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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 19 / 20 / 0 / 25 it is the complementary color CMYK 2 / 0 / 37 / 60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 19 / 20 / 0 / 25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 19 / 20 / 0 / 25: CMYK 14 / 18 / 0 / 27, CMYK 14 / 17 / 0 / 20, CMYK 13 / 16 / 0 / 12, CMYK 13 / 15 / 0 / 5 and CMYK 11 / 12 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 19 / 20 / 0 / 25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 19 / 20 / 0 / 25: CMYK 19 / 20 / 0 / 25, CMYK 20 / 22 / 0 / 33, CMYK 21 / 24 / 0 / 40, CMYK 22 / 26 / 0 / 47 and CMYK 24 / 30 / 0 / 55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 20 / 0 / 25

HEX #9B99BF

RGB 155 153 191

HSL 243.16, 0.23%, 0.67%

LAB 64.57, 8.72, -19.34

 

Complementary color

CMYK 2 / 0 / 37 / 60

HEX #646640

RGB 100 102 64

HSL 63.16, 0.23%, 0.33%

LAB 42.13, -7.39, 21.25

 

CMYK 14 / 18 / 0 / 27

HEX #A099BA

RGB 160 153 186

HSL 252.73, 0.19%, 0.66%

LAB 64.8, 9.24, -16.15

 

CMYK 14 / 17 / 0 / 20

HEX #B1ABCD

RGB 177 171 205

HSL 250.59, 0.25%, 0.74%

LAB 71.47, 8.91, -16.48

 

CMYK 13 / 16 / 0 / 12

HEX #C2BDE0

RGB 194 189 224

HSL 248.57, 0.36%, 0.81%

LAB 78.02, 8.6, -16.82

 

CMYK 13 / 15 / 0 / 5

HEX #D3CFF3

RGB 211 207 243

HSL 246.67, 0.6%, 0.88%

LAB 84.46, 8.32, -17.16

 

CMYK 11 / 12 / 0 / 0

HEX #E4E1FF

RGB 228 225 255

HSL 246, 1%, 0.94%

LAB 90.58, 6.65, -14.16

 

CMYK 19 / 20 / 0 / 25

HEX #9B99BF

RGB 155 153 191

HSL 243.16, 0.23%, 0.67%

LAB 64.57, 8.72, -19.34

 

CMYK 20 / 22 / 0 / 33

HEX #8A87AC

RGB 138 135 172

HSL 244.86, 0.18%, 0.6%

LAB 57.76, 9.08, -19.09

 

CMYK 21 / 24 / 0 / 40

HEX #797599

RGB 121 117 153

HSL 246.67, 0.15%, 0.53%

LAB 50.79, 9.49, -18.87

 

CMYK 22 / 26 / 0 / 47

HEX #686386

RGB 104 99 134

HSL 248.57, 0.15%, 0.46%

LAB 43.64, 9.95, -18.68

 

CMYK 24 / 30 / 0 / 55

HEX #575173

RGB 87 81 115

HSL 250.59, 0.17%, 0.38%

LAB 36.27, 10.49, -18.54

 

CMYK 19 / 20 / 0 / 25

HEX #9B99BF

RGB 155 153 191

HSL 243.16, 0.23%, 0.67%

LAB 64.57, 8.72, -19.34

 

CMYK 16 / 21 / 0 / 25

HEX #9F97BE

RGB 159 151 190

HSL 252.31, 0.23%, 0.67%

LAB 64.34, 10.92, -19.11

 

CMYK 13 / 21 / 0 / 25

HEX #A697BE

RGB 166 151 190

HSL 263.08, 0.23%, 0.67%

LAB 64.93, 13.22, -18.16

 

CMYK 9 / 21 / 0 / 25

HEX #AC97BE

RGB 172 151 190

HSL 272.31, 0.23%, 0.67%

LAB 65.45, 15.22, -17.31

 

CMYK 6 / 21 / 0 / 25

HEX #B397BE

RGB 179 151 190

HSL 283.08, 0.23%, 0.67%

LAB 66.09, 17.57, -16.29

 

CMYK 19 / 20 / 0 / 25

HEX #9B99BF

RGB 155 153 191

HSL 243.16, 0.23%, 0.67%

LAB 64.57, 8.72, -19.34

 

CMYK 19 / 20 / 0 / 5

HEX #C4C2F2

RGB 196 194 242

HSL 242.5, 0.65%, 0.85%

LAB 80.03, 10.39, -23.44

 

CMYK 18 / 21 / 0 / 85

HEX #1F1E26

RGB 31 30 38

HSL 247.5, 0.12%, 0.13%

LAB 11.69, 2.61, -5.24

 

CMYK 19 / 20 / 0 / 65

HEX #484759

RGB 72 71 89

HSL 243.33, 0.11%, 0.31%

LAB 30.89, 4.72, -10.49

 

CMYK 19 / 20 / 0 / 45

HEX #72708C

RGB 114 112 140

HSL 244.29, 0.11%, 0.49%

LAB 48.33, 6.97, -15.01

 

CMYK 19 / 20 / 0 / 25

HEX #9B99BF

RGB 155 153 191

HSL 243.16, 0.23%, 0.67%

LAB 64.57, 8.72, -19.34

 

CMYK 0 / 21 / 5 / 25

HEX #BE97B4

RGB 190 151 180

HSL 315.38, 0.23%, 0.67%

LAB 66.81, 19.45, -9.51

 

CMYK 13 / 0 / 21 / 25

HEX #A5BE97

RGB 165 190 151

HSL 98.46, 0.23%, 0.67%

LAB 74.23, -15.74, 16.91

 

CMYK 19 / 20 / 0 / 25

HEX #9B99BF

RGB 155 153 191

HSL 243.16, 0.23%, 0.67%

LAB 64.57, 8.72, -19.34

 

CMYK 0 / 19 / 21 / 25

HEX #BE9997

RGB 190 153 151

HSL 3.08, 0.23%, 0.67%

LAB 66.49, 13.46, 6.27

 

CMYK 21 / 0 / 19 / 25

HEX #97BE99

RGB 151 190 153

HSL 123.08, 0.23%, 0.67%

LAB 73.35, -20.31, 14.48

 

CMYK 19 / 20 / 0 / 25

HEX #9B99BF

RGB 155 153 191

HSL 243.16, 0.23%, 0.67%

LAB 64.57, 8.72, -19.34

 

CMYK 0 / 21 / 5 / 25

HEX #BE97B4

RGB 190 151 180

HSL 315.38, 0.23%, 0.67%

LAB 66.81, 19.45, -9.51

 

CMYK 1 / 0 / 21 / 25

HEX #BCBE97

RGB 188 190 151

HSL 63.08, 0.23%, 0.67%

LAB 75.92, -7.25, 19.51

 

CMYK 21 / 0 / 15 / 25

HEX #97BEA1

RGB 151 190 161

HSL 135.38, 0.23%, 0.67%

LAB 73.53, -18.84, 10.4

 

CMYK 19 / 20 / 0 / 25

HEX #9B99BF

RGB 155 153 191

HSL 243.16, 0.23%, 0.67%

LAB 64.57, 8.72, -19.34

 

CMYK 0 / 21 / 12 / 25

HEX #BE97A8

RGB 190 151 168

HSL 333.85, 0.23%, 0.67%

LAB 66.45, 17.33, -3.32

 

CMYK 1 / 0 / 21 / 25

HEX #BCBE97

RGB 188 190 151

HSL 63.08, 0.23%, 0.67%

LAB 75.92, -7.25, 19.51

 

CMYK 21 / 0 / 9 / 25

HEX #97BEAC

RGB 151 190 172

HSL 152.31, 0.23%, 0.67%

LAB 73.79, -16.7, 4.8

 

Description

Color code: CMYK 19 / 20 / 0 / 25 | qconv.com Color code: CMYK 19 / 20 / 0 / 25 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 153 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 153 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 20 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 20% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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