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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 20 / 0 / 32 / 25 it is the complementary color CMYK 18 / 49 / 0 / 51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 20 / 0 / 32 / 25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 20 / 0 / 32 / 25: CMYK 17 / 0 / 35 / 25, CMYK 16 / 0 / 31 / 18, CMYK 15 / 0 / 28 / 11, CMYK 15 / 0 / 26 / 4 and CMYK 11 / 0 / 21 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 20 / 0 / 32 / 25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 20 / 0 / 32 / 25: CMYK 20 / 0 / 32 / 25, CMYK 21 / 0 / 36 / 32, CMYK 23 / 0 / 41 / 39, CMYK 26 / 0 / 47 / 46 and CMYK 29 / 0 / 55 / 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 32 / 25

HEX #99BF82

RGB 153 191 130

HSL 97.38, 0.32%, 0.63%

LAB 73.31, -23.9, 26.74

 

Complementary color

CMYK 18 / 49 / 0 / 51

HEX #66407D

RGB 102 64 125

HSL 277.38, 0.32%, 0.37%

LAB 33.93, 28.58, -28.29

 

CMYK 17 / 0 / 35 / 25

HEX #9EBF7D

RGB 158 191 125

HSL 90, 0.34%, 0.62%

LAB 73.55, -22.8, 29.75

 

CMYK 16 / 0 / 31 / 18

HEX #AFD190

RGB 175 209 144

HSL 91.38, 0.41%, 0.69%

LAB 80.03, -22.73, 28.64

 

CMYK 15 / 0 / 28 / 11

HEX #C0E3A3

RGB 192 227 163

HSL 92.81, 0.53%, 0.76%

LAB 86.4, -22.66, 27.59

 

CMYK 15 / 0 / 26 / 4

HEX #D1F5B6

RGB 209 245 182

HSL 94.29, 0.76%, 0.84%

LAB 92.68, -22.6, 26.59

 

CMYK 11 / 0 / 21 / 0

HEX #E2FFC9

RGB 226 255 201

HSL 92.22, 1%, 0.89%

LAB 96.78, -18.68, 22.74

 

CMYK 20 / 0 / 32 / 25

HEX #99BF82

RGB 153 191 130

HSL 97.38, 0.32%, 0.63%

LAB 73.31, -23.9, 26.74

 

CMYK 21 / 0 / 36 / 32

HEX #88AD6F

RGB 136 173 111

HSL 95.81, 0.27%, 0.56%

LAB 66.73, -24.01, 27.88

 

CMYK 23 / 0 / 41 / 39

HEX #779B5C

RGB 119 155 92

HSL 94.29, 0.26%, 0.48%

LAB 60.01, -24.12, 29.07

 

CMYK 26 / 0 / 47 / 46

HEX #668949

RGB 102 137 73

HSL 92.81, 0.3%, 0.41%

LAB 53.16, -24.2, 30.32

 

CMYK 29 / 0 / 55 / 53

HEX #557736

RGB 85 119 54

HSL 91.38, 0.38%, 0.34%

LAB 46.17, -24.23, 31.58

 

CMYK 20 / 0 / 32 / 25

HEX #99BF82

RGB 153 191 130

HSL 97.38, 0.32%, 0.63%

LAB 73.31, -23.9, 26.74

 

CMYK 25 / 0 / 32 / 25

HEX #8FBE82

RGB 143 190 130

HSL 107, 0.32%, 0.63%

LAB 72.41, -26.96, 25.43

 

CMYK 30 / 0 / 32 / 25

HEX #85BE82

RGB 133 190 130

HSL 117, 0.32%, 0.63%

LAB 71.84, -30.38, 24.56

 

CMYK 32 / 0 / 28 / 25

HEX #82BE89

RGB 130 190 137

HSL 127, 0.32%, 0.63%

LAB 71.81, -30.17, 20.76

 

CMYK 32 / 0 / 23 / 25

HEX #82BE93

RGB 130 190 147

HSL 137, 0.32%, 0.63%

LAB 72.01, -28.35, 15.66

 

CMYK 20 / 0 / 32 / 25

HEX #99BF82

RGB 153 191 130

HSL 97.38, 0.32%, 0.63%

LAB 73.31, -23.9, 26.74

 

CMYK 20 / 0 / 32 / 5

HEX #C2F2A5

RGB 194 242 165

HSL 97.4, 0.75%, 0.8%

LAB 90.64, -28.85, 32.29

 

CMYK 21 / 0 / 32 / 85

HEX #1E261A

RGB 30 38 26

HSL 100, 0.19%, 0.13%

LAB 14.04, -6.48, 6.82

 

CMYK 20 / 0 / 31 / 65

HEX #47593D

RGB 71 89 61

HSL 98.57, 0.19%, 0.29%

LAB 35.64, -12.86, 14

 

CMYK 20 / 0 / 32 / 45

HEX #708C5F

RGB 112 140 95

HSL 97.33, 0.19%, 0.46%

LAB 55.1, -18.67, 20.89

 

CMYK 20 / 0 / 32 / 25

HEX #99BF82

RGB 153 191 130

HSL 97.38, 0.32%, 0.63%

LAB 73.31, -23.9, 26.74

 

CMYK 32 / 0 / 6 / 25

HEX #82BEB3

RGB 130 190 179

HSL 169, 0.32%, 0.63%

LAB 72.78, -21.72, -0.63

 

CMYK 0 / 32 / 7 / 25

HEX #BE82B1

RGB 190 130 177

HSL 313, 0.32%, 0.63%

LAB 61.73, 30.55, -15.45

 

CMYK 20 / 0 / 32 / 25

HEX #99BF82

RGB 153 191 130

HSL 97.38, 0.32%, 0.63%

LAB 73.31, -23.9, 26.74

 

CMYK 32 / 19 / 0 / 25

HEX #8299BE

RGB 130 153 190

HSL 217, 0.32%, 0.63%

LAB 62.71, 0.73, -21.78

 

CMYK 0 / 32 / 19 / 25

HEX #BE8299

RGB 190 130 153

HSL 337, 0.32%, 0.63%

LAB 60.97, 26.51, -2.89

 

CMYK 20 / 0 / 32 / 25

HEX #99BF82

RGB 153 191 130

HSL 97.38, 0.32%, 0.63%

LAB 73.31, -23.9, 26.74

 

CMYK 32 / 0 / 6 / 25

HEX #82BEB3

RGB 130 190 179

HSL 169, 0.32%, 0.63%

LAB 72.78, -21.72, -0.63

 

CMYK 12 / 32 / 0 / 25

HEX #A782BE

RGB 167 130 190

HSL 277, 0.32%, 0.63%

LAB 59.8, 25.47, -26

 

CMYK 0 / 32 / 26 / 25

HEX #BE828D

RGB 190 130 141

HSL 349, 0.32%, 0.63%

LAB 60.64, 24.7, 3.49

 

CMYK 20 / 0 / 32 / 25

HEX #99BF82

RGB 153 191 130

HSL 97.38, 0.32%, 0.63%

LAB 73.31, -23.9, 26.74

 

CMYK 32 / 4 / 0 / 25

HEX #82B7BE

RGB 130 183 190

HSL 187, 0.32%, 0.63%

LAB 71.1, -15.57, -9.13

 

CMYK 12 / 32 / 0 / 25

HEX #A782BE

RGB 167 130 190

HSL 277, 0.32%, 0.63%

LAB 59.8, 25.47, -26

 

CMYK 0 / 28 / 32 / 25

HEX #BE8982

RGB 190 137 130

HSL 7, 0.32%, 0.63%

LAB 62.04, 19.28, 11.77

 

Description

Color code: CMYK 20 / 0 / 32 / 25 | qconv.com Color code: CMYK 20 / 0 / 32 / 25 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 191 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 191 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 32 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 32% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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