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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 19 / 0 / 90 / 10 it is the complementary color CMYK 70 / 89 / 0 / 9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 19 / 0 / 90 / 10. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 19 / 0 / 90 / 10: CMYK 17 / 0 / 92 / 10, CMYK 16 / 0 / 85 / 3, CMYK 12 / 0 / 78 / 0, CMYK 5 / 0 / 71 / 0 and CMYK 0 / 0 / 63 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 19 / 0 / 90 / 10. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 19 / 0 / 90 / 10: CMYK 19 / 0 / 90 / 10, CMYK 20 / 0 / 98 / 17, CMYK 22 / 0 / 100 / 24, CMYK 23 / 0 / 100 / 31 and CMYK 25 / 0 / 100 / 38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 90 / 10

HEX #BAE617

RGB 186 230 23

HSL 72.75, 0.82%, 0.5%

LAB 85.55, -37.62, 81.4

 

Complementary color

CMYK 70 / 89 / 0 / 9

HEX #4519E8

RGB 69 25 232

HSL 252.75, 0.82%, 0.5%

LAB 33.53, 70.22, -92.73

 

CMYK 17 / 0 / 92 / 10

HEX #BFE612

RGB 191 230 18

HSL 71.04, 0.85%, 0.49%

LAB 85.86, -35.73, 82.44

 

CMYK 16 / 0 / 85 / 3

HEX #D0F825

RGB 208 248 37

HSL 71.37, 0.94%, 0.56%

LAB 91.99, -36.75, 84.85

 

CMYK 12 / 0 / 78 / 0

HEX #E1FF38

RGB 225 255 56

HSL 69.05, 1%, 0.61%

LAB 95.08, -32.65, 83.55

 

CMYK 5 / 0 / 71 / 0

HEX #F2FF4B

RGB 242 255 75

HSL 64.33, 1%, 0.65%

LAB 96.37, -25.11, 79.45

 

CMYK 0 / 0 / 63 / 0

HEX #FFFF5E

RGB 255 255 94

HSL 60, 1%, 0.68%

LAB 97.47, -18.93, 74

 

CMYK 19 / 0 / 90 / 10

HEX #BAE617

RGB 186 230 23

HSL 72.75, 0.82%, 0.5%

LAB 85.55, -37.62, 81.4

 

CMYK 20 / 0 / 98 / 17

HEX #A9D404

RGB 169 212 4

HSL 72.4, 0.96%, 0.42%

LAB 79.35, -36.51, 78.15

 

CMYK 22 / 0 / 100 / 24

HEX #98C200

RGB 152 194 0

HSL 72.99, 1%, 0.38%

LAB 73.06, -35.18, 73.3

 

CMYK 23 / 0 / 100 / 31

HEX #87B000

RGB 135 176 0

HSL 73.98, 1%, 0.35%

LAB 66.67, -33.8, 67.98

 

CMYK 25 / 0 / 100 / 38

HEX #769E00

RGB 118 158 0

HSL 75.19, 1%, 0.31%

LAB 60.16, -32.4, 62.55

 

CMYK 19 / 0 / 90 / 10

HEX #BAE617

RGB 186 230 23

HSL 72.75, 0.82%, 0.5%

LAB 85.55, -37.62, 81.4

 

CMYK 33 / 0 / 91 / 9

HEX #9BE816

RGB 155 232 22

HSL 82, 0.83%, 0.5%

LAB 84.35, -50.14, 79.83

 

CMYK 48 / 0 / 91 / 9

HEX #78E816

RGB 120 232 22

HSL 92, 0.83%, 0.5%

LAB 82.79, -61.56, 77.9

 

CMYK 63 / 0 / 91 / 9

HEX #55E816

RGB 85 232 22

HSL 102, 0.83%, 0.5%

LAB 81.68, -70.49, 76.53

 

CMYK 78 / 0 / 91 / 9

HEX #32E816

RGB 50 232 22

HSL 112, 0.83%, 0.5%

LAB 80.99, -76.42, 75.67

 

CMYK 19 / 0 / 90 / 10

HEX #BAE617

RGB 186 230 23

HSL 72.75, 0.82%, 0.5%

LAB 85.55, -37.62, 81.4

 

CMYK 19 / 0 / 88 / 90

HEX #151A03

RGB 21 26 3

HSL 73.04, 0.79%, 0.06%

LAB 8.17, -6.75, 10.88

 

CMYK 19 / 0 / 90 / 70

HEX #3E4D08

RGB 62 77 8

HSL 73.04, 0.81%, 0.17%

LAB 30.28, -16.15, 35.18

 

CMYK 19 / 0 / 90 / 50

HEX #68800D

RGB 104 128 13

HSL 72.52, 0.82%, 0.28%

LAB 49.99, -23.56, 51.91

 

CMYK 19 / 0 / 90 / 30

HEX #91B312

RGB 145 179 18

HSL 72.67, 0.82%, 0.39%

LAB 68.24, -30.8, 67.1

 

CMYK 19 / 0 / 90 / 10

HEX #BAE617

RGB 186 230 23

HSL 72.75, 0.82%, 0.5%

LAB 85.55, -37.62, 81.4

 

CMYK 91 / 0 / 54 / 9

HEX #16E86A

RGB 22 232 106

HSL 144, 0.83%, 0.5%

LAB 81.25, -72.11, 47.99

 

CMYK 18 / 91 / 0 / 9

HEX #BE16E8

RGB 190 22 232

HSL 288, 0.83%, 0.5%

LAB 48.69, 83.2, -67.25

 

CMYK 19 / 0 / 90 / 10

HEX #BAE617

RGB 186 230 23

HSL 72.75, 0.82%, 0.5%

LAB 85.55, -37.62, 81.4

 

CMYK 91 / 18 / 0 / 9

HEX #16BEE8

RGB 22 190 232

HSL 192, 0.83%, 0.5%

LAB 71.44, -24.36, -31.84

 

CMYK 0 / 91 / 18 / 9

HEX #E816BE

RGB 232 22 190

HSL 312, 0.83%, 0.5%

LAB 53.44, 84.13, -35.19

 

CMYK 19 / 0 / 90 / 10

HEX #BAE617

RGB 186 230 23

HSL 72.75, 0.82%, 0.5%

LAB 85.55, -37.62, 81.4

 

CMYK 91 / 0 / 54 / 9

HEX #16E86A

RGB 22 232 106

HSL 144, 0.83%, 0.5%

LAB 81.25, -72.11, 47.99

 

CMYK 72 / 91 / 0 / 9

HEX #4016E8

RGB 64 22 232

HSL 252, 0.83%, 0.5%

LAB 32.9, 70.76, -93.8

 

CMYK 0 / 91 / 36 / 9

HEX #E81694

RGB 232 22 148

HSL 324, 0.83%, 0.5%

LAB 51.69, 79.51, -13.15

 

CMYK 19 / 0 / 90 / 10

HEX #BAE617

RGB 186 230 23

HSL 72.75, 0.82%, 0.5%

LAB 85.55, -37.62, 81.4

 

CMYK 91 / 0 / 27 / 9

HEX #16E8A9

RGB 22 232 169

HSL 162, 0.83%, 0.5%

LAB 82.24, -60.53, 17.86

 

CMYK 72 / 91 / 0 / 9

HEX #4016E8

RGB 64 22 232

HSL 252, 0.83%, 0.5%

LAB 32.9, 70.76, -93.8

 

CMYK 0 / 91 / 63 / 9

HEX #E81655

RGB 232 22 85

HSL 342, 0.83%, 0.5%

LAB 49.96, 74.77, 22.63

 

Description

Color code: CMYK 19 / 0 / 90 / 10 | qconv.com Color code: CMYK 19 / 0 / 90 / 10 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 230 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 230 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 90 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 90% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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