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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 1 / 0 / 34 / 21 it is the complementary color CMYK 54 / 56 / 0 / 52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 1 / 0 / 34 / 21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 1 / 0 / 34 / 21: CMYK 0 / 1 / 37 / 20, CMYK 0 / 1 / 33 / 13, CMYK 0 / 0 / 30 / 7, CMYK 0 / 0 / 27 / 0 and CMYK 0 / 0 / 20 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 1 / 0 / 34 / 21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 1 / 0 / 34 / 21: CMYK 1 / 0 / 34 / 21, CMYK 1 / 0 / 38 / 28, CMYK 0 / 0 / 42 / 35, CMYK 0 / 1 / 49 / 42 and CMYK 0 / 2 / 56 / 49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 34 / 21

HEX #C7C985

RGB 199 201 133

HSL 61.76, 0.39%, 0.65%

LAB 79.39, -11.14, 33.81

 

Complementary color

CMYK 54 / 56 / 0 / 52

HEX #38367A

RGB 56 54 122

HSL 241.76, 0.39%, 0.35%

LAB 26.4, 21.31, -38.68

 

CMYK 0 / 1 / 37 / 20

HEX #CCC980

RGB 204 201 128

HSL 57.63, 0.43%, 0.65%

LAB 79.71, -9.77, 36.86

 

CMYK 0 / 1 / 33 / 13

HEX #DDDB93

RGB 221 219 147

HSL 58.38, 0.52%, 0.72%

LAB 86.08, -10.08, 35.71

 

CMYK 0 / 0 / 30 / 7

HEX #EEEDA6

RGB 238 237 166

HSL 59.17, 0.68%, 0.79%

LAB 92.35, -10.35, 34.61

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFB9

RGB 255 255 185

HSL 60, 1%, 0.86%

LAB 98.54, -10.58, 33.56

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCC

RGB 255 255 204

HSL 60, 1%, 0.9%

LAB 98.88, -8.05, 24.44

 

CMYK 1 / 0 / 34 / 21

HEX #C7C985

RGB 199 201 133

HSL 61.76, 0.39%, 0.65%

LAB 79.39, -11.14, 33.81

 

CMYK 1 / 0 / 38 / 28

HEX #B6B772

RGB 182 183 114

HSL 60.87, 0.32%, 0.58%

LAB 72.91, -10.86, 34.98

 

CMYK 0 / 0 / 42 / 35

HEX #A5A55F

RGB 165 165 95

HSL 60, 0.28%, 0.51%

LAB 66.32, -10.5, 36.19

 

CMYK 0 / 1 / 49 / 42

HEX #94934C

RGB 148 147 76

HSL 59.17, 0.32%, 0.44%

LAB 59.6, -10.06, 37.43

 

CMYK 0 / 2 / 56 / 49

HEX #838139

RGB 131 129 57

HSL 58.38, 0.39%, 0.37%

LAB 52.75, -9.49, 38.63

 

CMYK 1 / 0 / 34 / 21

HEX #C7C985

RGB 199 201 133

HSL 61.76, 0.39%, 0.65%

LAB 79.39, -11.14, 33.81

 

CMYK 7 / 0 / 35 / 22

HEX #BBC882

RGB 187 200 130

HSL 71.14, 0.39%, 0.65%

LAB 78.16, -15.66, 33.58

 

CMYK 12 / 0 / 35 / 22

HEX #B0C882

RGB 176 200 130

HSL 80.57, 0.39%, 0.65%

LAB 77.37, -19.85, 32.39

 

CMYK 18 / 0 / 35 / 22

HEX #A4C882

RGB 164 200 130

HSL 90.86, 0.39%, 0.65%

LAB 76.57, -24.32, 31.18

 

CMYK 24 / 0 / 35 / 22

HEX #98C882

RGB 152 200 130

HSL 101.14, 0.39%, 0.65%

LAB 75.82, -28.63, 30.06

 

CMYK 1 / 0 / 34 / 21

HEX #C7C985

RGB 199 201 133

HSL 61.76, 0.39%, 0.65%

LAB 79.39, -11.14, 33.81

 

CMYK 1 / 0 / 34 / 1

HEX #F9FCA7

RGB 249 252 167

HSL 62.12, 0.93%, 0.82%

LAB 97.04, -13.51, 40.44

 

CMYK 0 / 0 / 33 / 81

HEX #303020

RGB 48 48 32

HSL 60, 0.2%, 0.16%

LAB 19.42, -3.25, 10.29

 

CMYK 1 / 0 / 33 / 61

HEX #626342

RGB 98 99 66

HSL 61.82, 0.2%, 0.32%

LAB 41.08, -6.25, 18.67

 

CMYK 1 / 0 / 34 / 41

HEX #959663

RGB 149 150 99

HSL 61.18, 0.2%, 0.49%

LAB 60.87, -8.64, 26.83

 

CMYK 1 / 0 / 34 / 21

HEX #C7C985

RGB 199 201 133

HSL 61.76, 0.39%, 0.65%

LAB 79.39, -11.14, 33.81

 

CMYK 35 / 0 / 27 / 22

HEX #82C892

RGB 130 200 146

HSL 133.71, 0.39%, 0.65%

LAB 74.91, -33.29, 20.21

 

CMYK 14 / 35 / 0 / 22

HEX #AD82C8

RGB 173 130 200

HSL 276.86, 0.39%, 0.65%

LAB 60.8, 29.53, -30.05

 

CMYK 1 / 0 / 34 / 21

HEX #C7C985

RGB 199 201 133

HSL 61.76, 0.39%, 0.65%

LAB 79.39, -11.14, 33.81

 

CMYK 35 / 0 / 0 / 22

HEX #82C7C8

RGB 130 199 200

HSL 180.86, 0.39%, 0.65%

LAB 75.92, -21.36, -7.4

 

CMYK 0 / 35 / 0 / 22

HEX #C882C7

RGB 200 130 199

HSL 300.86, 0.39%, 0.65%

LAB 63.65, 37.87, -24.86

 

CMYK 1 / 0 / 34 / 21

HEX #C7C985

RGB 199 201 133

HSL 61.76, 0.39%, 0.65%

LAB 79.39, -11.14, 33.81

 

CMYK 35 / 0 / 27 / 22

HEX #82C892

RGB 130 200 146

HSL 133.71, 0.39%, 0.65%

LAB 74.91, -33.29, 20.21

 

CMYK 34 / 35 / 0 / 22

HEX #8482C8

RGB 132 130 200

HSL 241.71, 0.39%, 0.65%

LAB 57.12, 17.24, -36.07

 

CMYK 0 / 35 / 8 / 22

HEX #C882B9

RGB 200 130 185

HSL 312.86, 0.39%, 0.65%

LAB 63.13, 35.34, -17.75

 

CMYK 1 / 0 / 34 / 21

HEX #C7C985

RGB 199 201 133

HSL 61.76, 0.39%, 0.65%

LAB 79.39, -11.14, 33.81

 

CMYK 35 / 0 / 17 / 22

HEX #82C8A6

RGB 130 200 166

HSL 150.86, 0.39%, 0.65%

LAB 75.33, -29.43, 10.1

 

CMYK 34 / 35 / 0 / 22

HEX #8482C8

RGB 132 130 200

HSL 241.71, 0.39%, 0.65%

LAB 57.12, 17.24, -36.07

 

CMYK 0 / 35 / 18 / 22

HEX #C882A4

RGB 200 130 164

HSL 330.86, 0.39%, 0.65%

LAB 62.44, 31.84, -6.86

 

Description

Color code: CMYK 1 / 0 / 34 / 21 | qconv.com Color code: CMYK 1 / 0 / 34 / 21 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 201 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 201 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 34 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 34% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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