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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 19 / 23 / 0 / 45 it is the complementary color CMYK 4 / 0 / 22 / 42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 19 / 23 / 0 / 45. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 19 / 23 / 0 / 45: CMYK 12 / 20 / 0 / 47, CMYK 12 / 18 / 0 / 40, CMYK 12 / 17 / 0 / 32, CMYK 11 / 16 / 0 / 25 and CMYK 11 / 15 / 0 / 17

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 19 / 23 / 0 / 45. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 19 / 23 / 0 / 45: CMYK 19 / 23 / 0 / 45, CMYK 20 / 26 / 0 / 53, CMYK 22 / 29 / 0 / 60, CMYK 24 / 35 / 0 / 67 and CMYK 28 / 44 / 0 / 75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 23 / 0 / 45

HEX #726C8C

RGB 114 108 140

HSL 251.25, 0.13%, 0.49%

LAB 47.23, 9.36, -16.69

 

Complementary color

CMYK 4 / 0 / 22 / 42

HEX #8D9373

RGB 141 147 115

HSL 71.25, 0.13%, 0.51%

LAB 59.68, -7.94, 16.25

 

CMYK 12 / 20 / 0 / 47

HEX #776C87

RGB 119 108 135

HSL 264.44, 0.11%, 0.48%

LAB 47.49, 9.93, -13.28

 

CMYK 12 / 18 / 0 / 40

HEX #887E9A

RGB 136 126 154

HSL 261.43, 0.12%, 0.55%

LAB 54.54, 9.52, -13.63

 

CMYK 12 / 17 / 0 / 32

HEX #9990AD

RGB 153 144 173

HSL 258.62, 0.15%, 0.62%

LAB 61.43, 9.15, -13.99

 

CMYK 11 / 16 / 0 / 25

HEX #AAA2C0

RGB 170 162 192

HSL 256, 0.19%, 0.69%

LAB 68.16, 8.82, -14.35

 

CMYK 11 / 15 / 0 / 17

HEX #BBB4D3

RGB 187 180 211

HSL 253.55, 0.26%, 0.77%

LAB 74.77, 8.51, -14.72

 

CMYK 19 / 23 / 0 / 45

HEX #726C8C

RGB 114 108 140

HSL 251.25, 0.13%, 0.49%

LAB 47.23, 9.36, -16.69

 

CMYK 20 / 26 / 0 / 53

HEX #615A79

RGB 97 90 121

HSL 253.55, 0.15%, 0.41%

LAB 39.97, 9.83, -16.47

 

CMYK 22 / 29 / 0 / 60

HEX #504866

RGB 80 72 102

HSL 256, 0.17%, 0.34%

LAB 32.48, 10.38, -16.28

 

CMYK 24 / 35 / 0 / 67

HEX #3F3653

RGB 63 54 83

HSL 258.62, 0.21%, 0.27%

LAB 24.7, 11.04, -16.16

 

CMYK 28 / 44 / 0 / 75

HEX #2E2440

RGB 46 36 64

HSL 261.43, 0.28%, 0.2%

LAB 16.57, 11.87, -16.12

 

CMYK 19 / 23 / 0 / 45

HEX #726C8C

RGB 114 108 140

HSL 251.25, 0.13%, 0.49%

LAB 47.23, 9.36, -16.69

 

CMYK 15 / 23 / 0 / 45

HEX #786C8D

RGB 120 108 141

HSL 261.82, 0.13%, 0.49%

LAB 47.8, 11.66, -16.36

 

CMYK 11 / 23 / 0 / 45

HEX #7D6C8D

RGB 125 108 141

HSL 270.91, 0.13%, 0.49%

LAB 48.27, 13.4, -15.61

 

CMYK 8 / 23 / 0 / 45

HEX #826C8D

RGB 130 108 141

HSL 280, 0.13%, 0.49%

LAB 48.75, 15.16, -14.83

 

CMYK 4 / 23 / 0 / 45

HEX #886C8D

RGB 136 108 141

HSL 290.91, 0.13%, 0.49%

LAB 49.35, 17.3, -13.87

 

CMYK 19 / 23 / 0 / 45

HEX #726C8C

RGB 114 108 140

HSL 251.25, 0.13%, 0.49%

LAB 47.23, 9.36, -16.69

 

CMYK 18 / 23 / 0 / 25

HEX #9C93BF

RGB 156 147 191

HSL 252.27, 0.26%, 0.66%

LAB 63.09, 12.44, -21.59

 

CMYK 19 / 23 / 0 / 5

HEX #C5BBF2

RGB 197 187 242

HSL 250.91, 0.68%, 0.84%

LAB 78.36, 14.5, -25.98

 

CMYK 18 / 24 / 0 / 85

HEX #1F1D26

RGB 31 29 38

HSL 253.33, 0.13%, 0.13%

LAB 11.35, 3.35, -5.76

 

CMYK 19 / 22 / 0 / 65

HEX #484559

RGB 72 69 89

HSL 249, 0.13%, 0.31%

LAB 30.29, 6.02, -11.4

 

CMYK 19 / 23 / 0 / 45

HEX #726C8C

RGB 114 108 140

HSL 251.25, 0.13%, 0.49%

LAB 47.23, 9.36, -16.69

 

CMYK 0 / 23 / 9 / 45

HEX #8D6C80

RGB 141 108 128

HSL 323.64, 0.13%, 0.49%

LAB 49.43, 16.57, -5.99

 

CMYK 18 / 0 / 23 / 45

HEX #738D6C

RGB 115 141 108

HSL 107.27, 0.13%, 0.49%

LAB 55.86, -15.87, 14.63

 

CMYK 19 / 23 / 0 / 45

HEX #726C8C

RGB 114 108 140

HSL 251.25, 0.13%, 0.49%

LAB 47.23, 9.36, -16.69

 

CMYK 0 / 19 / 23 / 45

HEX #8D726C

RGB 141 114 108

HSL 10.91, 0.13%, 0.49%

LAB 50.43, 9.61, 7.32

 

CMYK 23 / 0 / 19 / 45

HEX #6C8D72

RGB 108 141 114

HSL 130.91, 0.13%, 0.49%

LAB 55.54, -17.3, 10.68

 

CMYK 19 / 23 / 0 / 45

HEX #726C8C

RGB 114 108 140

HSL 251.25, 0.13%, 0.49%

LAB 47.23, 9.36, -16.69

 

CMYK 0 / 23 / 9 / 45

HEX #8D6C80

RGB 141 108 128

HSL 323.64, 0.13%, 0.49%

LAB 49.43, 16.57, -5.99

 

CMYK 4 / 0 / 23 / 45

HEX #878D6C

RGB 135 141 108

HSL 70.91, 0.13%, 0.49%

LAB 57.35, -8.14, 16.91

 

CMYK 23 / 0 / 14 / 45

HEX #6C8D79

RGB 108 141 121

HSL 143.64, 0.13%, 0.49%

LAB 55.7, -15.89, 6.91

 

CMYK 19 / 23 / 0 / 45

HEX #726C8C

RGB 114 108 140

HSL 251.25, 0.13%, 0.49%

LAB 47.23, 9.36, -16.69

 

CMYK 0 / 23 / 16 / 45

HEX #8D6C76

RGB 141 108 118

HSL 341.82, 0.13%, 0.49%

LAB 49.13, 14.77, -0.49

 

CMYK 4 / 0 / 23 / 45

HEX #878D6C

RGB 135 141 108

HSL 70.91, 0.13%, 0.49%

LAB 57.35, -8.14, 16.91

 

CMYK 23 / 0 / 8 / 45

HEX #6C8D82

RGB 108 141 130

HSL 160, 0.13%, 0.49%

LAB 55.94, -13.98, 2.08

 

Description

Color code: CMYK 19 / 23 / 0 / 45 | qconv.com Color code: CMYK 19 / 23 / 0 / 45 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 108 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 108 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 23 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 23% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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