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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 20 / 0 / 26 / 14 it is the complementary color CMYK 14 / 61 / 0 / 64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 20 / 0 / 26 / 14. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 20 / 0 / 26 / 14: CMYK 18 / 0 / 28 / 14, CMYK 17 / 0 / 26 / 7, CMYK 16 / 0 / 24 / 0, CMYK 9 / 0 / 16 / 0 and CMYK 3 / 0 / 9 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 20 / 0 / 26 / 14. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 20 / 0 / 26 / 14: CMYK 20 / 0 / 26 / 14, CMYK 21 / 0 / 29 / 21, CMYK 23 / 0 / 32 / 28, CMYK 25 / 0 / 36 / 35 and CMYK 27 / 0 / 41 / 42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 26 / 14

HEX #AFDBA2

RGB 175 219 162

HSL 106.32, 0.44%, 0.75%

LAB 83.12, -24.87, 23.46

 

Complementary color

CMYK 14 / 61 / 0 / 64

HEX #50245D

RGB 80 36 93

HSL 286.32, 0.44%, 0.25%

LAB 22.85, 30.67, -25.5

 

CMYK 18 / 0 / 28 / 14

HEX #B4DB9D

RGB 180 219 157

HSL 97.74, 0.46%, 0.74%

LAB 83.34, -23.91, 26.41

 

CMYK 17 / 0 / 26 / 7

HEX #C5EDB0

RGB 197 237 176

HSL 99.34, 0.63%, 0.81%

LAB 89.66, -23.8, 25.4

 

CMYK 16 / 0 / 24 / 0

HEX #D6FFC3

RGB 214 255 195

HSL 101, 1%, 0.88%

LAB 95.9, -23.7, 24.44

 

CMYK 9 / 0 / 16 / 0

HEX #E7FFD6

RGB 231 255 214

HSL 95.12, 1%, 0.92%

LAB 97.38, -14.93, 17

 

CMYK 3 / 0 / 9 / 0

HEX #F8FFE9

RGB 248 255 233

HSL 79.09, 1%, 0.96%

LAB 98.97, -6.07, 9.71

 

CMYK 20 / 0 / 26 / 14

HEX #AFDBA2

RGB 175 219 162

HSL 106.32, 0.44%, 0.75%

LAB 83.12, -24.87, 23.46

 

CMYK 21 / 0 / 29 / 21

HEX #9EC98F

RGB 158 201 143

HSL 104.48, 0.35%, 0.67%

LAB 76.69, -25.02, 24.49

 

CMYK 23 / 0 / 32 / 28

HEX #8DB77C

RGB 141 183 124

HSL 102.71, 0.29%, 0.6%

LAB 70.17, -25.18, 25.58

 

CMYK 25 / 0 / 36 / 35

HEX #7CA569

RGB 124 165 105

HSL 101, 0.25%, 0.53%

LAB 63.52, -25.35, 26.73

 

CMYK 27 / 0 / 41 / 42

HEX #6B9356

RGB 107 147 86

HSL 99.34, 0.26%, 0.46%

LAB 56.75, -25.5, 27.95

 

CMYK 20 / 0 / 26 / 14

HEX #AFDBA2

RGB 175 219 162

HSL 106.32, 0.44%, 0.75%

LAB 83.12, -24.87, 23.46

 

CMYK 24 / 0 / 26 / 14

HEX #A6DBA3

RGB 166 219 163

HSL 116.79, 0.44%, 0.75%

LAB 82.6, -27.75, 22.15

 

CMYK 26 / 0 / 23 / 14

HEX #A3DBA8

RGB 163 219 168

HSL 125.36, 0.44%, 0.75%

LAB 82.53, -27.89, 19.4

 

CMYK 26 / 0 / 19 / 14

HEX #A3DBB2

RGB 163 219 178

HSL 136.07, 0.44%, 0.75%

LAB 82.73, -26.11, 14.44

 

CMYK 26 / 0 / 15 / 14

HEX #A3DBBB

RGB 163 219 187

HSL 145.71, 0.44%, 0.75%

LAB 82.93, -24.42, 9.97

 

CMYK 20 / 0 / 26 / 14

HEX #AFDBA2

RGB 175 219 162

HSL 106.32, 0.44%, 0.75%

LAB 83.12, -24.87, 23.46

 

CMYK 20 / 0 / 27 / 94

HEX #0C0F0B

RGB 12 15 11

HSL 105, 0.15%, 0.05%

LAB 4.01, -1.6, 1.45

 

CMYK 20 / 0 / 26 / 74

HEX #354231

RGB 53 66 49

HSL 105.88, 0.15%, 0.23%

LAB 26.38, -9.16, 8.65

 

CMYK 21 / 0 / 26 / 54

HEX #5D7557

RGB 93 117 87

HSL 108, 0.15%, 0.4%

LAB 46.63, -15.03, 13.74

 

CMYK 20 / 0 / 26 / 34

HEX #86A87C

RGB 134 168 124

HSL 106.36, 0.2%, 0.57%

LAB 65.38, -20.19, 19.02

 

CMYK 20 / 0 / 26 / 14

HEX #AFDBA2

RGB 175 219 162

HSL 106.32, 0.44%, 0.75%

LAB 83.12, -24.87, 23.46

 

CMYK 26 / 0 / 1 / 14

HEX #A3DBD9

RGB 163 219 217

HSL 177.86, 0.44%, 0.75%

LAB 83.68, -18.23, -4.84

 

CMYK 0 / 26 / 10 / 14

HEX #DBA3C6

RGB 219 163 198

HSL 322.5, 0.44%, 0.75%

LAB 73.11, 26.16, -9.79

 

CMYK 20 / 0 / 26 / 14

HEX #AFDBA2

RGB 175 219 162

HSL 106.32, 0.44%, 0.75%

LAB 83.12, -24.87, 23.46

 

CMYK 26 / 20 / 0 / 14

HEX #A3B0DB

RGB 163 176 219

HSL 226.07, 0.44%, 0.75%

LAB 72.2, 4.91, -23.15

 

CMYK 0 / 26 / 20 / 14

HEX #DBA3B0

RGB 219 163 176

HSL 346.07, 0.44%, 0.75%

LAB 72.49, 22.61, 1.42

 

CMYK 20 / 0 / 26 / 14

HEX #AFDBA2

RGB 175 219 162

HSL 106.32, 0.44%, 0.75%

LAB 83.12, -24.87, 23.46

 

CMYK 26 / 0 / 1 / 14

HEX #A3DBD9

RGB 163 219 217

HSL 177.86, 0.44%, 0.75%

LAB 83.68, -18.23, -4.84

 

CMYK 6 / 26 / 0 / 14

HEX #CEA3DB

RGB 206 163 219

HSL 286.07, 0.44%, 0.75%

LAB 72.52, 25.66, -22.34

 

CMYK 0 / 26 / 25 / 14

HEX #DBA3A5

RGB 219 163 165

HSL 357.86, 0.44%, 0.75%

LAB 72.21, 20.98, 7.08

 

CMYK 20 / 0 / 26 / 14

HEX #AFDBA2

RGB 175 219 162

HSL 106.32, 0.44%, 0.75%

LAB 83.12, -24.87, 23.46

 

CMYK 26 / 7 / 0 / 14

HEX #A3CCDB

RGB 163 204 219

HSL 196.07, 0.44%, 0.75%

LAB 79.66, -10.11, -11.88

 

CMYK 6 / 26 / 0 / 14

HEX #CEA3DB

RGB 206 163 219

HSL 286.07, 0.44%, 0.75%

LAB 72.52, 25.66, -22.34

 

CMYK 0 / 19 / 26 / 14

HEX #DBB2A3

RGB 219 178 163

HSL 16.07, 0.44%, 0.75%

LAB 75.79, 12.63, 13.27

 

Description

Color code: CMYK 20 / 0 / 26 / 14 | qconv.com Color code: CMYK 20 / 0 / 26 / 14 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 219 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 219 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 26 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 26% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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