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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 19 / 0 / 9 / 13 it is the complementary color CMYK 0 / 56 / 29 / 71. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 19 / 0 / 9 / 13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 19 / 0 / 9 / 13: CMYK 17 / 0 / 11 / 13, CMYK 16 / 0 / 10 / 6, CMYK 14 / 0 / 8 / 0, CMYK 7 / 0 / 0 / 0 and CMYK 1 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 19 / 0 / 9 / 13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 19 / 0 / 9 / 13: CMYK 19 / 0 / 9 / 13, CMYK 20 / 0 / 10 / 20, CMYK 22 / 0 / 12 / 27, CMYK 23 / 0 / 14 / 34 and CMYK 25 / 0 / 16 / 41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 9 / 13

HEX #B4DECA

RGB 180 222 202

HSL 151.43, 0.39%, 0.79%

LAB 85.1, -17.61, 5.29

 

Complementary color

CMYK 0 / 56 / 29 / 71

HEX #4B2135

RGB 75 33 53

HSL 331.43, 0.39%, 0.21%

LAB 19.39, 22.63, -3.76

 

CMYK 17 / 0 / 11 / 13

HEX #B9DEC5

RGB 185 222 197

HSL 139.46, 0.36%, 0.8%

LAB 85.3, -16.94, 8.24

 

CMYK 16 / 0 / 10 / 6

HEX #CAF0D8

RGB 202 240 216

HSL 142.11, 0.56%, 0.87%

LAB 91.61, -16.84, 7.51

 

CMYK 14 / 0 / 8 / 0

HEX #DBFFEB

RGB 219 255 235

HSL 146.67, 1%, 0.93%

LAB 97.06, -15.29, 5.67

 

CMYK 7 / 0 / 0 / 0

HEX #ECFFFE

RGB 236 255 254

HSL 176.84, 1%, 0.96%

LAB 98.63, -6.34, -1.65

 

CMYK 1 / 0 / 0 / 0

HEX #FDFFFF

RGB 253 255 255

HSL 180, 1%, 1%

LAB 99.85, -0.65, -0.24

 

CMYK 19 / 0 / 9 / 13

HEX #B4DECA

RGB 180 222 202

HSL 151.43, 0.39%, 0.79%

LAB 85.1, -17.61, 5.29

 

CMYK 20 / 0 / 10 / 20

HEX #A3CCB7

RGB 163 204 183

HSL 149.27, 0.29%, 0.72%

LAB 78.69, -17.74, 6.02

 

CMYK 22 / 0 / 12 / 27

HEX #92BAA4

RGB 146 186 164

HSL 147, 0.22%, 0.65%

LAB 72.17, -17.89, 6.78

 

CMYK 23 / 0 / 14 / 34

HEX #81A891

RGB 129 168 145

HSL 144.62, 0.18%, 0.58%

LAB 65.53, -18.06, 7.59

 

CMYK 25 / 0 / 16 / 41

HEX #70967E

RGB 112 150 126

HSL 142.11, 0.15%, 0.51%

LAB 58.76, -18.26, 8.45

 

CMYK 19 / 0 / 9 / 13

HEX #B4DECA

RGB 180 222 202

HSL 151.43, 0.39%, 0.79%

LAB 85.1, -17.61, 5.29

 

CMYK 19 / 0 / 6 / 13

HEX #B4DED1

RGB 180 222 209

HSL 161.43, 0.39%, 0.79%

LAB 85.28, -16.24, 1.84

 

CMYK 19 / 0 / 3 / 13

HEX #B4DED8

RGB 180 222 216

HSL 171.43, 0.39%, 0.79%

LAB 85.46, -14.83, -1.59

 

CMYK 19 / 0 / 0 / 13

HEX #B4DDDE

RGB 180 221 222

HSL 181.43, 0.39%, 0.79%

LAB 85.35, -13.08, -4.93

 

CMYK 19 / 4 / 0 / 13

HEX #B4D6DE

RGB 180 214 222

HSL 191.43, 0.39%, 0.79%

LAB 83.48, -9.49, -7.69

 

CMYK 19 / 0 / 9 / 13

HEX #B4DECA

RGB 180 222 202

HSL 151.43, 0.39%, 0.79%

LAB 85.1, -17.61, 5.29

 

CMYK 17 / 0 / 11 / 93

HEX #0F1210

RGB 15 18 16

HSL 140, 0.09%, 0.06%

LAB 5.16, -1.49, 0.69

 

CMYK 19 / 0 / 9 / 73

HEX #38453F

RGB 56 69 63

HSL 152.31, 0.1%, 0.25%

LAB 28, -6.69, 1.88

 

CMYK 19 / 0 / 9 / 53

HEX #61786D

RGB 97 120 109

HSL 151.3, 0.11%, 0.43%

LAB 48.36, -10.82, 3.26

 

CMYK 19 / 0 / 9 / 33

HEX #8BAB9C

RGB 139 171 156

HSL 151.88, 0.16%, 0.61%

LAB 67.29, -14.05, 4.1

 

CMYK 19 / 0 / 9 / 13

HEX #B4DECA

RGB 180 222 202

HSL 151.43, 0.39%, 0.79%

LAB 85.1, -17.61, 5.29

 

CMYK 19 / 14 / 0 / 13

HEX #B4C0DE

RGB 180 192 222

HSL 222.86, 0.39%, 0.79%

LAB 77.68, 2.11, -16.35

 

CMYK 0 / 17 / 19 / 13

HEX #DEB9B4

RGB 222 185 180

HSL 7.14, 0.39%, 0.79%

LAB 78.18, 12.49, 7.49

 

CMYK 19 / 0 / 9 / 13

HEX #B4DECA

RGB 180 222 202

HSL 151.43, 0.39%, 0.79%

LAB 85.1, -17.61, 5.29

 

CMYK 9 / 19 / 0 / 13

HEX #CAB4DE

RGB 202 180 222

HSL 271.43, 0.39%, 0.79%

LAB 76.36, 15.67, -18.18

 

CMYK 0 / 9 / 19 / 13

HEX #DECAB4

RGB 222 202 180

HSL 31.43, 0.39%, 0.79%

LAB 82.41, 3.48, 13.52

 

CMYK 19 / 0 / 9 / 13

HEX #B4DECA

RGB 180 222 202

HSL 151.43, 0.39%, 0.79%

LAB 85.1, -17.61, 5.29

 

CMYK 19 / 14 / 0 / 13

HEX #B4C0DE

RGB 180 192 222

HSL 222.86, 0.39%, 0.79%

LAB 77.68, 2.11, -16.35

 

CMYK 0 / 19 / 10 / 13

HEX #DEB4C8

RGB 222 180 200

HSL 331.43, 0.39%, 0.79%

LAB 77.49, 18.38, -4.37

 

CMYK 0 / 5 / 19 / 13

HEX #DED2B4

RGB 222 210 180

HSL 42.86, 0.39%, 0.79%

LAB 84.44, -0.69, 16.37

 

CMYK 19 / 0 / 9 / 13

HEX #B4DECA

RGB 180 222 202

HSL 151.43, 0.39%, 0.79%

LAB 85.1, -17.61, 5.29

 

CMYK 18 / 19 / 0 / 13

HEX #B5B4DE

RGB 181 180 222

HSL 241.43, 0.39%, 0.79%

LAB 74.66, 8.94, -20.91

 

CMYK 0 / 19 / 10 / 13

HEX #DEB4C8

RGB 222 180 200

HSL 331.43, 0.39%, 0.79%

LAB 77.49, 18.38, -4.37

 

CMYK 0 / 0 / 19 / 13

HEX #DDDEB4

RGB 221 222 180

HSL 61.43, 0.39%, 0.79%

LAB 87.44, -7.22, 20.54

 

Description

Color code: CMYK 19 / 0 / 9 / 13 | qconv.com Color code: CMYK 19 / 0 / 9 / 13 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 222 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 222 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 9 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 9% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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