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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 1 / 84 / 0 / 1 it is the complementary color CMYK 98 / 0 / 99 / 16. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 1 / 84 / 0 / 1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 1 / 84 / 0 / 1: CMYK 0 / 84 / 3 / 0, CMYK 0 / 77 / 0 / 0, CMYK 0 / 70 / 0 / 0, CMYK 0 / 63 / 0 / 0 and CMYK 0 / 56 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 1 / 84 / 0 / 1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 1 / 84 / 0 / 1: CMYK 1 / 84 / 0 / 1, CMYK 0 / 91 / 0 / 9, CMYK 0 / 98 / 1 / 15, CMYK 0 / 100 / 2 / 22 and CMYK 0 / 100 / 3 / 29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 84 / 0 / 1

HEX #FA28FC

RGB 250 40 252

HSL 299.43, 0.97%, 0.57%

LAB 60.67, 93.04, -58.67

 

Complementary color

CMYK 98 / 0 / 99 / 16

HEX #05D703

RGB 5 215 3

HSL 119.43, 0.97%, 0.43%

LAB 75.23, -75.53, 72.86

 

CMYK 0 / 84 / 3 / 0

HEX #FF28F7

RGB 255 40 247

HSL 302.23, 1%, 0.58%

LAB 61.21, 93.19, -54.98

 

CMYK 0 / 77 / 0 / 0

HEX #FF3AFF

RGB 255 58 255

HSL 300, 1%, 0.61%

LAB 62.93, 90.6, -56.67

 

CMYK 0 / 70 / 0 / 0

HEX #FF4CFF

RGB 255 76 255

HSL 300, 1%, 0.65%

LAB 64.68, 85.57, -53.89

 

CMYK 0 / 63 / 0 / 0

HEX #FF5EFF

RGB 255 94 255

HSL 300, 1%, 0.68%

LAB 66.89, 79.34, -50.4

 

CMYK 0 / 56 / 0 / 0

HEX #FF70FF

RGB 255 112 255

HSL 300, 1%, 0.72%

LAB 69.52, 72.09, -46.25

 

CMYK 1 / 84 / 0 / 1

HEX #FA28FC

RGB 250 40 252

HSL 299.43, 0.97%, 0.57%

LAB 60.67, 93.04, -58.67

 

CMYK 0 / 91 / 0 / 9

HEX #E916E9

RGB 233 22 233

HSL 300, 0.83%, 0.5%

LAB 55.87, 90.05, -55.9

 

CMYK 0 / 98 / 1 / 15

HEX #D804D6

RGB 216 4 214

HSL 300.57, 0.96%, 0.43%

LAB 51.31, 86.1, -52.56

 

CMYK 0 / 100 / 2 / 22

HEX #C700C3

RGB 199 0 195

HSL 301.21, 1%, 0.39%

LAB 47.08, 80.94, -48.54

 

CMYK 0 / 100 / 3 / 29

HEX #B600B0

RGB 182 0 176

HSL 301.98, 1%, 0.36%

LAB 42.88, 75.4, -44.26

 

CMYK 1 / 84 / 0 / 1

HEX #FA28FC

RGB 250 40 252

HSL 299.43, 0.97%, 0.57%

LAB 60.67, 93.04, -58.67

 

CMYK 0 / 85 / 13 / 2

HEX #FB26DB

RGB 251 38 219

HSL 309.01, 0.96%, 0.57%

LAB 58.98, 89.02, -42.86

 

CMYK 0 / 85 / 27 / 2

HEX #FB26B8

RGB 251 38 184

HSL 318.87, 0.96%, 0.57%

LAB 57.42, 84.8, -25.26

 

CMYK 0 / 85 / 41 / 2

HEX #FB2694

RGB 251 38 148

HSL 329.01, 0.96%, 0.57%

LAB 56.12, 81.19, -6.14

 

CMYK 0 / 85 / 55 / 2

HEX #FB2671

RGB 251 38 113

HSL 338.87, 0.96%, 0.57%

LAB 55.16, 78.46, 13.36

 

CMYK 1 / 84 / 0 / 1

HEX #FA28FC

RGB 250 40 252

HSL 299.43, 0.97%, 0.57%

LAB 60.67, 93.04, -58.67

 

CMYK 0 / 83 / 0 / 81

HEX #300830

RGB 48 8 48

HSL 300, 0.71%, 0.11%

LAB 9.12, 25.96, -16.39

 

CMYK 1 / 84 / 0 / 61

HEX #621063

RGB 98 16 99

HSL 299.28, 0.72%, 0.23%

LAB 23.23, 45.12, -28.67

 

CMYK 1 / 84 / 0 / 41

HEX #951896

RGB 149 24 150

HSL 299.52, 0.72%, 0.34%

LAB 36.45, 62.25, -39.24

 

CMYK 1 / 84 / 0 / 21

HEX #C720C9

RGB 199 32 201

HSL 299.29, 0.73%, 0.46%

LAB 48.75, 77.96, -49.35

 

CMYK 1 / 84 / 0 / 1

HEX #FA28FC

RGB 250 40 252

HSL 299.43, 0.97%, 0.57%

LAB 60.67, 93.04, -58.67

 

CMYK 0 / 69 / 85 / 2

HEX #FB4D26

RGB 251 77 38

HSL 10.99, 0.96%, 0.57%

LAB 58, 64.25, 57.98

 

CMYK 85 / 0 / 35 / 2

HEX #26FBA3

RGB 38 251 163

HSL 155.21, 0.96%, 0.57%

LAB 87.99, -67.69, 28.85

 

CMYK 1 / 84 / 0 / 1

HEX #FA28FC

RGB 250 40 252

HSL 299.43, 0.97%, 0.57%

LAB 60.67, 93.04, -58.67

 

CMYK 0 / 1 / 85 / 2

HEX #FBF826

RGB 251 248 38

HSL 59.15, 0.96%, 0.57%

LAB 95.07, -19.39, 88.45

 

CMYK 85 / 0 / 1 / 2

HEX #26FBF8

RGB 38 251 248

HSL 179.15, 0.96%, 0.57%

LAB 89.94, -47.09, -12.23

 

CMYK 1 / 84 / 0 / 1

HEX #FA28FC

RGB 250 40 252

HSL 299.43, 0.97%, 0.57%

LAB 60.67, 93.04, -58.67

 

CMYK 0 / 69 / 85 / 2

HEX #FB4D26

RGB 251 77 38

HSL 10.99, 0.96%, 0.57%

LAB 58, 64.25, 57.98

 

CMYK 83 / 0 / 85 / 2

HEX #2AFB26

RGB 42 251 38

HSL 118.87, 0.96%, 0.57%

LAB 86.81, -82.06, 77.82

 

CMYK 85 / 16 / 0 / 2

HEX #26D4FB

RGB 38 212 251

HSL 190.99, 0.96%, 0.57%

LAB 78.73, -28.23, -30.8

 

CMYK 1 / 84 / 0 / 1

HEX #FA28FC

RGB 250 40 252

HSL 299.43, 0.97%, 0.57%

LAB 60.67, 93.04, -58.67

 

CMYK 0 / 44 / 85 / 2

HEX #FB8D26

RGB 251 141 38

HSL 29.01, 0.96%, 0.57%

LAB 69.25, 35.23, 67.33

 

CMYK 83 / 0 / 85 / 2

HEX #2AFB26

RGB 42 251 38

HSL 118.87, 0.96%, 0.57%

LAB 86.81, -82.06, 77.82

 

CMYK 85 / 41 / 0 / 2

HEX #2694FB

RGB 38 148 251

HSL 209.01, 0.96%, 0.57%

LAB 60.39, 6.58, -59.58

 

Description

Color code: CMYK 1 / 84 / 0 / 1 | qconv.com Color code: CMYK 1 / 84 / 0 / 1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 40 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 40 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 84 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 84% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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