB 219 255 160

HSL 82.74, 1%, 0.81%

LAB 95.63, -26.81, 41.64

 

CMYK 7 / 0 / 30 / 0

HEX #ECFFB3

RGB 236 255 179

HSL 75, 1%, 0.85%

LAB 97.07, -18.27, 34.34

 

CMYK 20 / 0 / 47 / 20

HEX #A3CC6C

RGB 163 204 108

HSL 85.63, 0.48%, 0.61%

LAB 77.31, -29.39, 43.25

 

CMYK 22 / 0 / 52 / 27

HEX #92BA59

RGB 146 186 89

HSL 84.74, 0.41%, 0.54%

LAB 70.84, -29.32, 44.39

 

CMYK 23 / 0 / 58 / 34

HEX #81A846

RGB 129 168 70

HSL 83.88, 0.41%, 0.47%

LAB 64.25, -29.18, 45.47

 

CMYK 25 / 0 / 66 / 41

HEX #709633

RGB 112 150 51

HSL 83.03, 0.49%, 0.39%

LAB 57.56, -28.93, 46.34

 

CMYK 28 / 0 / 76 / 48

HEX #5F8420

RGB 95 132 32

HSL 82.2, 0.61%, 0.32%

LAB 50.73, -28.51, 46.72

 

CMYK 20 / 0 / 47 / 20

HEX #A3CC6C

RGB 163 204 108

HSL 85.63, 0.48%, 0.61%

LAB 77.31, -29.39, 43.25

 

CMYK 28 / 0 / 47 / 20

HEX #93CB6B

RGB 147 203 107

HSL 95, 0.48%, 0.61%

LAB 76.05, -34.88, 41.97

 

CMYK 35 / 0 / 47 / 20

HEX #83CB6B

RGB 131 203 107

HSL 105, 0.48%, 0.61%

LAB 75.2, -40.38, 40.72

 

CMYK 43 / 0 / 47 / 20

HEX #73CB6B

RGB 115 203 107

HSL 115, 0.48%, 0.61%

LAB 74.46, -45.43, 39.63

 

CMYK 47 / 0 / 43 / 20

HEX #6BCB73

RGB 107 203 115

HSL 125, 0.48%, 0.61%

LAB 74.24, -46.59, 35.28

 

CMYK 20 / 0 / 47 / 20

HEX #A3CC6C

RGB 163 204 108

HSL 85.63, 0.48%, 0.61%

LAB 77.31, -29.39, 43.25

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 20 / 0 / 47 / 80

HEX #29331B

RGB 41 51 27

HSL 85, 0.31%, 0.15%

LAB 19.71, -9.4, 13.85

 

CMYK 20 / 0 / 47 / 60

HEX #526636

RGB 82 102 54

HSL 85, 0.31%, 0.31%

LAB 40.51, -16.57, 24.63

 

CMYK 20 / 0 / 47 / 40

HEX #7A9951

RGB 122 153 81

HSL 85.83, 0.31%, 0.46%

LAB 59.45, -23.4, 34.21

 

CMYK 20 / 0 / 47 / 20

HEX #A3CC6C

RGB 163 204 108

HSL 85.63, 0.48%, 0.61%

LAB 77.31, -29.39, 43.25

 

CMYK 47 / 0 / 18 / 20

HEX #6BCBA6

RGB 107 203 166

HSL 156.88, 0.48%, 0.61%

LAB 75.2, -37.1, 9.77

 

CMYK 0 / 47 / 1 / 20

HEX #CB6BC9

RGB 203 107 201

HSL 301.25, 0.48%, 0.61%

LAB 59.37, 51.16, -32.57

 

CMYK 20 / 0 / 47 / 20

HEX #A3CC6C

RGB 163 204 108

HSL 85.63, 0.48%, 0.61%

LAB 77.31, -29.39, 43.25

 

CMYK 47 / 20 / 0 / 20

HEX #6BA3CB

RGB 107 163 203

HSL 205, 0.48%, 0.61%

LAB 64.67, -7.51, -26.16

 

CMYK 0 / 47 / 20 / 20

HEX #CB6BA3

RGB 203 107 163

HSL 325, 0.48%, 0.61%

LAB 57.9, 44.89, -13.05

 

CMYK 20 / 0 / 47 / 20

HEX #A3CC6C

RGB 163 204 108

HSL 85.63, 0.48%, 0.61%

LAB 77.31, -29.39, 43.25

 

CMYK 47 / 0 / 18 / 20

HEX #6BCBA6

RGB 107 203 166

HSL 156.88, 0.48%, 0.61%

LAB 75.2, -37.1, 9.77

 

CMYK 28 / 47 / 0 / 20

HEX #936BCB

RGB 147 107 203

HSL 265, 0.48%, 0.61%

LAB 52.98, 35.63, -44.19

 

CMYK 0 / 47 / 29 / 20

HEX #CB6B90

RGB 203 107 144

HSL 336.88, 0.48%, 0.61%

LAB 57.29, 42.19, -2.92

 

CMYK 20 / 0 / 47 / 20

HEX #A3CC6C

RGB 163 204 108

HSL 85.63, 0.48%, 0.61%

LAB 77.31, -29.39, 43.25

 

CMYK 47 / 0 / 4 / 20

HEX #6BCBC3

RGB 107 203 195

HSL 175, 0.48%, 0.61%

LAB 75.93, -30.29, -4.8

 

CMYK 28 / 47 / 0 / 20

HEX #936BCB

RGB 147 107 203

HSL 265, 0.48%, 0.61%

LAB 52.98, 35.63, -44.19

 

CMYK 0 / 47 / 43 / 20

HEX #CB6B73

RGB 203 107 115

HSL 355, 0.48%, 0.61%

LAB 56.54, 38.7, 12.91

 

Description

Color code: CMYK 20 / 0 / 47 / 20 | qconv.com Color code: CMYK 20 / 0 / 47 / 20 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 204 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 204 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 47 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 47% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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